hi there,
Just now, I've managed to get LilyPond up and running from Fink without
any special efforts (hurray for Matthias!). However, it would be nice if
the install was less complicated. In particular some people are put off
by 1. the complex instructions (eg. downloading Xcode) and 2. the long
Stephen wrote:
>2) We are talking about an impractical example here, cresc\decresc
>marks do not make any sense withtout an absolute dynamic preceeding it.
I don't think this is necessarily the case. A score could easily have
markup text "Fairly quiet" at the beginning, followed later by a
cres
There is one possible workaround:
Create 2 scores, one for paper output and one for midi output. In the midi
score, add an extra s64\mf before the beginning of each voice. (it's dirty
but works)
I thought about it some more:
1) I would like to see the algorhythm that needs an absolute dynamic befo
Searching for the performers and engravers works for learning how to insert
usable scheme code in the lilypond files, but the code that actually decides
which midi volume levels to set where is not in the performer. For instance,
absolute-volume-alist:
#(set! absolute-volume-alist
(append
Mats, the output went silent with this:
\tupletUp
\time 4/4
\tempo 4=50
\partial 4
g,8.\mf\< g,16 | c2.\fermata g,8. c16 | e2.\fermata g,8 c |
e4 g,8 c e4 g,8 c | e2.\fermata c8. e16 | g2\ff\> e4 c | g,2.\f
g,8. g,16 | c2.-\markup { \italic \bold "morendo" } \fermata \bar "|."
Note the 'g,8.\mf\<'
Hi,
I am not sure whether this should go on the devel (because it's about
the development version) list or the bugs list (or is that for bugs in
the stable version?), but here goes:
The code:
===
\version "2.4.0"
ClarinetPart = {
\set Staff.instrument = \mark
Hi,
lilypond --help says, among other things:
-b, --backend=EXTselect backend to use
This should IMHO be extended to something like
-b, --backend=EXTselect backend to use. Possible values of
EXT are: ps, tex, gnome, svg
Erik
__
'make web' exited thusly:
lily-1512186862 lily-1846777192 lily-1320595294 lily-1455179227 exited
unsuccessfully.
Removing `./out-www/instrument-notation.texi'
Removing `./out-www/lilypond.texi'
Traceback (most recent call last):
File "../../scripts/lilypond-book.py", line 1530, in ?
main ()
Just to clarify Erik's initial answer. The problem that the MIDI output
goes silent after a
(de)crescendo only happens for voices where there hasn't been any
absolute dynamics at
all before the hairpin. It doesn't matter if the absolute dynamics is 10
measures before or
on the same note.
However
On Sunday 10 April 2005 05.18, Stephen wrote:
> It has been my experience that visually it looks better to connect absolute
> dynamics with a hairpin or to say it the other way around, to connect the
> hairpin to an absolute dynamic. I am not trying to be difficult. If what
> you say is true, what
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