> >>\cueDuring #'(uceVoice1 cueVoice2) {
> >> \set CueVoice.quotedEventTypes = #'(note-event)
> >> s1
> >>}
>
> You get the notes from cuevoice1 & cuevoice2, and the rests are
> ignored.
Ah, ok. IMHO this isn't a good solution, it just hides the problem.
Doing as you suggest it
Werner LEMBERG schreef:
it would be easier to make \cueDuring accept a list of interesting
voices, and use existing functionality to filter the rests, eg.
\cueDuring #'(uceVoice1 cueVoice2) {
\set CueVoice.quotedEventTypes = #'(note-event)
s1
}
How would you notate the situati
> it would be easier to make \cueDuring accept a list of interesting
> voices, and use existing functionality to filter the rests, eg.
>
>\cueDuring #'(uceVoice1 cueVoice2) {
> \set CueVoice.quotedEventTypes = #'(note-event)
> s1
>}
How would you notate the situation described
Werner LEMBERG schreef:
Any idea how this could be avoided? My idea is to have a list which
tells lilypond the time spans and the associated cue voices. As an
additional benefit, this would allow to have more than a single cue at
the same time. Here my proposed syntax -- of course, I have no
> >It's straightforward to insert two \cueDuring commands to get the
> >proper cues from cue voice 1 and 2. The very problem is the main
> >voice since the whole note has to be split into two half notes, the
> >first one has to get the appearance of a whole note, and the second
> >one must be inv
> with other words, the first two quarters are taken from cue voice 1,
> and the last two quarters from voice 2.
Should be `the first quarter is taken from cue voice 1, and the last
three quarters from voice 2'.
Werner
___
lilypond-devel mailing
Werner LEMBERG wrote:
Consider the following situation:
Main Voice: c1|
Cue Voice 1: g4 r2.|
Cue Voice 2: r2 e4 g e |
I want to have this appear in the part:
g4 e g e |
c1 |
with other words, the first two quarters are taken from cue voice 1,
and the last two qu
Consider the following situation:
Main Voice: c1|
Cue Voice 1: g4 r2.|
Cue Voice 2: r2 e4 g e |
I want to have this appear in the part:
g4 e g e |
c1 |
with other words, the first two quarters are taken from cue voice 1,
and the last two quarters from voice 2.
