On Thu, 13 Feb 2003 18:14:21 +0100
Tam <[EMAIL PROTECTED]> wrote:
>
> b) an other problem associated with this: if I continue the partial bar
> after a "volta", the accents will be the same in the first bar after the
> "volta" as in the partial bar;
> e.g. \partial cis f :||: cis f g a |
> cis i
Hi Rafael,
chord names have been fixed by me for 1.6.7. This code has been ported to
1.7, cleaned up and expanded furthermore by Han-Wen and Jan.
> I've just started using Lilypond (1.6.6) and I can't get chord names to
> work. I found some messages in the archives about this, so it seems it
> i
Hi,
I've just started using Lilypond (1.6.6) and I can't get chord names to
work. I found some messages in the archives about this, so it seems it
is really a problem with Lilypond rather than me. I wonder if there is
a solution for this already. I've tried to upgrade to more recent
version of
I am looking for a way to produce music using early
notation such as White Mensural Notation. I heard that there has been some
work in developing a specialized font for use with the lilypond program.
Any information would be appreciated.
Mike Mendelsohn
___
Sorry for this off-topic question. It has to do with Beldon Dominello's
"rhythmic oddity" and ternary measures. My formal music theory is far
behind and it's not something I use regularly
It's not very important but I just want to check.
I thought that, at least in French, beats in ternary measu
Since the figured bass context by definition discards note requests,
it would be nice if lily would stop printing out the:
warning: Junking request: `Note_req':
messages when it's parsing in that context.
The way I do mine is to duplicate all the bass notes (after I've
proofread them) into a
