Aaron Hill writes:
> On 2021-03-18 5:24 am, David Kastrup wrote:
>> So "a feature I would like \fixed to have" is more a function of
>> persuading a significant majority that your interpretation of \fixed
>> f''
>> is clearly the best for the sake of all users.
>
> I would hope I made a good init
On 2021-03-18 5:24 am, David Kastrup wrote:
So "a feature I would like \fixed to have" is more a function of
persuading a significant majority that your interpretation of \fixed
f''
is clearly the best for the sake of all users.
I would hope I made a good initial argument already. But to add
Aaron Hill writes:
> A feature I would like \fixed to have is to honor the note name of the
> pitch so that you change that root note as well as the default octave.
> This would be helpful when entering music in scales other than C, as
> it lets you think about octaves in the relevant key signatu
On 2021-03-18 1:55 am, Aaron Hill wrote:
[...] We start the melody an octave higher than the reference, so
it's octave indication is not ideal.
*its
[...] Otherwise, you'd have to say
\fixed { c'' g, e, c } which is worse than just using absolute
pitches.
That should read: \fixed { c'' g, e
On 2021-03-18 1:05 am, Paul Scott wrote:
Would it be reasonable to have \fixed optionally take it's starting
point from its first pitch like \relative does? I jumped on this when
this feature was added to \relative. \fixed was the important reason
I have now switched completely from \relative t
Would it be reasonable to have \fixed optionally take it's starting
point from its first pitch like \relative does? I jumped on this when
this feature was added to \relative. \fixed was the important reason I
have now switched completely from \relative to \absolute.
Am I missing anything tha
