As of CVS ChangeLog 1.2763 I get a 'make all' failure:
Compiling ./out/music-glossary.texi...
Processing include: macros.itexi
Reading macros.itexi...
Dissecting...
Writing snippets...
All snippets are up to date...
Compiling ./out/macros.texi...
mv ./out/music-glossary.texinfo out/music-glossary.
On Wed, 2004-10-27 at 08:36, Werner LEMBERG wrote:
> I have a fundamental problem with the width of lilypond output, and
> which should be fixed before releasing 2.4. Currently, I use
>
> (interval-start (ly:stencil-extent page X))
>
> but this isn't the right value. Reason: Contrary to TeX
I have a fundamental problem with the width of lilypond output, and
which should be fixed before releasing 2.4. Currently, I use
(interval-start (ly:stencil-extent page X))
but this isn't the right value. Reason: Contrary to TeX boxes,
lilypond's horizontal reference point is not always the
On 27-Oct-04, at 5:19 AM, [EMAIL PROTECTED] wrote:
Does that fit into the Lilypond philosophy? I don't know, but I see a
few
I don't think so. As Mats said, MIDI output hasn't been a priority.
If you want to eliminate a conversion step, you could make a script
like
#!/bin/sh
lilypond $1.ly
timidi
Midi2ly creates files with \notes command (not used anymore, right?)
Marco
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It looks like abc2ly has not been modified to produce current syntax.
I installed lilypond-snapshot from Pedro's site (Thanks, Pedro), and
wrote an ABC file that doesn't need all the scripts I normally use to
produce unbarred output with some ancient music features.
The file is attached. I
As far as I know, the ambition of the LilyPond MIDI output has never
been to produce an output of high listening quality, rather it's
mainly intended to help proofreading a score. Then, I don't really see
the point of including this conversion into LilyPond. If you want to
use LilyPond as a sequenc
Hi all,
The last few months saw the creation of the freepats sound patterns package and
updates to timidity. Creating an Ogg vorbis file from midi is now as simple as:
$ timidity -Ov lilypondgenerated.midi
It would be trivial to add Ogg vorbis output to lilypond and/or lilypond-book.
Does that
I recommend using more descriptive Subject lines on your emails.
The collision handling has improved in the development version, but
often you need to increase the padding of some object to move it away
from the stave. In this case, you could try something like
\override Score.MetronomeMark #'paddi
Unfortunately, LilyPond is a tricky beast to get into. Of course, some
bugs are easy to locate to a single lily/*.cc or scm/*.scm file, but
others (probably including the layout related problems mentioned below)
require a fairly deep understanding of the modular structure with
message passing back
Erik Sandberg <[EMAIL PROTECTED]> wrote:
> On Saturday 09 October 2004 22.27, Karl Hammar wrote:
> > In example below, bar numbering in bar:
> > . 3, 5 and 9 seem to align with the breathing mark instead of the bar line
> > . 7 seem to align to the ":" in the repeat bar instead of to the thick li
Midi2ly creates files with \notes command (not used anymore, right?)
Marco
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Got:
$ make web
make --no-builtin-rules out=www WWW
make[1]: Entering directory `/home/karl/lilypond'
make PACKAGE=LILYPOND package=lilypond -C buildscripts WWW && make PACKAGE=LILYPOND
package=lilypond -C python WWW && make PACKAGE=LILYPOND package=lilypo
...
[212] [213] [214] [215]
Thanks. That's really helpful!
Arno
On Wed, 27 Oct 2004 11:43:47 +0200, Mats Bengtsson
<[EMAIL PROTECTED]> wrote:
In the "Regression Tests" document in the on-line documentation, take a
look at the example called staff-mixed-size.ly. In spite of its name,
this document is an invaluable source of
Dear Mats,
i saw that one, too.
But it does not contain what i am looking for, which is why i started
asking here...
Thanks, Arno
On Wed, 27 Oct 2004 11:40:19 +0200, Mats Bengtsson
<[EMAIL PROTECTED]> wrote:
See
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Accidentals.ht
Dear Mats!
Thank you for replying so quickly. i am using 2.3.22 in the moment.
I found that example earlier, but it seems so complicated compared to e.
g. c4->, and it seems very difficult to have a small <> centered
above/below the note head, which is what i am looking for.
Any hints?
Thanks,
In the "Regression Tests" document in the on-line documentation, take a
look at the example called staff-mixed-size.ly. In spite of its name,
this document is an invaluable source of examples, together with the
Tips and Tricks document.
/Mats
Arno Waschk wrote:
Dear lilypond list,
may i ask you
See
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Accidentals.html#Accidentals
/Mats
Arno Waschk wrote:
Dear lilypond list,
may i ask you a bunch of questions which i cannot find answers for in the
docs?
I will put them in different posts each
Can i ask lilypond to put a
Please don't forget to tell what LilyPond version you use, otherwise
you may get an answer that's irrelevant to the version you have.
Arno Waschk wrote:
Dear lilypond list,
may i ask you a bunch of questions which i cannot find answers for in the
docs?
I will put them in different posts each
Ca
Dear lilypond list,
may i ask you a bunch of questions which i cannot find answers for in the
docs?
I will put them in different posts each
Can i avoid my metronome marks (as from \tempo 4 = 100) being crossed by
note heads, slurs, accents etc.?
Thanks, Arno
--
http://www.arnowaschk.de
Dear lilypond list,
may i ask you a bunch of questions which i cannot find answers for in the
docs?
I will put them in different posts each
Can i have a score similar to a usual classical piano trio score?
I. e. Piano in bigger staff size than violin and cello?
Thanks, Arno
--
http://www.arnowa
Dear lilypond list,
may i ask you a bunch of questions which i cannot find answers for in the
docs?
I will put them in different posts each
Can i ask lilypond to put an accidental before every non-repeated note (as
common practise in dodecaphonic scores) without having to put an !
everywhere be
Dear lilypond list,
may i ask you a bunch of questions which i cannot find answers for in the
docs?
I will put them in different posts each
Can i produce an espressivo mark (or however you might call it, i mean a
little crescendo sign and a little decrescondo sign being placed above or
beolw a
Werner LEMBERG wrote:
I've revised the music glossary -- it's still not perfect but much
better IMHO. Please have a look at the following music examples:
. `counterpoint': There are ugly rest collisions (which lilypond also
reports as not resolvable). This looks like a bug to me since there
I've revised the music glossary -- it's still not perfect but much
better IMHO. Please have a look at the following music examples:
. `counterpoint': There are ugly rest collisions (which lilypond also
reports as not resolvable). This looks like a bug to me since there
are proper `\stemUp'
On Wednesday 22 September 2004 19.20, Graham Percival wrote:
> On 22-Sep-04, at 1:49 AM, Mats Bengtsson wrote:
> > Has anyone tried lilypond-book with LaTeX recently?
> > We have often had bugs there in the major releases.
>
> I've been using lily-book, and there's two major issues IMO:
>
> 1) Is
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