On Fri, Apr 03, 2009 at 08:59:31PM +0100, Neil Puttock wrote:
> 2009/4/3 Carl D. Sorensen :
> >
> >
> >
> > On 4/3/09 1:43 PM, "Patrick McCarty" wrote:
> >
> >> On Fri, Apr 3, 2009 at 12:21 PM, Carl D. Sorensen
> >> wrote:
> >>>
>
> >>> Unfortunately, there are different 'details lists for
On Fri, Apr 03, 2009 at 01:53:43PM -0600, Carl D. Sorensen wrote:
>
>
>
> On 4/3/09 1:43 PM, "Patrick McCarty" wrote:
>
> > On Fri, Apr 3, 2009 at 12:21 PM, Carl D. Sorensen
> > wrote:
> >>
> >>>
> >> Unfortunately, there are different 'details lists for different grobs,
> >> so there's no
On 4/5/09 3:36 PM, "Trevor Daniels" wrote:
>
>
> Carl D. Sorensen wrote Sunday, April 05, 2009 7:33 PM
>
>> What if we scrapped the current auto-beam code completely, and
>> replaced it
>> with a structured beatGrouping, something like
>>
>> ((denominator (ending-beatGroupings) (subdivide-
On 5 Apr 2009, at 23:12, Anthony W. Youngman wrote:
Okay, we've got more feedback (isn't this fun :-).
You might have fun for a life-time! :-)
I'll try and do it again, following on from the comment that the
existing (and my replacement) entries actually try to cram too much
into the entr
Carl D. Sorensen wrote Sunday, April 05, 2009 7:33 PM
What if we scrapped the current auto-beam code completely, and
replaced it
with a structured beatGrouping, something like
((denominator (ending-beatGroupings) (subdivide-beatGroupings))
(denominator2 (ending-beatGroupings) (subdivide-beat
Okay, we've got more feedback (isn't this fun :-). I'll try and do it
again, following on from the comment that the existing (and my
replacement) entries actually try to cram too much into the entries.
1.64 Concert pitch
The convention (standardised by ISO 16) that A above middle C represents
On 5 Apr 2009, at 20:48, wrote:
Dont have the OED handy, this library is very small and lacks a
copy, but
the dictionary in my mac and the larger one from the shelf both give
narrow definitions for the entry 'concert pitch', eg, a=440,
internationally agreed on, the pitch at which orchestral
On 5 Apr 2009, at 20:15, Mats Bengtsson wrote:
A flute playing friend of mine once demonstrated what happens if you
drink a bear just before you play and all of a sudden a burp
increases the proportion of carbon dioxide in the breathing air
significantly, resulting in a much lower pitch.
On Sun, Apr 5, 2009, Mats Bengtsson said:
> A flute playing friend of mine once demonstrated what happens if you
> drink a bear
LOL
I envision Brutus sitting on a keg, playing the flute and passing gas from
both ends.
SKOAL!
--
Dana Emery
___
> I think a problem with those sections is that they mix several
> different concepts in a jumble.
yes.
Dont have the OED handy, this library is very small and lacks a copy, but
the dictionary in my mac and the larger one from the shelf both give
narrow definitions for the entry 'concert pitch'
On 4/5/09 9:02 AM, "Trevor Daniels" wrote:
>
>
> Carl D. Sorensen wrote Sunday, April 05, 2009 3:16 PM
>
>> On 4/5/09 5:05 AM, "Trevor Daniels" wrote:
>>
>>> Carl
>>>
>>> As an alternative to having a complex time-signature-dependent
>>> revert command why don't we introduce a context pr
Hans Aberg wrote:
The speed of sound in gases is (roughly) proportional to the
square-root of the absolute temperature. Figures used the speed of
sound v_0 in air at 0℃ varies a bit in the range from 331.2 to 331.8
m/s perhaps. This gives the formula at absolute temperature T
v = sqrt(T/27
Carl D. Sorensen wrote Sunday, April 05, 2009 3:16 PM
On 4/5/09 5:05 AM, "Trevor Daniels" wrote:
Carl
As an alternative to having a complex time-signature-dependent
revert command why don't we introduce a context property to
control
whether the beam-ending rules should be applied or not?
On 4/5/09 5:05 AM, "Trevor Daniels" wrote:
> Carl
>
> As an alternative to having a complex time-signature-dependent
> revert command why don't we introduce a context property to control
> whether the beam-ending rules should be applied or not? This seems
> particularly easy to do, and is co
On 3 Apr 2009, at 19:20, Anthony W. Youngman wrote:
1.311 transposing instrument
..., the speed of sound in air is 343m/s,...
This is only true at about 19.6℃ (degrees Celsius):
The temperature of the air in the human blown instrument is higher,
clearly. If I quickly measure my flute with
Carl
As an alternative to having a complex time-signature-dependent
revert command why don't we introduce a context property to control
whether the beam-ending rules should be applied or not? This seems
particularly easy to do, and is conceptually simple. We would need
to add a couple of li
On 3 Apr 2009, at 19:20, Anthony W. Youngman wrote:
If anybody can improve on those entries I'm all ears, otherwise can
somebody update the glossary? For the most part, I've just been far
more pedantic, but the existing bit about the trombone is, I'm
sorry, just plain wrong!
I think a pro
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