>> huh, I understand less and less. I'll try this example;
>> my meantone tests are not crashing, they produce
>> correct MIDI (at least it sounds correct - I didn't think
>> MIDI has a concept of key signature); the signature
>> is missing from the score, though.
>
> If the key signature is missi
Benkő Pál wrote:
> huh, I understand less and less. I'll try this example;
> my meantone tests are not crashing, they produce
> correct MIDI (at least it sounds correct - I didn't think
> MIDI has a concept of key signature); the signature
> is missing from the score, though.
If the key signatu
> The following (derived from an example in the manual) crashes:
>
> \include "makam.ly"
> mode = #`((6 . ,(- KOMA)) (3 . ,BAKIYE))
> \score {
> \relative c' {
> \set Staff.keyAlterationOrder = #mode
> \key c \mode
> c4 cc db fk
> gbm4 gfc gfb efk
> fk4 db cc c
> }
> \layout{}
>
On Thu, 24 Feb 2011 19:45:32 -0800, Keith OHara wrote:
... tunings like XX-ET, popular in the 1600s, where C-sharp is 2/5 of a whole
tone above C.
Argh. It is 31-ET that has the 2/5ths. People liked it because it nearly
matched quarter-comma meantone.
I should learn to look things up befo
Benkő Pál writes:
Graham Breed writes:
> If the accidentals aren't halves, the MIDI production fails.
Please explain in more detail, I never had such problems with MIDI.
The following (derived from an example in the manual) crashes:
\include "makam.ly"
mode = #`((6 . ,(- KOMA)) (3 . ,BAKIYE)
> There's a long standing problem with unequally tempered key
> signatures. If the accidentals aren't halves, the MIDI production
> fails.
Please explain in more detail, I never had such problems with MIDI.
(other problems I did havelike nasty graphical output, or wrong
chords when I didn't move
There's a long standing problem with unequally tempered key
signatures. If the accidentals aren't halves, the MIDI production
fails. I've worked out a fix. Here's the diff from my system:
*** scm/midi.scm2011/02/20 20:32:26 1.1
--- scm/midi.scm2011/02/20 20:33:01
***
