Graham Percival wrote:
On 16-Feb-06, at 2:44 AM, Paul Scott wrote:
Erlend Aasland wrote:
... and by the way, this is documented on page 190 and 191 in the
fine manual.
I have not seen page numbers in the manual. Can you tell me where to
see them?
They exist in the pdf version. This
Joe Neeman wrote:
Or consider the possibility that I typeset something where I don't care
about page turns at all. There might be one or 2 decent turns, but not
enough for good breaking. In trying to ensure good page turns, lilypond
would give me uneven line breaking, blank pages and all sorts
On 2/16/06, Erlend Aasland <[EMAIL PROTECTED]> wrote:
Example: \mark #5...will create a rehearsal mark with the number "5" if the markFormatter is set to mark-format-numbers, mark-format-box-numbers or mark-format-circle-numbers. If markFormatter is set to
i.e. mark-format-alphabet, is will produc
On 2/16/06, Paul Scott <[EMAIL PROTECTED]> wrote:
Erlend Aasland wrote:I have not seen page numbers in the manual. Can you tell me where tosee them?Yes, the right upper corner of each page (I assume you've downloaded the manual as pdf).
In section 8.2.3 Rehearsal Marks I don't see enough explanati
On Thursday 16 February 2006 18.40, Johannes Schindelin wrote:
> Hi,
>
> Next thing I'll do: Learn how to do tail recursion (I think I did that in
> Lisp already, but don't remember how).
>
> > (fold (lambda (x y tail) (cons (- x y) tail)) '() list1 list2)
>
> I didn't know that function (fold).
I
On 16-Feb-06, at 2:44 AM, Paul Scott wrote:
Erlend Aasland wrote:
... and by the way, this is documented on page 190 and 191 in the
fine manual.
I have not seen page numbers in the manual. Can you tell me where to
see them?
They exist in the pdf version. This is why I recommend referri
Hi,
On Thu, 16 Feb 2006, Erik Sandberg wrote:
> On Wednesday 15 February 2006 03.49, Johannes Schindelin wrote:
> > Hi,
> >
> > I always wanted to learn how to transform music with scheme, so I
> > implemented half of it. If some of you experts could look at it and tell
> > me what could be done
Don Blaheta wrote:
...
Sho 'nuff. I'm using 2.7.33, but my initial exploration in the
print-function direction was when I was in some 2.6 version. What's the
new name, though? I'm not finding it right now.
Run an example for version 2.6 through convert-ly, to find out. ;-)
/Mats
Hi, all!
As I remarked a couple of months ago, I had similar problems with ancient
notation. Typographically, to my experience, you will get by far the best
results by
(1) providing duration-independent notehead selection by patching
scm/output-lib.scm as follows:
Index: scm/output-lib.s
On Wednesday 15 February 2006 03.49, Johannes Schindelin wrote:
> Hi,
>
> I always wanted to learn how to transform music with scheme, so I
> implemented half of it. If some of you experts could look at it and tell
> me what could be done more elegantly (Scheme is not my native language),
> and esp
HiOn 2/16/06, Paul Scott <[EMAIL PROTECTED]> wrote:
Can I use this to build something that works on \mark "37" just as isdoes on \mark \default ?You want this: \mark #37It's already there.
What about another \default that causes the current bar number to beused as the \mark?\set Score.markFormatter
... and by the way, this is documented on page 190 and 191 in the fine manual.On 2/16/06, Erlend Aasland <[EMAIL PROTECTED]
> wrote:HiOn 2/16/06,
Paul Scott <[EMAIL PROTECTED]> wrote:
Can I use this to build something that works on \mark "37" just as isdoes on \mark \default ?You want this: \mark
Erlend Aasland wrote:
... and by the way, this is documented on page 190 and 191 in the fine
manual.
I have not seen page numbers in the manual. Can you tell me where to
see them?
In section 8.2.3 Rehearsal Marks I don't see enough explanation to learn
what you have just shown me.
Paul
Han-Wen Nienhuys wrote:
Graham Percival wrote:
On 6-Feb-06, at 1:04 AM, Erlend Aasland wrote:
You can use this patch (touching scm/translation-functions.scm) in
order to get format-mark-circle functions.
Perhaps this patch should be applied in order to make it easier to
use this kind of
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