I have a ex-colleague who actually converted the entire RISM to
LilyPond for fun & research a couple of years back. AFAICR there were
some copyright concerns (the RISM collection being restricted in some
form), which motivated him not make his work public.
2007/11/6, Chad Thatcher <[EMAIL PROTECTE
Hello all. I am working for the British Library on the RISM project
(RĂ©pertoire International des Sources Musicales) which is cataloguing
all musical manuscripts from earliest times to about 1800. It is a
public resource - no subscriptions or anything like that. It is
already available i
2007/11/6, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Am Dienstag, 6. November 2007 schrieb Han-Wen Nienhuys:
> > AFAIK there is no limitation to the number of flags you can have on
> > beamed notes,
> > For unbeamed notes, we have to draw the line somewhere,
>
> Why are beamed and unbeamed notes tr
El Tue, 06 de Nov de 2007, a las 11:51:47AM -0800, Graham Percival dijo:
> Reinhold Kainhofer wrote:
>> I simply don't see any compelling technical reason to not allow durations
>> shorter than 64th (except for notation style, but then lilypond should
>> disallow beamed notes, too).
If anybody h
Reinhold Kainhofer wrote:
I simply don't see any compelling technical reason to not allow durations
shorter than 64th (except for notation style, but then lilypond should
disallow beamed notes, too).
OTOH, I don't see any compelling musical reason to allow durations
shorter than 64. :)
GDP
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Am Dienstag, 6. November 2007 schrieb Han-Wen Nienhuys:
> AFAIK there is no limitation to the number of flags you can have on
> beamed notes,
> For unbeamed notes, we have to draw the line somewhere,
Why are beamed and unbeamed notes treated differe
2007/10/19, Graham Percival <[EMAIL PROTECTED]>:
> Hey, I'm not going to argue that we _should_ support 128. If somebody
> official (ie Han-Wen, Jan, or Joe) says "we only guarantee up to 64",
> then we'll happily update the docs to only discuss such durations. If
> users discover an undocumente