Hi Jan,
> This is all very unfortunate. I've been 'playing' with ediff for
> about 1.5 hours, but I'm giving up for tonight.
At first I thought it would be fairly easy, because chord::inner-name-jazz
and chord::inner-name-american are just modified chord::inner-name-banters.
But the other rout
Hi folks,
> > Actually, the diff from 1.6.6's chord-name.scm to 1.7.9's is very minor.
>
> Yes, that's what I'm saying. There was a rewrite in 1.7.10, with more
> changes in current CVS.
can somebody please help me and adapt my 1.7.9 chord name patch to tonight's
CVS version? Otherwise, I fear t
rd, full chord first, if there's a
;; user-override. Split the chord into user-overridden and to-be-done
;; parts, complete the missing user-override matched part with normal
;; chord to be name-calculated.
;;
;; CHORD: (pitches (bass . inversion))
(define-public (default-chord-name-function
complete the missing user-override matched part with normal
;; chord to be name-calculated.
;;
;; CHORD: (pitches (bass . inversion))
(define-public (default-chord-name-function style chord)
(let* ((pitches (map c++-pitch->scm (car chord)))
(modifiers (cdr chord))
Hi folks,
I'm very sorry to say my patch from last night forgot to take the broken
slash chords into account (this is for Banter, American, and Jazz). I'll have
another look today.
Amy
--
Louey & Amy - Soul, Jazz & Gospel from Berlin
Wir sind umgezogen!
www.louey-amy.de ist jetzt www.loueymo
s . inversion))
(define-public (default-chord-name-function style chord)
(let* ((pitches (map c++-pitch->scm (car chord)))
(modifiers (cdr chord))
(bass-and-inversion (if (pair? modifiers)
(cons (c++-pitch->scm (car modifiers))
hord into user-overridden and to-be-done
;; parts, complete the missing user-override matched part with normal
;; chord to be name-calculated.
;;
;; CHORD: (pitches (bass . inversion))
(define-public (default-chord-name-function style chord)
(let* ((pitches (map c++-pitch->scm (car chord)))
(m
Hi folks,
I'm working on a user-friendly American/jazz chord algorithm now, based on a
chord::inner-name-american and chord::inner-name-jazz subroutine. I'm
introducing comment-uncomment features through which one can easily tweak
what's gonna be typeset for the notoriously doubtful ones (trian
Hi folks,
sorry, my posting of that algorithm was in the fall of 2000.
Amy
--
Louey & Amy - Soul, Jazz & Gospel from Berlin
Wir sind umgezogen!
www.louey-amy.de ist jetzt www.loueymoss.com
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Hi folks,
sorry about pestering you with that ugly subject again, but I've recently
upgraded from 1.4.3 to 1.6.6 and found that the jazz chords seem to be
entirely broken in this release. For example, c:m.7.9 irrationally comes out
as "C7" instead of "Cm9" as would be accurate.
Is it possible, ma
Hi folks,
once again, I'm missing a feature in Lilypond. In orchestras, it is common
practice to mark up repeats in the parts like this to make the part more
readable:
/\
/ \
||. .||
||. .||
|| ||
\ /
\/
In addition, those repeats are ma
Hi everybody,
Han-Wen Nienhuys wrote:
> - Maybe fix Jazz chords (there's been a lot of complaints, but
>basically no code to do this. Perhaps not.)
In the 1.3.x stages of Lilypond, I developed a working jazz chord algorithm
that:
a) took everything that is halfway common practice into acc
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