Quoth Graham Percival:
> The only line that might need explanation is the line-width. These
> commands obvious set values
Sure. But sometimes we set values like this:
indent = #0
and sometimes we set them like this:
\set stanza = "1."
or this:
\set Score.markFormatter = #format
Quoth Joe Neeman:
> Is there a reason why breaks are on by default and the barline engraver
> forbids them whenever there is no bar line? It seems simpler for breaks
> to be off by default and to have Paper_column_engraver acknowledge bar
> lines by setting the current column to be breakable. Th
Quoth Graham Percival:
> On 24-Feb-06, at 8:49 PM, Don Blaheta wrote:
> > * 10.5.7 should have an example layout block like the following:
> > \layout {
> > indent = #0
> > line-width = #150
> > raggedlast = ##t
> > }
> > and explain
When lilypond-book is generating a tex file, it should terminate all its
generated lines with a %, e.g.
\ifx\postLilyPondExample \undefined%
\relax%
\else%
\postLilyPondExample%
\fi%
}%
Otherwise, if it comes exactly at the end of a very full page, it
manages to stick an extra bla
So, having found raggedlast, I then wanted to apply it to only some of
the snippets in a document. Unfortunately, I have my \layout block,
which is big and otherwise identical between all the snippets, in an
include file. And if I add an additional \layout block, it just lays
the document out twi
I wanted to find out how to, for some snippets in a book, make the last
line of the snippet not expand to its maximum width.
I went to the table of contents briefly and found nothing, so I turned
to the index. Nothing under "last", but I tried to do a browser find on
"last", which turned up "ragg
Quoth Han-Wen Nienhuys:
> Don Blaheta wrote:
> > I want a character that is æ with an acute accent over it. Right now, I
> > appear to have two choices:
> >
> > 1) Have æ followed by an acute accent (by typing æ and then "COMBINING
> > ACUTE ACCENT&
Quoth Mats Bengtsson:
> Quoting Don Blaheta <[EMAIL PROTECTED]>:
> > Quoth Mats Bengtsson:
> >> Have you considered just making the stems invisible, as a workaround?
> >> \override Stem #'transparent = ##t
> >
> > That's exactly how I work
Quoth Mats Bengtsson:
> Quoting Don Blaheta <[EMAIL PROTECTED]>:
> > Quoth Mats Bengtsson:
> >> Have you considered just making the stems invisible, as a workaround?
> >> \override Stem #'transparent = ##t
> > That's exactly how I work around it, bu
Quoth Mats Bengtsson:
> Have you considered just making the stems invisible, as a workaround?
> \override Stem #'transparent = ##t
That's exactly how I work around it, but the results aren't exactly the
same---slurs are rendered as if the stems were there. (This in turn can
be worked around with
When I run the following code, I get no syntax errors, but it doesn't
work; it gets as far as "Calculated line breaks..." and then lilypond
exits abnormally with exit code 246. If I remove any one of the lines
marked with a "%---", it runs just fine. So it appears to be some sort
of interaction b
This is a problem I've been banging on for a while now, but this time
I've been able to narrow it down. It seems that if the Bar_engraver is
removed, Lilypond runs into problems rendering that span lines. The
following code renders fine:
\version "2.7.33"
\score {
\new Voice \relative c'
Quoth Mats Bengtsson:
> It wouldn't make sense to let a user specify a context name
> with \new, since then there is no longer any guarantee that
> the context really is new, right? Also, if you want to name a
> context, then you should use \context.
Would it make sense to permit \new Foo = "bar",
Quoth Jan Nieuwenhuizen:
> Don Blaheta writes:
> > > 5840 T FT_Load_Sfnt_Table
>
> > 59fc T _FT_Load_Sfnt_Table
>
> Your version has a leading underscore...
So does the version the linker claims to be looking for. :P
--
-=-Don [EMAIL PROTECTED]<http:/
Quoth Robert T Wyatt:
> Jan Nieuwenhuizen wrote:
> > Don Blaheta writes:
> >> "_FT_Load_Sfnt_Table" in, but it's not finding it:>
> >
> >> ld: Undefined symbols:
> >> _FT_Load_Sfnt_Table
> >> make[1]: *** [out/lilypond]
I solved my previous problem by editing , and everything compiled
fine; then the linker is called and I get a raft of errors. It looks
like there are conflicts between iconv and two different versions of
intl, and I dont know which package it's expecting to find
"_FT_Load_Sfnt_Table" in, but it's
Primarily to the Mac OS X crowd: Ok, so I sat down and did some
sleuthing work today. The reason the compiler thought isinf and isnan
were never defined has to do with the layout of header . A
trivial file that triggers the problem is
#include
using namespace std;
int main () {
if
Quoth Graham Percival:
> On 31-Jan-06, at 12:55 AM, Erik Sandberg wrote:
> > (I think there's a minor pedagogical point in saying \new Lyrics before
> > \lyricsto, since the \new Lyrics really isn't a relevant argument of
> > the music function, and because all other contexts start with
> > context
Quoth Johannes Schindelin:
> On Tue, 31 Jan 2006, Don Blaheta wrote:
> > I can't quite figure out why, because flower/offset.cc includes
> > flower/include/offset.hh, which includes flower/include/real.hh, which
> > includes /usr/include/math.h, which includes (are
Quoth Graham Percival:
> On 29-Jan-06, at 10:26 PM, Don Blaheta wrote:
> > In 4.4 and 4.5, would it be better to say "A \score must contain
> > exactly one music expression (possibly complex)"? Saying it must
> > "begin with" a music expression isn&#x
I'm on OS X 10.3.9, with g++ version 3.3, trying to compile lilypond
from CVS. Not that I ever got that working in the first place, but it's
failing at a different place from the last time I poked around about a
month ago:
rm -f ./out/offset.dep; DEPENDENCIES_OUTPUT="./out/offset.dep ./out/offs
Quoth Graham Percival:
> I've written some more docs about file structure and writing lilypond
> files. I've glossed over some issues in the interest of simplicity.
> Before I advertise this on -user, could a few people take a look at the
> docs? As I said, I've glossed over some issues --
Quoth Jan Nieuwenhuizen:
> Don Blaheta writes:
> > It seems I spoke a little early. Although the posted incantation
> > satisfies configure that guile is present, it still doesn't seem to be
> > configuring correctly. Here is the relevant section of the configure
> &
It seems I spoke a little early. Although the posted incantation
satisfies configure that guile is present, it still doesn't seem to be
configuring correctly. Here is the relevant section of the configure
output:
checking for guile-config... guile-1.6-config
checking guile-1.6-config version
Quoth Johannes Schindelin:
> On Fri, 16 Dec 2005, Don Blaheta wrote:
> > I tried adding ":/sw/lib/pango-ft219/lib/" to the end of my
> > PKG_CONFIG_PATH, but this was not sufficient... does anyone know how I
> > can I make configure find my pango installation?
&g
I found the installation note on INSTALL.html about fink installations,
and it resolved several of the problems I was about to email the list
about; but there is still one library that configure is not finding. I
think it's because there are a bunch of (incompatible?) versions of
pango, depending
Quoth Don Blaheta:
> I'll look at this, but it sounds like it's not going to address my
> underlying misunderstanding, which may just be that I don't know how to
> convert from a Schemish STRING_IDENTIFIER to a Lilypond LYRIC_STRING or
> STRING.
And relatedly: how
Quoth I:
> I've also been having trouble typing in such an id literally; if I
> define a music function like
>
> foo = #(def-music-function (parser location str) (string?)
> #{ \context Voice = $str { \override NoteHead #'font-size = #3 }
> #})
>
> and then include in my c
Quoth Michael Welsh Duggan:
> If I understand what you are trying to do, I have run into similar
> problems. If you are trying to do what I will style (for lack of a
> better term), "intermediate" chant notation (i.e., note heads only,
> but using contemporary note heads with slurs as opposed to s
Ok, I found a bug of some sort, and as instructed on every damn page of
the manual, I sent a report to bug-lilypond@gnu.org (why not
[EMAIL PROTECTED]), which just got rejected because I'm not on that
list. I was told to go to some page at gmane.org that took a minute and
a half to load, requires
Quoth Mats Bengtsson:
> For some reason, LilyPond gets confused by your construct
> \new Voice {
> \relative {
> \time 6/4
> \key f \major
> \context Voice = "refrain" { ...
>
> If you replace \new Voice by \context Voice = refrain in your \score
> block, then the alignment of both s
Quoth Han-Wen Nienhuys:
> Don Blaheta wrote:
> > When you type something that produces a bit of music, that musical thing
> > is normally placed immediately after the thing you typed previously, and
>
> only for sequential music. Try
>
> \score { << a b c d
Quoth Mats Bengtsson:
> Probably since the Voice context "1" created for the c, dies directly
> after that note, since there are no more events directly following the c.
> Then when the g appears, a new Voice context with the same name is
> created but since the earlier one with a same name has alr
tuff mixed in, and I might be getting it wrong to boot. ;)
Quoth Erik Sandberg:
> On Sunday 11 December 2005 07.33, Don Blaheta wrote:
> > A context is an environment into which you enter your music; it can be
> > created anonymously (\new) or named (\context). If you create a new
>
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