Re: Schenkerian slurs and framework
Hi Ben, > I read the 2005 article in the Linux journal about making schenkerian graphs, > and I feel like it covered everything except one type of slur. I think I've > heard it called a swan slur before. It's a slur that hooks around a note. In > this picture it's the slur connecting the e flat in the bass to the second b > flat. > https://i0.wp.com/johnhalle.com/wp-content/uploads/2020/08/image-3.png?ssl=1 > I feel like I need one more point to modify in the bezier curve to get it to > hook around like that. Is that possible? I feel like I was able to accomplish it without that… let me see if I can find the code I used. > Also, while searching for an answer to this I saw reference to a LilySchenker > framework but I can't find any more info about it, probably because there's > some famous person named Lily Schenker... Anyone have more info on that? I was the one building that… let me see if I can find the code I used. :) Best, Kieren __ My work day may look different than your work day. Please do not feel obligated to read or respond to this email outside of your normal working hours.
Re: Tremolo/triplet problem
Thanks, William -
That helps a lot. Very close to the original.
On a side note (so to speak), I grew up in Olmsted Falls, and I have a
cousin who grew up in Oberlin. I spent a lot of time there.
All the best,
Ralph
__
Ralph Palmer
Seattle
USA
(he, him, his)
palmer.r.vio...@gmail.com
On Wed, Mar 6, 2024 at 8:25 PM William Rehwinkel <
will...@williamrehwinkel.net> wrote:
> Dear Ralph,
>
> I think this replicates how the original score looks:
>
> \version "2.25.7"
>
> \relative b {
>\clef alto
>\time 4/4
>\tuplet 6/4 { b2.:8 } c4.*2/3:8 d4.*2/3:8 | c2.*2/3:8 b4.*2/3:8
> a4.*2/3:8
> }
>
> -William
>
> On 3/6/24 21:53, Ralph Palmer wrote:
> > Hi -
> >
> > Thanks for all your work and for your help to me over a number of years.
> >
> > I'm running into a problem I have no idea how to fix. I've looked at
> > tremolos in the Notation Reference and in the Snippet Repository, but
> > can't find a solution. I would appreciate any help. The first image is
> > the result of tremoloTripletProblem.ly. The second image is from the
> > score I'm trying to reproduce (albeit in a slightly more legible
> > fashion, I hope).
> >
> > tremoloTripletProblem.ly :
> >
> > %
> >
> > \version "2.24.0"
> >
> > \language english
> >
> > tremoloTripletProblem =
> > \relative c' {
> >\clef alto
> >\key bf \major
> >\time 4/4
> >
> > \tuplet 3/2 4
> > { bf8-.\pp( 8-. 8-. 8-. 8-. 8-.)
> >c8-.( 8-. 8-. a8-. 8-. 8-.) |
> > bf2.:6 c4.:3 d4:3 |
> > c2.:6 bf4.:3 a4.:3 |
> > }
> > }
> >
> > \score {
> >\tremoloTripletProblem
> > }
> >
> > %%%
> >
> > image.png
> >
> >
> > image.png
> > Any suggestions? I imagine the simplest solution would be to simply go
> > with half and quarter notes as tripletted with the tremolo mark, but I
> > kind of like the composer's notation.
> >
> > All the best,
> >
> > Ralph
> >
> > __
> > Ralph Palmer
> > Seattle
> > USA
> > (he, him, his)
> > palmer.r.vio...@gmail.com
>
> --
> William Rehwinkel - Oberlin College and Conservatory '24
>
> will...@williamrehwinkel.net
>
> PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
>
Re: Tremolo/triplet problem
Thanks, Kieren - Yes. My mistake. Still didn't quite do what I'd hoped, though, even when I corrected it. All the best, Ralph __ Ralph Palmer Seattle USA (he, him, his) palmer.r.vio...@gmail.com On Wed, Mar 6, 2024 at 7:42 PM wrote: > Hi Ralph, > > Shouldn’t the d be 4. [not 4]? > > > bf2.:6 c4.:3 d4:3 | > > Maybe I’m misunderstanding…? > > Cheers, > Kieren.
Best way to center beam between upper/lower staff?
Hello,
This has to be a FAQ, yet all my searching turned up a mixed bag.
I'm trying to have some notes cross from the lower staff to the upper staff but
want the beam to automatically center. In my example this is accomplished in
measure 3 with much manual work. Is there a better way?
%%%
\version "2.22.2"
\score {
<<
\new PianoStaff {
<<
\new Staff = "up" {
<<
\new Voice {
\relative c'' {
R1
a4 g f e
e f g a
}
}
>>
}
\new Staff = "down" {
<<
\clef "bass"
\new Voice {
\relative c {
\voiceOne
d4 e f g
r8 a \change Staff = "up" c \change Staff = "down" a \change
Staff = "up" d \change Staff = "down" a \change Staff = "up" e' \change Staff =
"down" r
r8 a, \change Staff = "up" \stemDown c \change Staff = "down"
\stemUp a \change Staff = "up" \stemDown d \change Staff = "down" \stemUp a
\change Staff = "up" \stemDown e' \change Staff = "down" \stemNeutral r
}
}
>>
}
>>
}
>>
}
%%%
Thanks,
Andy
Re: Best way to center beam between upper/lower staff?
On 2024-03-07 9:12 pm, Andy Bradford wrote: Hello, This has to be a FAQ, yet all my searching turned up a mixed bag. I'm trying to have some notes cross from the lower staff to the upper staff but want the beam to automatically center. In my example this is accomplished in measure 3 with much manual work. Is there a better way? Is `\autoChange` [1] what you were looking for? [1]: https://lilypond.org/doc/v2.25/Documentation/notation/changing-staff-automatically You might also need to play with `Beam.auto-knee-gap` [2]. [2]: https://lilypond.org/doc/v2.25/Documentation/notation/automatic-beams -- Aaron Hill
