Mats Bengtsson wrote:
Quoting Paul Scott <[EMAIL PROTECTED]>:
Mats Bengtsson wrote:
I'm still a bit confused. Do you want to determine
if the bar number is printed over the beginning or the end of the
measure?
I probably would be happy just being able to have UP and DOWN as
choices and have
Ady Ecker wrote:
Thank you for your quick response. I was able to make it work.
Please keep lilypond email on the mailing list, so that other people can
benefit from the discussion.
It would help if -
1. This would be the default behavior of \transpose (this will save many
questions in the
Paul Scott wrote:
Then in "7.2.3 Printing chord names" is the example:
...
I suggest that the two relevant chords in the example be shown as f1:maj7
and c:maj7 to avoid any confusion here.
Thanks, fixed in CVS.
- Graham
___
bug-lilypond m
The following example illustrates that when you have a repeat sign
or some other special bar line with a significant width, the rehearsal
marks are aligned over the right edge of the bar sign, not over the
center of it.
\version "2.9.13"
\relative c'{
c1 \mark "A"
c1 \mark "A" \bar "||"
c1 \mar
Mats Bengtsson schreef:
One aspect that complicates things is that there are four different
lilylib files that Python can consider to import:
../usr/share/lilypond/current/python/lilylib.py
../usr/share/lilypond/current/python/lilylib.pyc
../usr/bin/lilylib.py
../usr/bin/lilylib.pyc
When experi
A segmentation fault is always a serious bug. I forward your example
to bug-lilypond and note that the SIGSEGV happens also with version 2.8.5.
/Mats
Michał Dwużnik wrote:
Hi Mats,
OK, change that into
\new VaticanaStaff <<
\new VaticanaVoice{ ... }
\new VaticanaVoice{ ... }
>>
that _may
