LIlypond 2.8 on K6 or K6-II?

2006-03-16 Thread Paul Scott
Will 2.8 GUB be compiled with -march=pentiumpro? Thanks, Paul Scott ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel

al niente / de niente - was Re: (no subject)

2006-03-16 Thread Marcus Macauley
On Thu, 16 Mar 2006 09:29:43 -0800, Trevor Bača"" <[EMAIL PROTECTED]> wrote: > On 3/16/06, Arno Waschk <[EMAIL PROTECTED]> wrote: >> dear list, >> >> for a contemporary music score i need hairpin having a circles around >> their tip, indicating cresc./descresc. from/into silence. >> >> what is the

extending \partcombine

2006-03-16 Thread Werner LEMBERG
I would like to have \partcombine (or a similar command) handle three voices. How difficult is this? The code in part-combiner.scm looks quite symmetric, but my Scheme knowledge is too limited to extend it by myself... Nicolas? Han-Wen? Werner __

Re: Vocal music and beaming

2006-03-16 Thread Mats Bengtsson
Quoting Marco Gusy <[EMAIL PROTECTED]>: Hi, I would like to hear what you think about lilypond and beaming in vocal music. I'm quite sure it's common in traditional engraving to beam together only notes of a melisma. The rule is: two syllabes never are beamed together. I attach a picture as an e

Vocal music and beaming

2006-03-16 Thread Marco Gusy
Hi, I would like to hear what you think about lilypond and beaming in vocal music. I'm quite sure it's common in traditional engraving to beam together only notes of a melisma. The rule is: two syllabes never are beamed together. I attach a picture as an example. This is Bach Magnificat, the "M

Re: LilyPond 2.7.38 released, final release candidate

2006-03-16 Thread Han-Wen Nienhuys
Erik Sandberg wrote: On Saturday 11 March 2006 00.11, Han-Wen Nienhuys wrote: Hello! I've just finished lilypond 2.7.38. This is likely to be the last release candidate before we release 2.8, so report any bugs that you might find. As the bug meister, it's my obligation to pester you about

(no subject)

2006-03-16 Thread Arno Waschk
dear list, for a contemporary music score i need hairpin having a circles around their tip, indicating cresc./descresc. from/into silence. what is the easiest way to enter these into the score? or does this need to be implemented yet? i did not find that mentioned in the docs. thanks, arn

Re: neutral stem direction

2006-03-16 Thread Han-Wen Nienhuys
Werner LEMBERG wrote: Exactly this is the problem! This is *bad* for stems without beams. I've just looked into various scores (Mozart Urtext, Bärenreiter, Bruckner, complete works, etc.), and not a single one shows this behaviour. Please revert the default. OK. Point taken; I did notice this

Re: doc problems with \paper and \layout keywords

2006-03-16 Thread Han-Wen Nienhuys
Graham Percival wrote: ... although perhaps renamed to \context -- in fact, remove the \layout entirely: (toplevel) \context { \Staff { \override blah } \Voice { \override foo }} I think it would be better to make the syntax analogous to what we have for music, eg. \context

Re: doc problems with \paper and \layout keywords

2006-03-16 Thread Han-Wen Nienhuys
Werner LEMBERG wrote: It's *very* useful to have `global' values and `local' ones which override within a block. What about using \paper both globally and locally, similar to TeX? No, this will confuse people, since then \score { \paper { #(set-paper-size "a4") }} won't work. -- Han-Wen