> [...] This is what I've drawn out: When notating a chant, anyone who
> places full-height single or double lines anywhere but the end of a
> phrase is a sheep, a klutz, and an ignoramus.
:-)
> My main doubt is whether this restriction is limited to church
> music. I hope to understand whethe
Everything I know about 16th-Century Italian I learned from 20th-Century
Spanish. I hope that someone here is able and willing to check my guesses
about this.
The following text seems to follow an introduction to mensural rests, and it
surrounds a figure of a single bar line and a double bar l
