I agree that would be nice to have a smarter support for em dashes in Lilypond,
actually I haven't tested lyrics with that yet. But would like to leave my 2
cents:
Not all languages adopt the style of em dashes tight between words. Portuguese
stylics recommend having an em dash between two spaces.
Hello list.
Apparently musicxml2ly.py doesn't recognize chords. Here goes 2 examples:
The original file converted to abc, and converted to musicxml.
Eduardo Vieira
___
Neste Fim de Ano, interurbano para ci
think
is unnecessary.
I guess the first example should display the problem and the second the
solution.
Regards,
Eduardo Vieira
___
Neste Fim de Ano, interurbano para cidades próximas ou distantes é com o 21.
I don't know if this kind of report is acceptable, as the error was from my part
in writing a wrong syntax. But I guess a warning should be the proper reaction
instead of a crash:
%%
\version "2.10.2"
verse= \lyricmode {
come good old friends
}
%%% inserting: \skip 1 avoids the crash
ve
play the problem and the second the
solution.
Regards,
Eduardo Vieira
Have a good day!
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Arvid wrote:
"I agree that the tie should start -- and end -- below the tied
syllables, but there should be a visible space."
Well, I think the lyric tie shouldn't touch the vowel, too. That is it would be
good if the tip of the tie would be lowered a tid bit.
It looks like that the example you pr
Michael wrote:
On several sample scores, this greatly improves the visual appearance of the
work. Now for the difficult part -- I have 493 scores to adjust this way. I
can certainly write an emacs macro to insert the context settings into the
layout section, but I wonder if it's possible to han
Hello! To get better help, tell us the version of Lilypond you're using.
Anyway, it seems to me that somes versions were having problems with python
scripts. The first thing is to check if musicxml2ly.py is working even with
only the flag for displaying the version or quick help. Then test with
Hello Rick,
Try explicitly instantianting voices. (See the section about that in the
manual):
Instead of << { \stemUp g4 } \\ { \stemUp g'4 } >>
Try << \new Voice { \voiceOne g4 } { \voiceFour g'4 } >> \oneVoice
or something.
For aligning lyrics using lyricsto you need to instantiate voices
\new Voice =
"sopranos" \sopMusic}
\context Lyrics = sopI {\set alignAboveContext = "women"
\lyricsto sopranos \sopWords }
\context Lyrics = sopII \lyricsto sopranos \sopWords
>>
}
I have no idea why this works but the other version doesn't wor
Hello,
When the difference beteween notes of two different voices are bigger than
an octave, then \partcombine don't combine such notes. Has this behavior
been already reported?
Snippet
voa = \relative c' { e4 f f' e g,1 }
vob = \relative c' { c4 d d e e1}
\score {
<< \partcombine
d.com/shapenote/
Eduardo
- Original Message -
From: "Erik Sandberg" <[EMAIL PROTECTED]>
To: "Eduardo Vieira" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]>;
Sent: Sunday, January 15, 2006 9:29 AM
Subject: Re: merging the shaped note "fa"
> On Satu
ong enough to go from one corner to the other of the fa.
I know the development team had to do some successful adaptations with the case
of the do, and I figure this other adaptation won't be too hard.
Cheers,
Eduardo
- Original Message -
From: "Erik Sandberg" <
Thank you, Graham
The "override" worked right, and I see why it's not a default thing.
Regards,
Eduardo
- Original Message -
From: "Graham Percival" <[EMAIL PROTECTED]>
To: "Eduardo Vieira" <[EMAIL PROTECTED]>
Cc:
Sent: Friday, January 13
within the linewidth of the staff by default?
See the attached file,
Cheers,
Eduardo Vieira
P. S.: Version 2.7.26-1; Windows Me
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Sorry, I forgot the attachment
- Original Message -
From: "Eduardo Vieira" <[EMAIL PROTECTED]>
To:
Sent: Thursday, January 12, 2006 3:23 PM
Subject: lyrics goes beyond staff line
> Hi,
>
> I was again messing with the file of the song "Don't bind the
Hello developers,
I was checking a song I had downloaded and detected that the hooks of the
dotted 8th-notes in the 2nd and 4th measure collided with their dots. See
the "c8." of the tenor (2nd and 4th measures) and the "b8." of the soprano
(4th measure).
It's not supposed to be so, right? Had thi
.
I hope I can make sense. Anyway the attached files will help you, giving you
a better visual idea.
Cheers,
Eduardo
- Original Message -
From: "Erik Sandberg" <[EMAIL PROTECTED]>
To: "Eduardo Vieira" <[EMAIL PROTECTED]>
Cc:
Sent: Saturday, December 03, 20
Sorry, I forgot to reply it to Lilypond Bug List.
Eduardo
- Original Message -
From: "Eduardo Vieira" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, December 02, 2005 9:42 AM
Subject: Re: merging the shaped note "fa"
> Yes, Erik I am sure. I
Hello list,
I'm wondering if the problem with poliphony (voice overlay) with shaped notes
have been solved in versions later than 2.7.17.
When the "fas" of two different voices (e.g. soprano and alto) are together,
only one notehead should display.
Trying to do it manually by making one of the n
Hello fellows,
I tried the 'shape note' feature of Lilypond and was disappointed to see what
happened when the stem of a triangle shape (the "do", or the tonic of a key)
note is down: it sticks out far beyond the corner of the triangle :(
Could it be fixed?
See the attached file. By the way, thi
Hello everybody!
I'm using Lilypond 2.7.4 in Windows (I used the Mingw setup, not Cygwin). Any
.ly that I process, the midi output doesn't play. What's the problem?
I attached the original file (which I downloaded from Mutopia) and the midi
file.
Best regards,
Eduardo
\header{
title = "Leo
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