[EMAIL PROTECTED] writes:
> > > Why so much space for the first quarter note? The 9:4 tuplets are the
> > > shortest duration notes, so I would expect them to drive most of the
> > > spacing, but they look very irregular.
> >
> > This is a dilemma; in single staff music, the (stretchable) space
>
On Thursday 23 December 2004 00.34, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > <<
> > \new Staff { \times 4/7 { a'4 a' a' a' a' a' a' } }
> > \new Staff { \times 4/5 { a' a' a' a' a' } }
> > \new Staff { \times 4/9 { a' a' a' a' a' a' a' a' a' } }
> >
> >
> > Why so much space for the
On Wednesday 22 December 2004 19.52, Jan Nieuwenhuizen wrote:
> Wiz Aus writes:
> > Why so much space for the first quarter note? The 9:4 tuplets are the
> > shortest duration notes, so I would expect them to drive most of the
> > spacing, but they look very irregular.
>
> Because the music is str
[EMAIL PROTECTED] writes:
> <<
> \new Staff { \times 4/7 { a'4 a' a' a' a' a' a' } }
> \new Staff { \times 4/5 { a' a' a' a' a' } }
> \new Staff { \times 4/9 { a' a' a' a' a' a' a' a' a' } }
> >>
>
> Why so much space for the first quarter note? The 9:4 tuplets are the
> shortest duration notes,
From: Jan Nieuwenhuizen <[EMAIL PROTECTED]>
To: "Wiz Aus" <[EMAIL PROTECTED]>
CC: bug-lilypond@gnu.org
Subject: Re: Polymetric tuplets look bad
Date: Wed, 22 Dec 2004 19:52:15 +0100
Wiz Aus writes:
> Why so much space for the first quarter note? The 9:4 tuplets are the
Wiz Aus writes:
> Why so much space for the first quarter note? The 9:4 tuplets are the
> shortest duration notes, so I would expect them to drive most of the
> spacing, but they look very irregular.
Because the music is streched.
Try:
\layout{ raggedright = ##t }
<<
\new Staff { \times 4/7 {
<<
\new Staff { \times 4/7 { a'4 a' a' a' a' a' a' } }
\new Staff { \times 4/5 { a' a' a' a' a' } }
\new Staff { \times 4/9 { a' a' a' a' a' a' a' a' a' } }
Why so much space for the first quarter note? The 9:4 tuplets are the
shortest duration notes, so I would expect them to drive most of the
