>> {
>> c'1
>> \mark \default
>> \repeat segno 2 {
>> c'1
>> }
>> }
> The marks that \repeat segno creates are intended to identify points
> of repetition and departure for performance. Having one of those, I
> do not understand why one would want to identify the same point with
> a
On Aug 3, 2022, at 17:22, Jean Abou Samra wrote:
>
> \version "2.23.12"
>
> {
> c'1
> \mark \default
> \repeat segno 2 {
> c'1
> }
> }
>
>
> A power user on -user-fr is frustrated that the above
> doesn't work, as rehearsal-mark-event and segno-mark-event
> are mutually exclusive a
On Sun, 2022-08-07 at 21:12 +0200, Jean Abou Samra wrote:
>
> > During week of September 19-25: Branching stable/2.24 unless some
> > really big problems are reported
> >
> > [ branch is frozen, no new features or syntax changes; master is
> > open again for development
>
> Is open again for dev
Le 09/08/2022 à 14:31, Dan Eble a écrit :
It could be a bug in the \alternative iterator. Please create a ticket and
assign it to me. Thanks.
Here you go:
https://gitlab.com/lilypond/lilypond/-/issues/6402
Best,
Jean
Dan, you wrote 09/08/2022 13:33:11
On Aug 9, 2022, at 08:26, Kieren MacMillan wrote:
The big difference, in my mind — as composer, arranger, conductor, and
performer — is that a caesura is generally longer than a comma/breath, and
intentionally interrupts the flow of the overall line, wh
On Aug 9, 2022, at 08:26, Kieren MacMillan wrote:
>
> Hi all,
>
> The big difference, in my mind — as composer, arranger, conductor, and
> performer — is that a caesura is generally longer than a comma/breath, and
> intentionally interrupts the flow of the overall line, whereas the
> comma/br
On Aug 9, 2022, at 02:31, Jean Abou Samra wrote:
>
> \new Staff {
> \alternative {
> \volta 2 c'1
> }
This unfolds better (but not well):
\alternative {
\volta 2 \new Staff ...
}
Conditional (folded/unfolded) context creation is something I t
Hi all,
The big difference, in my mind — as composer, arranger, conductor, and
performer — is that a caesura is generally longer than a comma/breath, and
intentionally interrupts the flow of the overall line, whereas the comma/breath
usually doesn't (or at least doesn't in as dramatic a manner)
On Aug 9, 2022, at 07:40, Trevor wrote:
> A comma is the standard way of writing a breathing point in vocal music. It
> is used extensively in Hymns Ancient and Modern, New Standard. Gould writes
> on page 436 in the Vocal Music chapter: "When a note should be sung for its
> full duration, wit
-- Original Message --
From: "Dan Eble"
To: "lilypond-devel"
Sent: 08/08/2022 22:46:32
Subject: "Hymn template" snippet
"Hymn template"
https://lsr.di.unimi.it/LSR/Item?id=703
I don't see any way to find the author of a snippet. I'd like to ask the author of this snippet
about th
Gilles,
I would like to learn the reason for using \breathe and \bar "||" in the
LilyPond snippet entitled "Hymn template" [1], Are they intended to
communicate two different things, or was it merely a stylistic decision to use
\bar "||" at the end of a system and \breathe in the middle?
Als
> On 9 Aug 2022, at 09:00, Werner LEMBERG wrote:
>
>> "Hymn template"
>> https://lsr.di.unimi.it/LSR/Item?id=703
>>
>> I don't see any way to find the author of a snippet.
>
> Alas, this information is not in the LSR database dump. The only
> information I can extract is
>
> id_owner_usr:
> "Hymn template"
> https://lsr.di.unimi.it/LSR/Item?id=703
>
> I don't see any way to find the author of a snippet.
Alas, this information is not in the LSR database dump. The only
information I can extract is
id_owner_usr: 69
Sebastiano, would there be a way to contact the person who is
as
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