is there any plan to support tremolos shorter than a quarter?
i.e. \repeat "tremolo" 2 { c32 e32 }
i've had occasion to need them, but they generate a warning and end up
looking like squished-together quarter tremolos with no beam between the
stems. i'll have to hack a beam somehow for now.
LEFKE AVRUPA ÜNİVERSİTESİ
(KIBRIS BİLİM VAKFI)
YÖK tarafından tanınan, Avrupa ve Amerika'da geçerli diplomaya en kaliteli
ve en uygun harçlarla sahip olma olanağı ...
ÖSS Sınavından 185 ve üzeri ham puan almış öğrenciler 4 yıllık lisans
programlarına, 160 ve üzer
i just cannot get it straight...
if i understand correctly when you are writing
lyrics, and you want to say that a word should be sung over many notes ( a
melisma ), then you write something like
notes: n
n n n n
n n
words: w
- - -
- - -
-- Weitergeleitete Nachricht --
Subject: Re: inversions in lilypond 1.8.2
Date: Fri, 19 Sep 2003 10:12:41 +0200
From: Amelie Zapf <[EMAIL PROTECTED]>
To: Ray Brohinsky <[EMAIL PROTECTED]>
Hi all,
as with all discussions about chords, let me throw in my 2¢...
Voice leading is
I've made a new version of LilyPond available for download.
As a special attraction 1.8.2-1 associates .ly files with an editor.
Double clicking a .ly file will generate the PDF and open your
favourite PDF viewer. Feel free to share your comments and
suggestions on this new feature.
Enjoy,
Jan.
On Saturday 20 September 2003 08:38 am, Bernard Meylan wrote:
> After a time of practice, I wish now to enter a bigger orchestral
> piece. I don't no exactly the right following order; firts the parts
> and after the score? Or otherwise? And what is the best way to make a
> .ly file so "clean" and
Ive found the following code in the mail archives to align stanza numbers, but it
doesnt make sense to me.
\score{
...
\paper{
...
\translator{
\ScoreContext
%%% Choose which one of the following lines you want to uncomment
% StanzaNumber \override #'break-align-symbol =
in "tips and tricks" : harmonic.ly
if the initial c'4 is removed, then the two notes within the <<>> behave
as polyphony rather than as a chord. this is consistent with the new
polyphony and chord syntax, but why does the initial c'4 force chord
behaviour?
if, after removing the initial
[EMAIL PROTECTED] writes:
> As a build dependency, which is missing.
>
> >> autotrace 0.29 is enough.
> >
> > 0.30 is necessary for mftrace. 0.29 works but crashes sometimes.
>
> I thought the mftrace dependency was artifical, since I
> never had any problems. Since it is also a Build-dep only,
After a time of practice, I wish now to enter a bigger orchestral piece.
I don't no exactly the right following order; firts the parts and after
the score? Or otherwise? And what is the best way to make a .ly file so
"clean" and precisely possible?
I have no see any explanation of this subject
Now that I have some more time, let me elaborate a bit...
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> [EMAIL PROTECTED] writes:
>
>> Imagemagick is needed.
As a build dependency, which is missing.
>> autotrace 0.29 is enough.
>
> 0.30 is necessary for mftrace. 0.29 works but crashes sometime
i need to make some "accelerando beams" - you know, the ones in modern
notation with two beams starting close together and getting gradually
further apart towards the end of the beamed group of notes. afaik, this
is not currently supported in lilypond.
i'm thinking of making this by having two
Webfingers writes:
> Associating an text editor for lilypond .ly extention in Windows XP
> here's what I did, on windows xp
> 4. next type in .LY and click Ok
> 8. Now click the Browse button to navigate to the program/editor you
> would like to use to open the .ly files it's now associated and
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