> At the risk of being blunt: more generally, is there a legitimate use
> case for completion heads? It never occurred to me that some people
> (like Simon, it seems) might rely on it that regularly; I used to
> regard it as one of those feature that seem nice at first but that
> typically tend to
- Original Message -
From: "David Kastrup"
Why would you even split note values across bars in "ancient music"?
I much prefer unmolested note values and bar lines _between_ staves
there. Makes the motives stand out clearer and avoids boorish
accentuation of mid-syncopes by the singers
"Phil Holmes" writes:
> - Original Message -
> From: "David Kastrup"
>
>> Why would you even split note values across bars in "ancient music"?
>> I much prefer unmolested note values and bar lines _between_ staves
>> there. Makes the motives stand out clearer and avoids boorish
>> acce
Hi all,
In CG 3.4.10 “Pushing to staging” it describes ways to push to staging from a
patch file or from a branch:
http://lilypond.org/doc/v2.19/Documentation/contributor/pushing-to-staging
I tried the branch instructions to avoid the extra step of having to create a
patch file, but it resulte
If I'm not misunderstanding you you should rebase your branch on top of
staging. Then you don't have a merge commit.
HTH
Urs
Am 10. April 2016 21:50:59 MESZ, schrieb Paul Morris :
>Hi all,
>
>In CG 3.4.10 “Pushing to staging” it describes ways to push to staging
>from a patch file or from a bra
Paul Morris writes:
> Hi all,
>
> In CG 3.4.10 “Pushing to staging” it describes ways to push to staging
> from a patch file or from a branch:
>
> http://lilypond.org/doc/v2.19/Documentation/contributor/pushing-to-staging
>
> I tried the branch instructions to avoid the extra step of having to
>
2016-04-10 21:50 GMT+02:00 Paul Morris :
> Hi all,
>
> In CG 3.4.10 “Pushing to staging” it describes ways to push to staging from a
> patch file or from a branch:
>
> http://lilypond.org/doc/v2.19/Documentation/contributor/pushing-to-staging
>
> I tried the branch instructions to avoid the extra
