On 2013/06/14 02:32:29, Keith wrote:
I'll have time to try make doc and re-upload, this weekend.
I could not yet get `make doc` to complete, probably due to some problem
in my build-directory setup.
https://codereview.appspot.com/9295044/
___
lilypo
On 16 June 2013 20:46, Werner LEMBERG wrote:
>
>
> And here a new, freely available music font!
>
> http://blog.steinberg.net/2013/05/introducing-bravura-music-font/
Yeah, it was mentioned on lilypond-user last month.
http://lists.gnu.org/archive/html/lilypond-user/2013-05/msg00718.html
And it
And here a new, freely available music font!
http://blog.steinberg.net/2013/05/introducing-bravura-music-font/
(this is *really* free since it uses the SIL Open Font License).
Werner
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Some interesting activities on music fonts:
http://www.smufl.org/
Werner
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On 16 juin 2013, at 19:09, Kieren MacMillan
wrote:
> Hi all,
>
> Is there any [easy] way for the \whiteout command, and/or the #'whiteout
> property, to use a grob's stencil outline instead of its bounding box?
>
> whiteFFMarkup = \markup { \whiteout \pad-markup #0.5 \dynamic ff}
> whiteFF =
Hi all,
Is there any [easy] way for the \whiteout command, and/or the #'whiteout
property, to use a grob's stencil outline instead of its bounding box?
whiteFFMarkup = \markup { \whiteout \pad-markup #0.5 \dynamic ff}
whiteFF = #(make-dynamic-script whiteFFMarkup)
\paper { ragged-right = ##f }
David Kastrup wrote Sunday, June 16, 2013 12:27 PM
> "Phil Holmes" writes:
>>
>> the music
>>
>> c'2
>> c'16 c'16 c'16 c'16
>> \tuplet 5/4 {
>>c'16 c'16 c'16 c'16 c'16
>>
>> is repeated 3 times in the single snippet.
>
> Well, I see nothing wrong with using a music variab
Nice. Thanks.
--
Phil Holmes
- Original Message -
From: Marek Klein
To: Phil Holmes
Cc: Devel
Sent: Sunday, June 16, 2013 1:08 PM
Subject: Re: Ignoring note value when spacing notes and rests
Hello,
2013/6/15 Phil Holmes
I'm setting a piece of late 16th ce
Hello,
2013/6/15 Phil Holmes
> I'm setting a piece of late 16th century music (it's in Musica
> Transalpina), and at this time notes and rests tended to occupy a space
> determined by their fitment on the page, rather than their note value.
> I've read the section of the NR on proportional spac
"Phil Holmes" writes:
> - Original Message -
> From: "David Kastrup"
> To:
> Sent: Sunday, June 16, 2013 12:03 PM
> Subject: Re: Documentation policy
>
>
>> "Phil Holmes" writes:
>>
>>> If you look at
>>> http://lilypond.org/doc/v2.17/Documentation/notation/proportional-notation
>>> a
- Original Message -
From: "David Kastrup"
To:
Sent: Sunday, June 16, 2013 12:03 PM
Subject: Re: Documentation policy
"Phil Holmes" writes:
If you look at
http://lilypond.org/doc/v2.17/Documentation/notation/proportional-notation
and the third example down, there's a single piece
"Phil Holmes" writes:
> If you look at
> http://lilypond.org/doc/v2.17/Documentation/notation/proportional-notation
> and the third example down, there's a single piece of music repeated
> three times but with different options on spacing. I've noticed a
> number of similar examples. I'd find i
If you look at
http://lilypond.org/doc/v2.17/Documentation/notation/proportional-notation
and the third example down, there's a single piece of music repeated three
times but with different options on spacing. I've noticed a number of
similar examples. I'd find it clearer if the music were as
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