Hi Dan,
It's been a long time I wrote this code, so it may take me some time to
incorporate it
and produce samples. I can do this if there is interest in my
part-combiner.
Those samples wouldn't show the heuristics I used though, for that you'd
have to look into the code comments. I can show a b
es clear that the note takes
the whole duration of the bar. As an example I have attached part of
a brahms piano piece. I could give countless other examples.
brahms.png
Description: Centered notes in brahms piano piece.
Kristof Bastiaensen
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Hi,
In most scores (especially classic hand-engraved score) notes are
centered in the measure when there is only a single note (or rest) in
every staff and voice.
Kristof Bastiaensen
singlenotes.png
Description: Single notes are not centered in lilypond
fragment):
\tremolo 16 { g4 g8 }
Kristof Bastiaensen
tremolo.png
Description: tremolo example
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t; from the standard stemlength?
>
> IMHO it is better to make the beam always stay near the staff lines.
>
It should be a trade-off between having an optimal structure of the
group and an optimal coverage of the staf by the stems.
Kristof Bastiaensen
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At Mon, 29 Aug 2005 23:51:06 +0200,
Han-Wen Nienhuys wrote:
>
> Kristof Bastiaensen wrote:
> > I am not sure if I could do something about this. Perhaps I could
> > refactor the code a bit to make it clearer to understand. Especially
> > the final part is too complicat
At Mon, 29 Aug 2005 00:52:17 +0200,
Han-Wen Nienhuys wrote:
>
> ned Kristof Bastiaensen wrote:
> > Hi,
> >
> >
> > I'd appriciate an answer for these issues.
>
> Hi,
>
> I'm somewhat reluctant to add the code, since it is a large body of
a
matter of politeness to respond.
I have send a bug request for some bugs that were not solved by my
code. I haven't got a response about that either.
I'd appriciate an answer for these issues.
Kristof Bastiaensen
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what
unstable is for, isn't it?
If there are still questions on the workings of the rewritten part,
please ask.
Cheers,
Kristof Bastiaensen
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e, but actually occurs in my orchestration: after the
solo melody the second voice comes in above the solo voice (in a
voicecrossing). Perhaps it could be nice to display a little line to
indicate where the melody is going (or maybe mark each voice with
I. II.?).
Kristof Bastiaensen
snipp
Hi, how can I subtract two moments in scheme?
Isn't there a function (ly:moment-sub moment1 moment2)?
Kristof Bastiaensen
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