Re: [Sursound] The "BUCKET LIST" for Ambisonics? - or only how to proceed with Head tracked Binaural listening directivity control ?
Malham wrote: >> >> Hi there, >>> It depends what you want to do. If you can limit yourself to fairly >>> rapidly moving sources, then you can get some way towards this even in >>> FOA >>> especially if the replay venue is reasonably dry and the acoustic of the >>> soundscape is somewhat reverberant. With a bit of doppler, the >>> appropriate >>> variance of direct to reverberant field and patterns of early >>> reflections, >>> it will be difficult for the brains of the listeners not to perceive the >>> source as moving past their heads (if that's the path you've set). >>> However, >>> the slower the rate of travel, the more likely it is to fall apart and >>> revert to the source appearing to come from no closer than the reverb >>> radius (usually the surface of the speaker array). If you want to go >>> further, you need to use NFCHOA, (see Jerome Daniel's work). >>> >>> >>> Dave >>> >>> >>> >>> On 5 November 2014 00:21, Augustine Leudar >>> wrote: >>> >>> I'm wondering - what is other artists experiences of using ambisonics to >>>> get sounds to appear "close" to the listener - ie proximity or in WFS >>>> focussed sources ? >>>> >>>> > -- next part -- > An HTML attachment was scrubbed... > URL: <https://mail.music.vt.edu/mailman/private/sursound/ > attachments/20141108/bc23b030/attachment.html> > > ___ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -- www.augustineleudar.com -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20141110/e57294d5/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Spatial Audio positions at Qualcomm in San Diego, California
Dear list members, Qualcomm is soliciting applications for multiple positions, at all levels, from individuals with expertise in the following fields: Spatial Audio (Spherical Harmonics, Wave Field Synthesis, etc), Audio Digital Signal Processing, Auditory Perception (especially as related to spatial audio), Audio Coding (compression). Soundfield acquisition using microphone arrays. Further information and information on how to apply may be found at the following website: https://jobs.qualcomm.com/public/jobDetails.xhtml?requisitionId=1930477 Best, __ Deep Sen Senior Director, Multimedia R&D, Qualcomm, Inc. San Diego, California, USA. -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20141110/702d2cc6/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Music of Today/DXARTS Fall Concert: Through a glass, darkly…
Apologies for cross-postings... Music of Today/DXARTS Fall Concert: Through a glass, darkly… Thursday, November 13, 2014 at 7:30PM Meany Hall for the Performing Arts, UW Campus $20 general, $12 student/senior Buy tickets: http://artsuw.org/event/prod_id/7220 Traversing borders evoking large-format landscape photography, intimate portraiture and mystical musings, this concert features works by composers associated with DXARTS, and is presented in 3D holographic sound. The University of Washington School of Music and the Center for Digital Arts and Experimental Media (DXARTS) co-sponsor the Music of Today concert series featuring groundbreaking modern classics and new works by faculty and guest composers. PROGRAM Richard Karpen, "Camera Cantorum" (2000) for digital soundtrack. Richard Karpen, projection. Perry Jones, "The Taos Hum" (2014) for Ambisonic soundtrack. Perry Jones, projection. Daniel Peterson, "Swarm of Echoes" (2011) for Ambisonic soundtrack. Daniel Peterson, projection. Marcin Pączkowski, "...where odd things are kept" (2014) for sensors and live electronics. Marcin Pączkowski, performance. Nicolás Varchausky, "Resonances, Turbulences and Explosions" (2011/14) for Ambisonic soundtrack. Michael McCrea, projection. Joseph Anderson, "Mpingo" (2003) for Ambisonic soundtrack. Joseph Anderson, projection. ___ dxarts-eve...@u.washington.edu -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20141110/8e565cb5/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Spatial Audio positions at Qualcomm in San Diego, California
Looks like Qualcomm has got really serious about 3D audio and HOA/WFS in particular which is really exciting news - they are a major player! if I was younger I'd be very seriously considering applying, even tho' it's Stateside based and not in the UK. Dave On 10 November 2014 19:56, Sen, Deep wrote: > Dear list members, > > Qualcomm is soliciting applications for multiple positions, at all levels, > from individuals with expertise in the following fields: > Spatial Audio (Spherical Harmonics, Wave Field Synthesis, etc), > Audio Digital Signal Processing, > Auditory Perception (especially as related to spatial audio), > Audio Coding (compression). > Soundfield acquisition using microphone arrays. > > Further information and information on how to apply may be found at the > following website: > > https://jobs.qualcomm.com/public/jobDetails.xhtml?requisitionId=1930477 > > Best, > __ > Deep Sen > Senior Director, > Multimedia R&D, > Qualcomm, Inc. > San Diego, California, USA. > > -- next part -- > An HTML attachment was scrubbed... > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20141110/702d2cc6/attachment.html > > > ___ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -- As of 1st October 2012, I have retired from the University. These are my own views and may or may not be shared by the University Dave Malham Honorary Fellow, Department of Music The University of York York YO10 5DD UK 'Ambisonics - Component Imaging for Audio' -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/2014/ee8dd04c/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
