Setting Coda symbol in it's proper place

2003-12-31 Thread chip
I am struggling with the location of the Coda symbol. I am using this code - \property Voice.TextScript \override #'extra-offset = #'(0.0 . 5.0) \mark \markup { \musicglyph #"scripts-coda" } No matter what numbers I plug into the parenthesis the symbol always stays in the same place - directly

Re: QQAE, what a question!

2003-12-31 Thread Hemphill
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Re: Finalizing my score

2003-12-31 Thread Atte André Jensen
chip wrote: \property Voice.TextScript \override #'extra-offset =#'(x . y) That helps me also. Great :-) I seem to recall there being some kind of 'closing tag' to end the offset property, What is the proper way to end that one override? \once \property Voice.TextScript \override #'extra-offse

Re: Finalizing my score

2003-12-31 Thread chip
Atte André Jensen wrote: Fernando Rauber wrote: 1) I'm using a tempo mark in the first measure, but it collides with the first measure stems. Is there any way to move it up? \property Voice.TextScript \override #'extra-offset =#'(x . y) That helps me also. I seem to recall there being some kind

Re: removing accordeon support & solfa ?

2003-12-31 Thread Richard Lyons
On Tuesday 30 December 2003 20:47, Han-Wen Nienhuys wrote: > Dear list, > > I am revamping parts of the fonts. Almost all of the font is ok, > and the larger parter could even be called elegant, save for two > groups of glyphs, > > * The accordeon symbols [...] I'm not really any kind of expert,

Re: Finalizing my score

2003-12-31 Thread Atte André Jensen
Fernando Rauber wrote: 1) I'm using a tempo mark in the first measure, but it collides with the first measure stems. Is there any way to move it up? \property Voice.TextScript \override #'extra-offset =#'(x . y) -- peace, love & harmony Atte http://www.atte.dk

Re: removing accordeon support & solfa ?

2003-12-31 Thread Jim
Han-Wen et al, On Tue, 30 Dec 2003 21:47:21 +0100, Han-Wen Nienhuys wrote: > > I am revamping parts of the fonts. Almost all of the font is ok, > and the larger parter could even be called elegant, save for two > groups of glyphs, > > * The accordeon symbols > > * The solfa heads. It looks