can we remove input/test/text-spanner.ly ?

I'm not certain what input/test/text-spanner.ly is supposed to demonstrate. Could we either clarify this example, delete it, or move it to the regression tests (if it's useful as such) ? Cheers, - Graham ___ lilypond-devel mailing list lilypond-d

Re: Lilypond on Mac OSX Terminal

On 31-Mar-06, at 12:49 AM, Han-Wen Nienhuys wrote: Graham Percival wrote: On 29-Mar-06, at 7:10 PM, David Rogers wrote: In your .profile somewhere, add this line: export PATH=$PATH:/Applications/LilyPond.app/Contents/Resources/bin Thanks, I've added this to the manual. - Graham I'm not su

Re: lilypond ./ChangeLog scm/lily-library.scm lily/...

On 31-Mar-06, at 1:13 AM, Han-Wen Nienhuys wrote: Graham Percival wrote: (format #f - (_ "no \\version statement found, add~afor future compatibility") + (_ "no \\version statement found, please add~afor future compatibility") (format #f "\n\n\\version ~s\n\n" (lilypon

Re: al niente / de niente - was Re: (no subject)

On 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: > On 3/31/06, Erlend Aasland <[EMAIL PROTECTED]> wrote: > > Hi > > > > > > On 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: > > > Yeah, you've definitely got the idea; the best examples are in scores > > > of Sciarrino's recent music and I'll hav

Re: al niente / de niente - was Re: (no subject)

On 3/31/06, Erlend Aasland <[EMAIL PROTECTED]> wrote: > Hi > > > On 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: > > Yeah, you've definitely got the idea; the best examples are in scores > > of Sciarrino's recent music and I'll have time to dig through some > > this weekend and make a few small

Re: Improvements to Postscript backend (patches included)

On 3/31/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote: > > According to the Postscript reference, selectfont can be used with CID > > resources as well as regular fonts. Unfortunately, I can't make the > > utf-8 regression test work either with or without my changes, so I > > can't be sure I got

Re: please spread release announcement

> * If you report a release somewhere, please send a note to > lilypond-devel to prevent double work. did it in www.ziobudda.net ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel

Re: GUB: patch for linux_kernel_headers

Han-Wen Nienhuys writes: > It was a few weeks ago, so I assume that debian throws away old > versions quickly. I expect that this will break in the near future as > well; can we figure out a mechanism that doesn't rely on Debian source > archives? Or one that takes it from a stable version of ubun

Re: Minor corrections

On 31-Mar-06, at 3:18 AM, Erlend Aasland wrote: The 2.8 news page (http://lilypond.org/doc/v2.8/Documentation/topdocs/NEWS.html) says "New features in 2.7...", but it should obviously say "New features in 2.8". Already fixed, thanks. - Graham _

Re: collision of rehearsal marks, y-parent

> > note heads and rests (with attached articulation grobs) > > stems > > beams > > octavation lines, trills, tuplets, etc. > > slurs and ties > > bar numbers > > clefs > > This is a problem: almost everything is not very specific. Well, I gave a list, didn't I? > Is there a general patter

convert-ly and verticalExtent

I have begun migrating my 2.6 files to 2.8 syntax. In 2.6, I have used the following combination to force vertical-extent of a Staff in a ChoirStaff so lyrics can be centered between staves: \set Staff.minimumVerticalExtent = ##f \set Staff.verticalExtent = #'(-3.25 . 3.25) When I run this th

Re: al niente / de niente - was Re: (no subject)

On 3/31/06, Erlend Aasland <[EMAIL PROTECTED]> wrote: > Hi > > > On 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: > > Yeah, you've definitely got the idea; the best examples are in scores > > of Sciarrino's recent music and I'll have time to dig through some > > this weekend and make a few small

Re: al niente / de niente - was Re: (no subject)

Erlend Aasland wrote: Hi On 3/31/06, *Trevor Bača* <[EMAIL PROTECTED] > wrote: Yeah, you've definitely got the idea; the best examples are in scores of Sciarrino's recent music and I'll have time to dig through some this weekend and make a few small scans

Re: al niente / de niente - was Re: (no subject)

On 3/31/06, Erlend Aasland <[EMAIL PROTECTED]> wrote: > Hi > > > On 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: > > Yeah, you've definitely got the idea; the best examples are in scores > > of Sciarrino's recent music and I'll have time to dig through some > > this weekend and make a few small

Re: al niente / de niente - was Re: (no subject)

HiOn 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: Yeah, you've definitely got the idea; the best examples are in scoresof Sciarrino's recent music and I'll have time to dig through somethis weekend and make a few small scans.Great! IIRC I think the circles are a touch smaller, maybe about 80% o

Re: al niente / de niente - was Re: (no subject)

On 3/31/06, Erlend Aasland <[EMAIL PROTECTED]> wrote: > Hi Marcus > > > On 3/16/06, Marcus Macauley <[EMAIL PROTECTED]> wrote: > > On Thu, 16 Mar 2006 09:29:43 -0800, Trevor Bača"" <[EMAIL PROTECTED]> > wrote: > > > > > > > > I'm interested in this kind of 'al niente' / 'de niente' thing, too, > >

Minor corrections

Hi,The 2.8 news page (http://lilypond.org/doc/v2.8/Documentation/topdocs/NEWS.html) says "New features in 2.7...", but it should obviously say "New features in 2.8".Regards,  Erlend Aasland ___ lilypond-devel mailing list lilypond-devel@gnu.org http://li

Re: al niente / de niente - was Re: (no subject)

On 3/31/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote: Actually, it doesn't look bad.  Do you want to work on this further so Ican include the patch?Well, I've actually got some sparetime this weekend, so I might be able to work a little bit on it. - the thickness of both stems should be better in

Re: al niente / de niente - was Re: (no subject)

Erlend Aasland wrote: I made a quick hack for this just for fun (I'm sure Han-Wen would implement it more properly, especially the font); see the attached patch and test case. (I suspect that the circles are a bit misplaced, but as I said this is just a quick hack). Actually, it doesn't

Re: collision of rehearsal marks, y-parent

Werner LEMBERG wrote: Is it possible to add a collision resolver for rehearsal marks? The preventing what kind of collisions? Almost everything: note heads and rests (with attached articulation grobs) stems beams octavation lines, trills, tuplets, etc. slurs and ties bar numbers clefs

Re: al niente / de niente - was Re: (no subject)

Hi MarcusOn 3/16/06, Marcus Macauley <[EMAIL PROTECTED]> wrote: On Thu, 16 Mar 2006 09:29:43 -0800, Trevor Bača"" <[EMAIL PROTECTED]> wrote: > I'm interested in this kind of 'al niente' / 'de niente' thing, too,> but haven't had a chance to figure out the right settings yet.>This sounds interesting

Re: collision of rehearsal marks, y-parent

> > Is it possible to add a collision resolver for rehearsal marks? The > > preventing what kind of collisions? Almost everything: note heads and rests (with attached articulation grobs) stems beams octavation lines, trills, tuplets, etc. slurs and ties bar numbers clefs Dynamics and sc

Re: Improvements to Postscript backend (patches included)

David Feuer wrote: (format #f "gsave - /~a ~a ~a output-scale div scalefont setfont\n~a grestore" + /~a ~a output-scale div selectfont\n~a grestore" postscript-font-name - (if cid? - " /CIDFont findresource " - " findfont") I don't understand this?

Re: lilypond ./ChangeLog scm/lily-library.scm lily/...

Graham Percival wrote: (format #f - (_ "no \\version statement found, add~afor future compatibility") + (_ "no \\version statement found, please add~afor future compatibility") (format #f "\n\n\\version ~s\n\n" (lilypond-version)) Please revert. "please"

Re: collision of rehearsal marks, y-parent

Werner LEMBERG wrote: While working on a big score together with proper parts extraction I find that vertical positioning of rehearsal marks needs manual adjustments most often. Is it possible to add a collision resolver for rehearsal marks? The preventing what kind of collisions? `padding'

Re: collision of rehearsal marks, y-parent

On 30-Mar-06, at 11:51 PM, Werner LEMBERG wrote: While working on a big score together with proper parts extraction I find that vertical positioning of rehearsal marks needs manual adjustments most often. Absolutely. :( I use this method as a workaround: \layout { \context { \Score \overr