[EMAIL PROTECTED] writes:
> Does anyone know if there are fonts / capability for lilypond (any version) to
> handle jazz notation (the handwritten style)?
Not that I know of.
It could be done though: you'd have rearrange a "handwritten" font to
follow feta's layout, and make an AFM file with th
On Mon, 1 Sep 2003, Roland Glenn McIntosh wrote:
> Does anyone know if there are fonts / capability for lilypond (any
> version) to handle jazz notation (the handwritten style)?
No, I don't think there is such a font. But since LilyPond already
supports the style property for the most relevant
[EMAIL PROTECTED] writes:
> >>
> >>The funny thing is, if I remove the first "\relative c" (and just
> >>that) the code works fine. I'm using lily 1.9.3
> >>
> >>Is that a bug or am I missing something?
> >
> >
> > Each \relative gets a new Voice.
>
> What's the reason for that design decision?
[EMAIL PROTECTED] writes:
> I sent a sample output from 1.8.0 to a composer (who had only seen
> finale, sibelius etc before) he commented
>
> < Thanks for sending it to me. The quality is very impressive, and
> aesthetically pleasing. >
Good to hear!
> One thing he pointed out (amongst other t
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
The last problem is easily fixed:
\property FiguredBass.BassFigure \override #'font-relative-size = #-3
just before the figures does the trick.
I've added this to scm/grob-description.scm
This change seems to have got lost - in 1.8.
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Hi,
I've notice that ties aren't working across \relative blocks like:
\score {
\new Staff \notes {
\relative c {
c'1 ~
}
\relative c {
c'4 d e f
}
}
\paper { }
}
The funny thing is,
