I am working on a song in which the first bit is all free time. I would
like to enter the beginning of the song with no time signature - just an
empty measure and the words Free Time below it. I've got the empty
measure and the text done (though the text is longer than the measure),
how do I ge
I think having a Wiki is a nice idea, but I just have a couple of
questions about it.
First of all, do the documentation maintainer review or are notified of
changes made to the Wiki ?
And also, to the Wiki maintainer, is there going to be a link that points
back to the official documentation on
The attached code which worked in 2.1.14 or 2.1.15 no longer changes the
TextScript padding or the MultiMeasureRestNumber padding.
Did I miss a syntax change?
Paul Scott
\include "english.ly"
\include "../textpad.ly"
dyviiicom = \notes {
\time 2/2 s1*18 \bar "||" \time 3/2 s2*3 \bar "||"
On Mon, Feb 02, 2004 at 08:16:58PM +0100, Matthias Kilian wrote:
> Unfortunately, I didn't find the time to scan that part of B&H edition. If
[...]
Ha! I finally did what an more intelligent beeing would have done first:
open collated-files.html and search for `shift'.
Attached you can find an im
On Mon, Feb 02, 2004 at 09:59:29AM +0100, Jan Nieuwenhuizen wrote:
> > As far as I can see, LilyPond does the same as B& H most of the time. Only
> > that critical situation in my example is handled differently.
>
> How?
By putting the stem-down, dotted eight *right* of the stem-up chord. I
try a
Cheers,
Not much really... I think that Lilypond is a wonderful tool, not only because
it produces beautiful scores, but even more importantly, because it allows
one to describe music analytically, as a set of user-defined musical
constructs (themes, fragments, etc..) rather than just a set of not
In my opinion, the biggest problem with the vertical spacing in
LilyPond today, is the use of rectangular boxes around each
stave to determine the spacing. The attached example illustrates
what I have in mind.
Unfortunately, it seems very complicated to improve this situation
(TeX/LaTeX, for exampl
[EMAIL PROTECTED] writes:
> Actually, I have found just the opposite: the staves are *rarely*
> exactly equidistant! And this is especially true from page to page (as
> opposed to within a block of staves on one page): the staves expand and
> contract to accommodate the material. (I just confirm
[EMAIL PROTECTED] writes:
> With that in mind, is there an easy way of "locking" the interstaff
> distance within a system so that all pages are consistent, even given
> that there may be overlaps which I can correct by tweaking?
You can use the verticalExtent property to force the extents of the
Hello, Ralph:
If I look at professionally produced stuff,
within a system, the staves are always equidistant.
Actually, I have found just the opposite: the staves are *rarely*
exactly equidistant! And this is especially true from page to page (as
opposed to within a block of staves on one page):
Hi,
Some time back I posted a question regarding how to introduce a
temporary ossia in an instrumental part for just a few bars on a
separate staff, and was messing with all kinds of things to achieve
this.
In the end, the simplest solution was the best, and I can't for the life
of me see why I did
Ralph Little wrote:
Hi,
Thanks for that.
I have resorted to lilypond-book in the end to squeeze the maximum
amount of space from the paper, which wasn't as painful as I thought it
would be!
My main problem seems to be that If I look at professionally produced
stuff, within a system, the staves ar
Did you notice the text on interscoreline and interscorelinefill at
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Page-layout.html#Page%20layout
You might also want to fiddle with the textheight variable.
/Mats
Ralph Little wrote:
Hi,
I am having a problem with a score which,
Hi,
Thanks for that.
I have resorted to lilypond-book in the end to squeeze the maximum
amount of space from the paper, which wasn't as painful as I thought it
would be!
My main problem seems to be that If I look at professionally produced
stuff, within a system, the staves are always equidistant.
[EMAIL PROTECTED] writes:
> Hi Hans and everyone,
>
> I included a png of the output and my version number is:
>
> lilypond (GNU LilyPond) 2.1.16
>
> if you would like the entire file I will post it seperately.
Thanks, I think that I fixed the problem. Can you check if CVS or .17
fixes your pro
Hi Hans and everyone,
I included a png of the output and my version number is:
lilypond (GNU LilyPond) 2.1.16
if you would like the entire file I will post it seperately.
Thanks
Aaron
<>___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.
[EMAIL PROTECTED] writes:
> Hi again,
>
> for clarity sake here is the complete measure with the backwards brackets
>
> > \appoggiatura {dis16 [e]} \times 2/3 {fis8 e4}
> >
> >
> > it came out ok except that the tuplet brackets are mirrored facing
> > outward instead on inward.
> > but when I
[EMAIL PROTECTED] writes:
> This answer illustrates an asymmetry in the new \with{...} syntax,
> namely that it cannot be applied to the full \score. How hard would
> it be to allow for
> \score \with {...} {The actual score}
It would be hairy. It reflects asymmetry in the underlying code: Score
[EMAIL PROTECTED] writes:
> Mats Bengtsson wrote:
> > J. Daniel Ashton wrote:
>
> >> I'm sure these have come up before, but I ran into them again yesterday
> >> and wanted to make sure they're in someone's official "consider
> >> implementing" list.
>
> >> 1. an easy way to get a nicely engraved
This answer illustrates an asymmetry in the new \with{...} syntax,
namely that it cannot be applied to the full \score. How hard would
it be to allow for
\score \with {...} {The actual score}
Jan Nieuwenhuizen wrote:
Bertalan Fodor writes:
I have a score with two staves. I want to put a rehearsal
You can find an example of this at the end of
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Multi-measure-rests.html#Multi%20measure%20rests
(note that you have to specify _\markup{...} or ^\markup{...} depending
on if you want the text above or below the stave (note also the
bac
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Matthias Kilian writes:
>> Does B&H arrange the heads in the same way as LilyPond?
>
> As far as I can see, LilyPond does the same as B& H most of the time. Only
> that critical situation in my example is handled differently.
How?
> I think it's good in sense of engraving style, especially spaci
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