This isn't surprising, since the part combiner keeps shuffling
different notes and rests to different Voice contexts, so it's
not easy for LilyPond to realize which voice the \setTextCresc
setting should be applied to.
The easiest solution is to modify the definition of this macro, so it
applies
In the following example, the crescendo has airpins instead of text.
Everything is fine if \partcombine is replaced by polyphony << ... \\
... >>.
\version "2.6.4"
\include "english.ly"
\score {
\partcombine
{
\setTextCresc
r4 c'\< r d'
In the following example, "Solo" should be written above the first note.
Note that if the crescendo is removed, everything is fine.
\version "2.6.4"
\include "english.ly"
\score {
\partcombine
{
r4 c'\< r d'
e'\!\f
}
{
R1*1
Volta brackets don't break correctly anymore. They are terminated at
the end of the system and restarted at the next system instead of kept
open. I've already reported this bug some versions ago. Any chance of
having it fixed soon? It is a bit of a showstopper for me.
--
Sven Axelsson
__
The RemoveEmptyStaffContext behaviour seems to have changed from one
of the latest 2.7 builds. It doesn't remove the staff lines between
systems anymore, and the removed lower system also still takes up
space. II might be calling it wrong, though. This is what I'm doing:
\layout {
\context {
liang seng wrote:
in the first place when there is nothing wrong with the tie format 2.6.x
which generates good ties?
Many people, including me, disagree. See eg.
http://lilypond.org/bugs/v2.6/
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
_
Hi, I see. But I'm curious to know that how can you be certain that the tie
problem will be fixed once and for all in the upcoming stable series 2.8.x?
Reitering my previous question, I would like to know why the tie formatting
is being rewritten in 2.7.x which causes all these problems in the fi
