How to make Roman chord names, like
I (for tonic chord)
I6 (for first inversion of tonic chord)
I64 (for second inversion of tonic chord, 6 shoud be above the 4)
IV (for subdominant chord)
V (for dominant chord)
vii0 (for seven diminished chord)
... etc
,
under the score or melodies,
and the key
Pour
faire votre demande, rien de plus simple !
CLIQUEZ
ICI
Pour
faire votre demande, rien de plus simple !
CLIQUEZ
ICI
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I'm not concerned about redundancy just understanding the structure.
I've been programming for over 35 years and I really appreciate the
concept of laziness - why do something the computer can be taught to do.
Agreed, but now I still do
[EMAIL PROTECTED] writes:
> Han-Wen Nienhuys wrote:
>
> >[EMAIL PROTECTED] writes:
> >
> >
> >>and I don't yet understand why commands like \note and \context seem to
> >>be sometimes used redundantly.
> >>
> >>
> >Because we're lazy :) , you can send in a bug report if you like.
> >
> I'm
[EMAIL PROTECTED] writes:
> Please consider the following. I don't think you look at the feature
> requests very often, and maybe someone has a better way. Is
> wiki a black hole for feature requests?
Yes. The wiki will be taken offline once we get the new website going.
> Please allow the fing
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
and I don't yet understand why commands like \note and \context seem to
be sometimes used redundantly.
Because we're lazy :) , you can send in a bug report if you like.
I'm not concerned about redundancy just understanding the structure
[EMAIL PROTECTED] writes:
> and I don't yet understand why commands like \note and \context seem to
> be sometimes used redundantly.
Because we're lazy :) , you can send in a bug report if you like.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.cs.uu.nl/~hanwen
__
[EMAIL PROTECTED] writes:
> Is it possible to build lilypond relocatably so that you can move the
> files around and it will still work?
> I need to build with different prefix and exec-prefix - ofcourse the two
> should be defined relatively to each other.
Yes. Both the lilypond-{login,profile} s
[EMAIL PROTECTED] writes:
> information in .afm files (I haven't checked if it is that
> the .afm files we generate for the Feta fonts also are wrong
> or if it's just that the .afm files for the CMR fonts use some
> feature that Lilypond doesn't understand). Since the standard
> I can think of t
[EMAIL PROTECTED] writes:
> Hi again,
>
> I made typo in my previous example, here is the correct one, and once again
> the question: What have I done wrong -- _this time_ ;-) )
can you send the ww.pmx file ?
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.cs.uu.nl/~hanwen
Title: Do you remember me?
http://www.myfreelivecam.com/isabelle
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Lilypond-user mailing list
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Greetings!
Before I tell you my problem, I want to thank you for creating what
appears to be a wonderful application. The examples of LilyPond that
I've seen are very clean and elegant, and I wish you all the best in
continuing to develop and propagate it. :)
Hopefully, my problem will be of some
Hi,
I'd like to tell you that I'm working on a MusicXML to Lilypond
converter: it is a set of XSLT stylesheets, so you need an XSLT
processor in order to use it. It's name is very original...xml2ly :-)
MusicXML is an XML language to describe music: it is not the only
existing XML dialect for music
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