It seems that the best you can do is something like:
\version "2.6.0"
\score{
% \applymusic #unfold-repeats
\relative c'' {
\time 4/4
\repeat volta 2 {
\partial 4 d4 |
e8 d e d e d e d |
}
\alternative {
{ f2. }
{ \set Timing.measurePosition = #(ly:make-moment 0 4) f8 e f e f e f
g
Hi.
> > (1)
> > First, is this in effect the most straightforward way to obtain
> > the expected result?
>
> No, a problem is that \cadenzaOff doesn't mark the end of the bar (there will
> be four beats before the candenza bar is finished).
>
I don't get what you mean; maybe you could correct t
OK! I hope you add it to the list of feature requests (or the list of
sponsorable
features).
/Mats
Han-Wen Nienhuys wrote:
Mats Bengtsson wrote:
at beat 1 in the above example. Also, I would like to hear an
authoritative
explanation from the main LilyPond hackers on how to input this kin
Mats Bengtsson wrote:
at beat 1 in the above example. Also, I would like to hear an authoritative
explanation from the main LilyPond hackers on how to input this kind of
repeat that is not aligned with a measure. In early LilyPond versions, I
There is no clean way at the moment.
--
Han-Wen
On Tuesday 15 November 2005 14.37, Gilles wrote:
> Hello.
>
> > >> - Partial bars:
> > >> You probably don't want to use \partial in the middle of a piece. In
> > >> your example, it tends to destroy the bar numbering. I think it's a
> > >> better idea to set Timing.measureLength directly.
> >
> >
Hello.
>
> >>
> >> - Partial bars:
> >> You probably don't want to use \partial in the middle of a piece. In your
> >> example, it tends to destroy the bar numbering. I think it's a better idea
> >> to
> >> set Timing.measureLength directly.
> >>
>
> One thing that might be easier is using
Forwarded to bug-lilypond, see below.
The original question was for a standard situation like
\version "2.6.0"
\relative c'' {
\time 4/4
\repeat volta 2 {
\partial 4 d4 |
e8 d e d e d e d |
}
\alternative {
{ f2. }
{ f8 e f e f e f g | }
}
}
which should not require any fiddling at
