>From a Fringe Coder,
I like Vim (text editor). I like to code with minimal but descriptive
syntax(ie. Visual Basic). XML code for web-applications I find bloated
and working with it is ugly. If MusicXML is guided by the right people
and does become/is a definitive standard that can support the ke
Carl Peterson wrote
> Retyping by far. I pretty much write exclusively a cappella SATB, and I
> have developed a very specific template/workflow for the part combining
> and
> layout. I've tried a few different ways of getting the music from these
> formats into LP, and in each case, I found myself
Hi Urs,
On 09/01/14 11:01, Urs Liska wrote:
> Is there already a clean way to let LilyPond/Scheme code be executed
> depending on the version number of the currently executed LilyPond?
>
> If not, would it be useful/acceptable to include something like
> https://github.com/openlilylib/snippets/bl
Am 10.01.2014 23:37, schrieb Carl Peterson:
> On Fri, Jan 10, 2014 at 4:25 PM, Urs Liska wrote:
>
>>
>> Well,
>> compiling a few measures of a single staff feels nearly instantaneous, and
>> when you're editing an orchestral score this makes a huge difference.
>>
>> Generally I'd think it would be
On Fri, Jan 10, 2014 at 4:25 PM, Urs Liska wrote:
>
> Well,
> compiling a few measures of a single staff feels nearly instantaneous, and
> when you're editing an orchestral score this makes a huge difference.
>
> Generally I'd think it would be a good idea to have such an interface in
> Frescobal
On 1/9/14 9:43 PM, "SoundsFromSound" wrote:
>dak wrote
>> Joseph Rushton Wakeling >Word document features the
>> consistent use of document styles for arriving at typographically
>> superior results.
>>
>> --
>> David Kastrup
>>
>> __
Carl Peterson:
...
> Retyping by far. I pretty much write exclusively a cappella SATB, and I
> have developed a very specific template/workflow for the part combining and
> layout. I've tried a few different ways of getting the music from these
> formats into LP, and in each case, I found myself sp
Urs Liska:
> Am 10.01.2014 22:23, schrieb k...@aspodata.se:
> > Carl Peterson:
...
> >> There's a visual component and a matter of input error reduction, because I
> >> have been known to enter incorrect octaves or durations and not realize it
> >> until I've finished typing and have compiled the e
On 2014/01/10 20:39:03, Trevor Daniels wrote:
My preference would be no space before ties, one space after.
That leaves ties properly associated with the note to which
they are a post event, but with a clear separation from the
following note.
So: c'4~ 2~ 2 rather than c'4~2~2 or c'4 ~ 2 ~ 2
Am 10.01.2014 22:23, schrieb k...@aspodata.se:
Carl Peterson:
...
I know someone suggested just turning off the PDF conversion to speed
things up, but it's not just a matter of instantaneous aural feedback.
Ok.
There's a visual component and a matter of input error reduction, because I
have
Carl Peterson:
...
> I know someone suggested just turning off the PDF conversion to speed
> things up, but it's not just a matter of instantaneous aural feedback.
Ok.
> There's a visual component and a matter of input error reduction, because I
> have been known to enter incorrect octaves or dur
On 2014/01/10 20:56:26, t.daniels_treda.co.uk wrote:
Actually this seems to be a consequence of not bumping _all_
version numbers to the current release.
No, it is a consequence of not bumping the version number to the syntax
used for adding material.
A \version header of xx.yy.zz means "this
tdaniels wrote Friday, January 10, 2014 8:39 PM
>> It would seem that when you added the respective template lines, you
> should have
>> updated the version number of the file as well.
>
> With hindsight. But we never do that when editing
> doc files as a rule.
>
>> Now of course, in analogy t
On 2014/01/10 17:53:46, dak wrote:
Now the thing is that if you attach ties to
notes without an intervening space (or at least let them stand if they
were so
before), we have possibilities
r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
r8 e4 d c8~ | 8 b16 a b8 g~2 |
r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
Reviewers: Trevor Daniels,
https://codereview.appspot.com/49470049/diff/1/Documentation/learning/fundamental.itely
File Documentation/learning/fundamental.itely (right):
https://codereview.appspot.com/49470049/diff/1/Documentation/learning/fundamental.itely#newcode1054
Documentation/learning/fu
https://codereview.appspot.com/49470049/diff/1/Documentation/learning/fundamental.itely
File Documentation/learning/fundamental.itely (right):
https://codereview.appspot.com/49470049/diff/1/Documentation/learning/fundamental.itely#newcode1054
Documentation/learning/fundamental.itely:1054: r8 e4
On Fri, Jan 10, 2014 at 12:46 AM, Paul Morris wrote:
> Carl Peterson wrote
> > I use MuseScore,
> > Scorio, and Finale Notepad (depending on where I am and how I feel)
> > for compositional work because they provide ease of note entry in the
> > composing process and the ability to have instant a
LGTM, although I'm not sure I could identify weakness in such a patch.
The idea is good. I like the structure and the comments.
https://codereview.appspot.com/50130044/
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I think this is important also for us:
http://www.sibeliusblog.com/news/mei-plug-in-released-for-sibelius/
MEI is an important initiative for standardizing the encoding of music,
with particular interest in encoding every aspect of a composition and
its sources. I think this will be an importan
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