Re: [Sursound] Great responses to my post--thanks!

2011-12-05 Thread David Pickett

At 21:29 04/12/2011, Hector Centeno wrote:

> Here is an example recording I made:
>
>http://soundcloud.com/hcenteno/kids-running-in-the-wychwood-barns


Can you tell us how you made this recording, please?

David

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Re: [Sursound] Great responses to my post--thanks!

2011-12-05 Thread umashankar mantravadi

dear hector that sounded very good indeed on my sony mdr5 headphones. did you 
record with brahma? umashankar

i have published my poems. read (or buy) at http://stores.lulu.com/umashankar
 > Date: Sun, 4 Dec 2011 21:40:26 -0600
> To: sursound@music.vt.edu
> From: d...@fugato.com
> Subject: Re: [Sursound] Great responses to my post--thanks!
> 
> At 21:29 04/12/2011, Hector Centeno wrote:
> 
>  >Here is an example recording I made:
>  >
>  >http://soundcloud.com/hcenteno/kids-running-in-the-wychwood-barns
> 
> Thanks! It sounds good to me played on earbuds...
> 
> David
> 
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[Sursound] HRTFs, recordings, headphones, and more

2011-12-05 Thread Eric Carmichel
Greetings again to all,
My second post (“Great responses to my post--thanks!”) elicited some noteworthy 
responses, particularly regarding my comment that most binaural recordings that 
I’ve listened to don’t give a sense of “open space.” Naturally, we all have a 
unique HRTF, and recordings or IRs made with an acoustical test fixture (e.g. 
KEMAR) probably won’t match our own HRTF.
Recordings made with KEMAR (Knowles Electronic Manikin for Acoustic Research) 
have the microphones deeply seated in this fixture. Such recordings will have a 
“naturally occurring” resonant peak around 3 kHz because of the KEMAR’s pseudo 
ear canal (which, for KEMAR, is just a straight tube, with or without Zwislocki 
couplers). A naturally occurring resonant peak exists in open-ear listening 
situations, and this adds to the sense of openness. The style of headphones we 
use may destroy the ear canal’s natural resonant peak, particularly if the 
headphones are of the insert type. If the recording includes a peak, then 
insert phones may not be a problem. Otherwise, we may have to use a peaking 
filter to re-create an open-ear type of response. Of course, not all headphones 
seal off the canal. So how do these headphones affect listening? My 
off-the-cuff answer follows:
I’d estimate that the earcup volume of circumaural headphones is around 6 cm2. 
But because headphones include active drivers, computing the combined resonance 
of the ear canal with the earcup’s volume may not be so simple: There’s an 
issue of “equivalent volume” when dealing with active elements (for example, 
consider the equivalent volume of a B&K acoustic calibrator). The point to all 
of this is that HRTF, pinna transfer functions, open-ear frequency response, 
etc. are dependent not only on the individual, but on the headphones used for 
playback.
I made one recording using in-the-ear microphones and it was eerily realistic 
in one way: I was slowly moving on a squeaky floor while making the recording, 
and when I played the recording I found myself looking at my feet because it 
made me feel as though something was moving at my feet. This is the result of a 
full-body transfer function, and was the most out-of-the-head sensation I've 
experienced with headphones. The rest of the recording wasn’t this impressive.
I have listened to Hector’s recording using AKG K240 studio phones (semi-open). 
(Thanks to Hector for making his recording available.) The sounds and child 
coming from the extreme left gave the sense of a distant source--this is good. 
But I believe I experience what others discovered: None of the sounds appeared 
to come from behind or in front of me; it was though the child was running 
through my head. This may not be the case with all headphones. I have a pair of 
ER-3A insert phones that will probably yield a different effect. I’m currently 
using my ER-3A’s for an otoacoustic emission (OAE) study, but will report back 
once I have a chance to listen to the recording via insert-type phones and my 
Sennheiser HDA-200 headphones.
Again, many thanks to all for sharing thoughts, recordings, references, and 
wisdom.
Sincerely,
Eric
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Re: [Sursound] HRTFs, recordings, headphones, and more

2011-12-05 Thread Sampo Syreeni

On 2011-12-05, Eric Carmichel wrote:

[...] noteworthy responses, particularly regarding my comment that 
most binaural recordings that I’ve listened to don’t give a sense of 
“open space.” Naturally, we all have a unique HRTF, and recordings or 
IRs made with an acoustical test fixture (e.g. KEMAR) probably won’t 
match our own HRTF.


Then it's an open research question to you scientific types, where the 
discrepancy actually lies. Isn't it? Like, most of the research in here 
goes with personalized HRTF's (which don't seem to work either), head 
tracking (which does seem to work, but not perfectly), the obvious 
theoretical stuff which nobody has even tried (e.g. auditory parallax 
while headtracking directions as well), and whatnot which we have't yet 
thought up (that's your job). :)


Recordings made with KEMAR (Knowles Electronic Manikin for Acoustic 
Research) have the microphones deeply seated in this fixture. Such 
recordings will have a “naturally occurring” resonant peak around 3 
kHz because of the KEMAR’s pseudo ear canal (which, for KEMAR, is just 
a straight tube, with or without Zwislocki couplers).


In the "we don't know yet" department, nobody's ever proven KEMAR-like 
modelling is correct. I mean, it relies on a one-dimensional 
approximation of the auditory canal, which might not hold in full at the 
highest frequencies. Especially if you happen to believe ultrasonics 
have something to give us, like many audiophiles do, especially in 
spatial reproduction. What if the audiotory canal itself stops being 
one-dimensional at HF and becomes a 2D waveguide in crossection? It 
isn't as though transverse vibrational modes couldn't be transmitted 
through the tympanic membrane, or as though they couldn't then 
theoretically, differentially affect the cochlear microcilia, as a minor 
transverse induced mode of excitation...


There I'd like to bring up something we already know about natural 
excitation of the microcilia: we already know those neural cells nor 
those which follow them in the auditory nerve or the lower auditory 
nuclei won't depolarize at a rate exceeding some 1kHz or so. Nor do they 
have much S/N ratio an sich; nor are they fully uncorrelated.


Thus we already know the afferent auditory pathway cannot *possibly* 
carry all of the auditory information we already know it must, if we 
think about it simplistically. Thus, the first two things *I'd* really 
like to know about the peripheral auditory system are: 1) how precisely 
is temporal coding used in excess of the cochlear place coding which we 
already know, and 2) how does the feedback modulation via the efferent 
auditory pathway participate in that coding, and the place coding, in 
whole?


The first part, temporal coding, as the precise instance of neural 
firing after the resonant but also place-wise stochastically (fully so?) 
rectifying cochlear membrane *must* somehow carry information which is 
particularly relevant to dichotic hearing. That is almost self-evident 
when you compare the resonance characteristics of coclea in vitro 
against the dichotic listening experiments of old. No amount of envelope 
detection could get you to such low angular resolution in 
dichotic/binaural hearing, ever, unless it was mostly being derived from 
the exact, continuous time onset of the neural pulses. Possibly all over 
the board. (Which then also makes supersonics relevant, at least in 
theory.)


Now that I've read some basics of cochlear implant tech, I don't see how 
such considerations are taken into account. Thus, Eric, since you seem 
to be worried about the effects of real life background noise on CI's, 
maybe you could go double the mile by trying out a CI analysis algorithm 
which hybridises your typical Shannonesque noise band vocoder with a 
selective application of pure, rectified, time-domain information, 
straigh from the sampler? Perhaps a sampler with vastly more bandwidth 
than you commonly use for CI purposes?


The style of headphones we use may destroy the ear canal’s natural 
resonant peak, particularly if the headphones are of the insert type.


Absolutely. Been there, done that. That's why I always go with open, 
gently grabbing designs. And even they kill the outer ear and upper body 
response which is so crucial to a real HRTF. (The "R", "related", is 
because it's not just about the head, but always about the upper torso 
as well.


And to wit, I've never seen anybody study what *really* happens to the 
response when you twist your head while keeping your torso/body intact. 
We can do that, we do do that, yet no head tracker even that I've seen 
takes any notice of the fact. Once again, it could be a valid research 
area.)


Otherwise, we may have to use a peaking filter to re-create an 
open-ear type of response.


Of course they try to as best they can. But can they really emulate all 
of the relevant degrees of freedom which this sort of thing might 
require? Do we even know which the relevant de