Hi All
I am learning the piano in ``fake book'' style: treble clef only,
Chordnames, lyrics and now: fingering promptings. (Yes I know I'm a
philistine :-)
1) Is there a way to increase the space between the staff and the lyrics to
avoid the fingerings being overwritten?
2) Is there a way to
Thanks it worked like a charm.
Aaron
On Mon, 2003-12-01 at 00:35, Graham Percival wrote:
> On Mon, 01 Dec 2003 00:03:41 +0200
> Aaron <[EMAIL PROTECTED]> wrote:
> > I am inputting a score in lilypond which has a section that the the
> > quarter note gets the beat but the bar lines are used sparingl
On Mon, 01 Dec 2003 00:03:41 +0200
Aaron <[EMAIL PROTECTED]> wrote:
> I am inputting a score in lilypond which has a section that the the
> quarter note gets the beat but the bar lines are used sparingly.
>
> In the score no time signiture is given.
>
> I am unsure how to notate the time signitur
Hi all,
I am inputting a score in lilypond which has a section that the the
quarter note gets the beat but the bar lines are used sparingly.
In the score no time signiture is given.
I am unsure how to notate the time signiture.
Should I add a time signiture and hide it??
If so what one???
Thanks
Nicolas Sceaux wrote:
Sun, 30 Nov 2003 11:24:53 -0700, Paul a dit :
> I am trying to solve the same problem. I have gotten this far:
> #(define textPad( lambda( pad ) \property Score.TextScript \override
> #'padding = pad ))
> with several guessed variations of
> (textPad 3)
Thank you very
Mon, 24 Nov 2003 22:10:39 -0800, Guy a dit :
> I'm trying to typeset music for classical guitar for which I need
> to be able to produce the barre
> symbol. I've managed to acheive the desired output with text
> spanners via the code:
> \property Voice.TextSpanner \set #'edge-text = #'(
Sun, 30 Nov 2003 11:24:53 -0700, Paul a dit :
> Guy Shaviv wrote:
>> That's correct, I'm interested in how you can set up a command that takes a
>> parameter. I actually even need two parameters as a partial barre has two
>> parameters, on what fret and on how many strings. While for the ful
Aaron wrote:
maybe Mats answered I think or Frenec
But I remember posting a thank you.
When I searched google I only found old stuff.
Me too.
I remember it was something simple...
Do you have anything in your sent folder which could maybe be reanswered?
Can you make a better guess about the
maybe Mats answered I think or Frenec
But I remember posting a thank you.
When I searched google I only found old stuff.
I remember it was something simple...
Thanks
Aaron
On Sun, 2003-11-30 at 19:54, Paul Scott wrote:
> Aaron wrote:
>
> >after searching all my backup cd's and the lilypond user
Guy Shaviv wrote:
That's correct, I'm interested in how you can set up a command that takes a
parameter. I actually even need two parameters as a partial barre has two
parameters, on what fret and on how many strings. While for the full barre I
can setup 12 commands (e.g. \barreI \barreII ...), it
Aaron wrote:
after searching all my backup cd's and the lilypond users archives, I am
hoping one of the wonderful users can help me find a thread to the list.
I had help from the list getting hebrew lyrics to work.
I didn't have hebrew titles working until recently because of an answer
from someon
Hi all,
after searching all my backup cd's and the lilypond users archives, I am
hoping one of the wonderful users can help me find a thread to the list.
I had help from the list getting hebrew lyrics to work.
I didn't have hebrew titles working until recently because of an answer
from someone to
Hello, I'm very new to lilypond, and find it to be very impressive.
I am confused about an interaction (or lack thereof) between \relative
blocks and \chords. I'm noticing that the octave for \chords{...}
seems to ignore the \relative octave.
Example (Lilypond version 2.0.0)
\score { \notes {
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