Re: Printing lower continuo figures only
2018-03-29 16:31 GMT+02:00 Brent Annable : > I've tried inserting a dummy figure above it and using \once \hide > FiguredBass.BassFigure, but it hides both figures. And I tried turning Bass > Extender Lines on and then hiding the line stencil (see second example), That's what I would do. > but this doesn't seem to work either. > > Anyone got an idea how to do this, or what I might be doing wrong? (aside > from messing with the offsets, which is a bit approximate for me). You are trying to hide the wrong grob: what you are looking for is BassFigureContinuation. \version "2.19.65" << \relative c' { \clef bass g2 ~ g } \figures { <7 3>2 <6 4>4 \once \bassFigureExtendersOn \once \hide BassFigureContinuation <6 3> } >> Of course you can put those commands in a variable for convenience. \version "2.19.65" aaa = { \once \bassFigureExtendersOn \once \hide BassFigureContinuation } << \relative c' { \clef bass g2 ~ g } \figures { <7 3>2 <6 4>4 \aaa <6 3> } >> (Unfortunately Mats' solution flips the positions of all figures and gives bad alignments if you use it only for part of the piece.) Best wishes. Davide ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Diatonic accordion score fine-tuning
Hello, I’ve nearly reached my goal. Further attempts lead me to the following, using a GrandStaff and: \override GrandStaff.SpanBar.glyph-name = "|" \override Staff.BarLine.glyph-name = "'" I can’t obtain a vertical short line at the left and right ends of the spanner yet though, since: \override AccordionPushSpanner.bound-details.left.text = \markup { \draw-line #'(0 . -3) } \override AccordionPushSpanner.bound-details.right.text = \markup { \draw-line #'(0 . 3) } don’t make a change. That would be useful it seems. Also, the thick parts of the repeat barlines don’t go down to the lower stave, but that is maybe less useful. Maybe diatonic accordion players on this list can comment on that. For the others, let’s mention that a thick line means « push » and that its absence means « draw ». The next important step will be to convert the actual note pitches into the fingerings that should be displayed instead. JM AccordionPushSpannerExample.ly Description: Binary data > Le 27 mars 2018 à 13:16, Menu Jacques a écrit : > > Hello folks, > > I've modified the AccordionPushSpanner example supplied by someone on this > list (can't find who it was, unfortunately), giving the attached file and the > score : > > > How can I tune the settings to align the bar lines lower tips with the single > staff line, and hide the dots in the repeat bar lines, in a way similar to: > > > The small vertical lines would be nice to have too. > > Thanks for your help! > > JM > > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Printing lower continuo figures only
Hi, I am currently reproducing a continuo part, and am having trouble achieving a particular effect: printing a continuo figure in the *lower *position only. So in the first example in the attached image, I want the '3' to appear on the lower line, at the same height as the '4' to the left of it. That's a problem I frequently encounter. Most often I print an additional 4 which I set to white; but since I didn't manage to tweak the colour for a single bass figure, I use a \markup { \number 4 } which additionally has to be tuned to the right font size. What would be really helpful here would be a placeholder/dummy "empty bass figure" which takes up the amount of vertical space any regular bass figure takes. But I do not know how hard it would be to add such a thing. Best Lukas ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Tweaking individual BassFigures
Hello everybody, it is currently not possible to tweak individual BassFigures – this: \version "2.19.80" \figures { <\single \hide BassFigure 6 3> } gives a syntax error, unexpected MUSIC_FUNCTION. How fundamental are the reasons for this? Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
2.19.81 pitchedTrill ending on rest
I haven't been successful getting a pitchedTrill to end on a rest. Has anyone got a working example of this, i.e. \pitchedTrill g2.\startTrillSpan a r4\stopTrillSpan TIA for any ideas, Paul ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Movement title to the left of the system
What is the preferred way of putting a title for a movement to the left of the start of the first system for a keyboard piece, that is, in the space normally used for the indent? I was unable to find help on this specfic point in the archives or LSR. Is it simply a case of taking over the instrument name? Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: 2.19.81 pitchedTrill ending on rest
Paul, See the attached snippet. Is it what you want? Mark -Original Message- From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Paul Scott Sent: Friday, March 30, 2018 3:54 PM To: LilyPond User List Subject: 2.19.81 pitchedTrill ending on rest I haven't been successful getting a pitchedTrill to end on a rest. Has anyone got a working example of this, i.e. \pitchedTrill g2.\startTrillSpan a r4\stopTrillSpan TIA for any ideas, Paul ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user \version "2.19.80" \relative c'' { \pitchedTrill g2.\startTrillSpan a r4\stopTrillSpan }___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Movement title to the left of the system
Bernard, You can use “instrument.name.” See http://lilypond.org/doc/v2.19/Documentation/snippets/titles Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Andrew Bernard Sent: Friday, March 30, 2018 6:35 PM To: lilypond-user Mailinglist Subject: Movement title to the left of the system What is the preferred way of putting a title for a movement to the left of the start of the first system for a keyboard piece, that is, in the space normally used for the indent? I was unable to find help on this specfic point in the archives or LSR. Is it simply a case of taking over the instrument name? Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tweaking individual BassFigures
Am 31.03.2018 um 00:17 schrieb Simon Albrecht: Hello everybody, it is currently not possible to tweak individual BassFigures – this: \version "2.19.80" \figures { <\single \hide BassFigure 6 3> } gives a syntax error, unexpected MUSIC_FUNCTION. How fundamental are the reasons for this? I’m not an expert but here is what I found: • A chord of figures creates multiple grobs (<6 4 3> → three BassFigure grobs). • Chords of figures and chords of other music work differently, see parser.yy line 3086ff. • The number part of a bass figure can be an unsigned integer, string, symbol, markup, or scheme expression that is tested to be an unsigned integer or markup, see parser.yy line 3536 and the code below. • Unlike chords of other music, chords of bass figures don’t allow music functions. So you can do \markup magic (including scheme functions returning markups) here but no \tweaks. I don’t know how easy it would be to change this. %% \version "2.19.81" #(define (invisible num) (markup #:transparent #:number #:tiny (number->string num))) \figures { % UNSIGNED <6 4 3> % STRING <"6" 4 3> % SYMBOL: is this really a symbol or just an unquoted string? % full_markup <\markup \with-color #red \number \tiny 6 4 3> <\markup \transparent \number \tiny 6 4 3> % embedded_scm_bare, tested to be unsigned integer or markup <#6 4 3> <#(markup #:transparent #:number #:tiny "6") 4 3> <#(invisible 6) 4 3> } %% ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user