Re: \magnifyMusic omits unison notes in \partcombine?
What is the pair for? When I omit it, everything works fine, check it out
\version "2.19.56"
one = { a'2 f' }
two = { f'2 f' }
\partcombine \magnifyMusic 1.2 \one \magnifyMusic 1.2 \two
Greetings,
Manuela
2017-04-28 0:02 GMT+02:00 Karlin High :
> A songwriter looked at my LilyPond job and asked, "Can you make the note
> heads bigger in proportion to everything else?" Yes, thanks to
> \magnifyMusic, I thought. It's a SATB hymn, I'm using \partcombine, and
> apparently \magnifyMusic doesn't pick up the unison notes the way I'm
> writing it. Minimal example below, PNG result attached. Magnify is at
> 1.2 for effect; I'm using 1.1 in practice.
>
> % BEGIN LILYPOND CODE
> \version "2.19.59"
> one = { a'2 f' }
> two = { f'2 f' }
> \partcombine #'(2 . 9) \magnifyMusic 1.2 { \one } \magnifyMusic 1.2 { \two
> }
> % END LILYPOND CODE
>
> I've found I need to put \magnifyMusic inside \partcombine, because it
> seems to have no effect the other way around. Any ideas for how I could
> get \magnifyMusic to catch the unison notes?
> --
> Karlin High
> Missouri, USA
>
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>
>
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Re: Up and down arrows
>
> > Is there a way to put up and down arrows above the staff to indicate the
> down and up beats?
>
> c'4 ^\markup { ↓ } f'4 ^\markup { ↑ }
>
An if they should be put in one nicely justified line, one could use lyrics:
\version "2.19.44"
<<
\new Lyrics = "beats"
\new Staff \relative g' <<
{
g4 e g e f e d2
}
\new NullVoice = "counter" {
\repeat unfold 30 \repeat unfold 4 c4
}
>>
\context Lyrics = "beats" \lyricsto "counter" {
\repeat unfold 30 { ↓ ↑ ↑ ↑ }
}
>>
Best
Lukas
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MagnifyMusic omits unison notes from PartCombine
Meta-minimal example: can I post AT ALL? Third try, no list acknowledgement so far. If this works, LilyPond code and PNG will follow. -- Karlin High Missouri, USA ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: MagnifyMusic omits unison notes from PartCombine
2017-04-28 1:37 GMT+02:00 Karlin High : > Meta-minimal example: can I post AT ALL? Third try, no list acknowledgement > so far. Hi Karlin, all three came through: http://lists.gnu.org/archive/html/lilypond-user/2017-04/index.html (search for your name) If you've got no answer, then possibly because nobody knows an answer or lack of time to write an email or ... Meanwhile Manuela replied. Cheers, Harm - ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \magnifyMusic omits unison notes in \partcombine?
Manuela wrote > What is the pair for? When I omit it, everything works fine, check it out Optional chord-range sets the distance in steps between notes that may be combined into a chord or unison. (From the LilyPond NR, this is new in 2.19) \partcombine #'(2 . 9) ... indicates that the smallest interval to be combined is a third (2 steps). Seconds (1 step) and unison (0 steps) are excluded. \partcombine #'(0 . 9) ... would work as well. Cheers, Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/magnifyMusic-omits-unison-notes-in-partcombine-tp202773p202783.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Magnifystaff question (possibly bug?)
)se
2017-04-29 4:49 GMT+02:00 Michiel Sikma :
>
> Hi there,
>
> There's something I don't entirely understand about \magnifyStaff - I'm using
> it to scale down my entire score, without having to use layout-set-staff-size
> (since I don't want to switch to a different feta font size, but just scale
> the feta20 one slightly.)
>
> However, I discovered that something funny happens when you use \teeny or
> \normalsize or any of the other commands that set fontSize.
>
> Here's an example:
> http://lilybin.com/nqeqsu/1
>
> Basically, when using \teeny, it sets the note heads to a smaller than normal
> size, but it doesn't take \magnifyStaff into account. So the notes are scaled
> according to a base of 100 rather than whatever the staff magnification is.
> Similarly, setting \normalsize resets the note heads to 100% of an
> unmagnified staff.
>
> My expectation is that \magnifyStaff magnifies everything. So if \teeny sets
> the size to, say, 70%, and \magnifyStaff is set to #50/100, I expect the size
> to be 35%. And if \normalsize sets the size to 100%, in \magnifyStaff #50/100
> I expect the result to be 50%. Et cetera.
>
> The \normalsize/etc commands permanently change the note head size (and
> markup size) for a voice, leaving everything else the same. Probably, they
> are internally setting the fontSize to a static value rather than taking the
> magnification into account.
>
> Either this is a bug or I'm not using it correctly. But it seems like if you
> have a magnified staff, one should still be able to use the fontSize commands.
> Would love to hear people's thoughts, I'm going to see if I can find a
> workaround - probably I can just set the fontSize myself based on my magnify
> value.
>
> Regards,
> Michiel
Hi Michiel,
all of the predifined commands teeny, tiny, small, normalsize, large,
huge set the fontSize for the Bottom-context where they are applied,
to an absolute Volume, as well does magnifyStaff for the Staff.
They don't add up and they shouldn't, otherwise collecting several
music-variables in one Staff from different sources will be pretty
unpredictable.
See the examples below. First usual \huge is demonstrated, i.e (\set
fontSize = #2)
Then I add up the applied fontSizes using 'my-fontSize'-music-function.
Note how the content of \zz changes depending where called.
Why should this ever be the default?
\version "2.19.56"
\paper { indent = 30 }
%% For convenient checking
% currently not used below
check-fontSize =
\applyContext
#(lambda (ctx)
(format #t
"\n\tfontSize is:\t~a\n"
(ly:context-property ctx 'fontSize)))
x = { \huge c'1 }
y = { \huge d'1 }
z = { \huge e'1 }
\new Staff \with { instrumentName = "default \\huge" } { \x \y \z }
\new Staff \with { instrumentName = "default \\huge" } { \x \z \y }
my-fontSize =
#(define-music-function (val)(number?)
#{
\applyContext
#(lambda (ctx)
(ly:context-set-property! ctx 'fontSize
(+ val (ly:context-property ctx 'fontSize 0
#})
xx = { \my-fontSize 2 c'1 }
yy = { \my-fontSize 2 d'1 }
zz = { \my-fontSize 2 e'1 }
\new Staff \with { instrumentName = "adding fontSize" } { \xx \yy \zz }
\new Staff \with { instrumentName = "adding fontSize" } { \xx \zz \yy }
\new Staff \with { instrumentName = "adding fontSize" } { \zz \xx \yy }
Cheers,
Harm
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Re: \magnifyMusic omits unison notes in \partcombine?
2017-04-28 0:02 GMT+02:00 Karlin High :
> A songwriter looked at my LilyPond job and asked, "Can you make the note
> heads bigger in proportion to everything else?" Yes, thanks to
> \magnifyMusic, I thought. It's a SATB hymn, I'm using \partcombine, and
> apparently \magnifyMusic doesn't pick up the unison notes the way I'm
> writing it. Minimal example below, PNG result attached. Magnify is at
> 1.2 for effect; I'm using 1.1 in practice.
>
> % BEGIN LILYPOND CODE
> \version "2.19.59"
> one = { a'2 f' }
> two = { f'2 f' }
> \partcombine #'(2 . 9) \magnifyMusic 1.2 { \one } \magnifyMusic 1.2 { \two }
> % END LILYPOND CODE
>
> I've found I need to put \magnifyMusic inside \partcombine, because it
> seems to have no effect the other way around. Any ideas for how I could
> get \magnifyMusic to catch the unison notes?
> --
> Karlin High
> Missouri, USA
>
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>
Under the hood \partcombine distributes the music to up to four
different Voices. They are called "one", "two", "shared" and "solo".
(And a NullVoice called "null".)
\magnifyMusic is applied to a Bottom-context.
Meaning, if the context is changed, for example from a Voice called
"shared" to a Voice called "one" magnifyMusic is not longer applied.
That's usual behaviour for all
overrides/context-settings/music-functions etc
A general feature not a bug.
You could create those Voices yourself, keep them alive and apply
magnifyMusic there.
Though why not set an appropriate fontSizeValue for all Voices in layout?
Below both codings:
\version "2.19.59"
one = { a'2 f' }
two = { f'2 f' }
\new Staff <<
\context Voice = "one" { \voiceOne \magnifyMusic 2 #(skip-of-length one) }
\context Voice = "two" { \voiceTwo \magnifyMusic 2 #(skip-of-length two) }
\context Voice = "shared" { \magnifyMusic 2 #(skip-of-length one) }
\context Voice = "solo" { \magnifyMusic 2 #(skip-of-length one) }
\partcombine #'(2 . 9)
\one
\two
>>
\score {
\new Staff
\partcombine #'(2 . 9)
\one
\two
\layout {
\context {
\Voice
fontSize = #(magnification->font-size 2)
}
}
}
HTH,
Harm
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Re: MagnifyMusic omits unison notes from PartCombine
Thomas Morley-2 wrote > all three came through: Apologies for the noise! In past experience, posts to lilypond-user would get a list acknowledgement almost instantly, or never. After an hour went by with no response, I thought the post was lost. But now the posts actually DID go through over 24 hours after sending. I had resorted to using the Nabble website for the first one. Maybe I should switch to a different email provider. Kieren MacMillan's solution got the result I wanted. I did a "reply-all" to that one, could be coming through any time. I figured it got lost, too, and decided to just move on to the next LilyPond project. Thanks, community! -- Karlin High Missouri, USA -- View this message in context: http://lilypond.1069038.n5.nabble.com/MagnifyMusic-omits-unison-notes-from-PartCombine-tp202780p202790.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \magnifyMusic omits unison notes in \partcombine?
Thomas Morley-2 wrote > Under the hood \partcombine distributes the music to up to four different > Voices. They are called "one", "two", "shared" and "solo". Thank you very much for the primer on how \partcombine works. I noticed the notes moving to different tracks in the MIDI output each time I'd use \partcombineApart or similar. But I was never certain what was going on with those. This explains it well. -- Karlin High Missouri, USA -- View this message in context: http://lilypond.1069038.n5.nabble.com/magnifyMusic-omits-unison-notes-in-partcombine-tp202773p202792.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
\magnifyMusic omits unison notes in \partcombine?
A songwriter looked at my LilyPond job and asked, "Can you make the note
heads bigger in proportion to everything else?" Yes, thanks to
\magnifyMusic, I thought. It's a SATB hymn, I'm using \partcombine, and
apparently \magnifyMusic doesn't pick up the unison notes the way I'm
writing it. Minimal example below. Magnify is at 1.2 here for effect;
I'm using 1.1 in practice.
% BEGIN LILYPOND CODE
\version "2.19.59"
one = { a'2 f' }
two = { f'2 f' }
\partcombine #'(2 . 9) \magnifyMusic 1.2 { \one } \magnifyMusic 1.2 { \two }
% END LILYPOND CODE
I've found I need to put \magnifyMusic inside \partcombine, because it
seems to have no effect the other way around. Any ideas for how I could
get \magnifyMusic to catch the unison notes?
--
Karlin High
Missouri, USA
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Re: Midiimport für Lilypond/Frescobaldi
Can I ask a dumb question? Are you just trying to play the music you just entered in LilyPond? Have you tried double-clicking on the .mid file from a File Explorer window? Often the default MIDI player will execute. Or, in Frescobaldi, there is a MIDI Player window which you can open via the Tools menu. You may also have to configure MIDI via the Edit -> Preferences -> MIDI Settings window. --- Knute Snortum (via Gmail) On Thu, Apr 27, 2017 at 1:08 AM, Bernhard Kleine wrote: > Hi Carl, > > this has been most helpful and I will organize a keyboard for input. How > to record the tunes and to save them will take some time to learn. > > With respect to the other contributions, I have Frescobaldi/Lilypond on > win 7. I have seen that VLC mediaplayer has to be supplied with > softfonts e.g. fluid-softfonts. The installation proposal, however, does > not state how to supply this softfonts to the actual VLC. I have still > efforts before me to get MIDI output on my machine. > > Kind regards Bernhard > > > Am 26.04.2017 um 20:16 schrieb Carl Sorensen: > > Andrew Hawryluk has this web page: > > http://www.musicbyandrew.ca/finale-lilypond-4.html > > > > where he describes his preferred way of entering pitches for LilyPond > > using a MIDI keyboard. > > > > HTH, > > > > Carl > > > > -- > spitzhalde9 > D-79853 lenzkirch > bernhard.kle...@gmx.net > www.b-kleine.com, www.urseetal.net > - > thunderbird mit enigmail > GPG schlüssel: D5257409 > fingerprint: > 08 B7 F8 70 22 7A FC C1 15 49 CA A6 C7 6F A0 2E D5 25 74 09 > > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Midiimport für Lilypond/Frescobaldi
My favorite software for generating MIDI files for rehearsals is SpeedyMIDI: https://sourceforge.net/projects/speedymidi/ That program allows entering pitches and durations as a MIDI file. Then Frescobaldi, or the LilyPond midi2ly tool it uses, can generate a LY file from it. Bernhard Kleine wrote > I have seen that VLC mediaplayer has to be supplied with softfonts e.g. > fluid-softfonts. The installation proposal, however, does not state how to > supply this softfonts to the actual VLC. I have still efforts before me to > get MIDI output on my machine. Here is my favorite place to get soundfonts: http://www.schristiancollins.com/generaluser.php Those have much more realistic sound than what Windows Media Player has for defaults. To set up VLC Player, you will need the older 2.0.8 version, as Robin Bannister noted. The FluidSynth MIDI feature was removed from later versions for security reasons, they say. Here's what I did to get mine working. Download the GeneralUser GS soundfonts from that website. It's a zip folder containing documentation and the SF2 soundfont file "GeneralUser GS v1.47.sf2" or similar. That file needs stored somewhere appropriate for VLC to find it. I used: C:\Program Files (x86)\VideoLAN\GeneralUser GS 1.47\GeneralUser GS v1.47.sf2 In VLC, click the Tools menu, then Preferences. The Preferences window appears, and in the lower left corner, click the "Show settings: All" option. After that, there should be a big tree of preferences to the left. Click Input / Codes -> Audio Codecs -> FluidSynth and the FluidSynth MIDI synthesizer settings should appear to the right. There's a text box to enter a file path for the SF2 sound fonts file, or use the browse button to set the location. Click the Save button, and VLC should be able to play MIDI files with superior-quality sound. VLC also has a Convert / Save feature to make audio files like MP3 from the MIDI file. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Midiimport-fur-Lilypond-Frescobaldi-tp202684p202796.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2.19.59: Bad horizontal spacing when \override LyricText #'X-offset
28 квітня 2017 р. о 11:10 Dmytro O. Redchuk написав:
> Hi,
Hi,
please, dear 'ponders, let me know what's wrong here in my email.
Should I post this in bug-lilypond? Or is this spacing correct?
>
> please take a look at this MWE:
>
> % --- 8<
> \version "2.19.59"
>
> { r4 a a2 a4 a2 }
> \addlyrics {
> \override LyricText #'X-offset = #0
> "Блаженні голодні й спрагнені правди, бо вони на" -- си -- тять -- ся.
> }
> % --- 8<
>
> I've attached images for 2.18.2, 2.19.59 and 2.19.59 with no \override.
>
> Please what's wrong here?
>
> If I missed something and that spacing should be treated in some
> special way for such rather extreme cases in 2.19?
>
> Or is there any issue/regression?
>
> Thanks!
>
> --
> Dmytro O. Redchuk
--
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Re: 2.19.59: Bad horizontal spacing when \override LyricText #'X-offset
2017-04-29 22:04 GMT+03:00 Dmytro O. Redchuk : > > please, dear 'ponders, let me know what's wrong here in my email. > > Should I post this in bug-lilypond? Or is this spacing correct? Oh SORRY, your replies were dropped by my gmail. I am sorry, indeed ) Thank you :) -- Dmytro O. Redchuk ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Midiimport für Lilypond/Frescobaldi
No, I want to know whether there are faster methods to code sheet musik: for example by playing the tune on a midi keyboard voice for voice and incorporating this voices in a choir sheet. Then I would like to control my work by listening to the play and not by reading the partiture. Bernhard Am 29.04.2017 um 18:47 schrieb Knute Snortum: > Can I ask a dumb question? Are you just trying to play the music you > just entered in LilyPond? Have you tried double-clicking on the .mid > file from a File Explorer window? Often the default MIDI player will > execute. Or, in Frescobaldi, there is a MIDI Player window which you > can open via the Tools menu. You may also have to configure MIDI via > the Edit -> Preferences -> MIDI Settings window. > > > --- > Knute Snortum > -- spitzhalde9 D-79853 lenzkirch bernhard.kle...@gmx.net www.b-kleine.com, www.urseetal.net - thunderbird mit enigmail GPG schlüssel: D5257409 fingerprint: 08 B7 F8 70 22 7A FC C1 15 49 CA A6 C7 6F A0 2E D5 25 74 09 signature.asc Description: OpenPGP digital signature ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2.19.59: Bad horizontal spacing when \override LyricText#'X-offset
Dmytro, you wrote Saturday, April 29, 2017 8:06 PM >> please, dear 'ponders, let me know what's wrong here in my email. >> >> Should I post this in bug-lilypond? Or is this spacing correct? > Oh SORRY, your replies were dropped by my gmail. No need to apologise. We've noted this as a regression introduced in 2.19.10; see https://sourceforge.net/p/testlilyissues/issues/5129/ If you have an earlier release available maybe that could be used as a work-around for this piece. It seems unlikely there is an easy fix. Trevor --- This email has been checked for viruses by AVG. http://www.avg.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Up and down arrows
On Sat 29 Apr 2017 at 07:12:07 (+0200), Federico Bruni wrote: > There's an example in the LSR. Yes…and 1054 other things too. > Il 29 aprile 2017 04:57:09 CEST, Paul Napolitano > ha scritto: > >Is there a way to put up and down arrows above the staff to indicate > >the down and up beats? Cheers, David. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
opus conflict
Hello, In my \book \header I have fields of title, composer, and opus. The manual (2.18) states "The values of the fields filter down this hierarchy, with the values set higher in the hierarchy persisting unless they are over-ridden by a value set lower in the hierarchy." This is understand. So for the subsequent scores I insert title = ##f and composer = ##f. The title and composer fields in the scores are overridden. Now the conflict, when I insert opus = ##f in the score(s) the field is overridden in the \book level (higher?) and is no longer printed below the "composer." Have I misread something in the manual? Thank you for your kind attention. Mark ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Abstracting these commands
Hello, I've got a question about a few commands I've got. They have some duplicate text, and I was wondering if there's a way to maybe simplify or abstract the code a bit. https://gist.github.com/msikma/a00238a0a6155d080d8c8ca57870f360 I actually wrote this a while ago, so I'm no longer 100% sure if I can do this entirely with regular markup commands, but I recall there was a reason I had to do it this way... at least I remember the tweaks are there to ensure there is no gap in notes until the end of the markup text. http://i.imgur.com/Hn2l3dG.png Since I have zero experience with Lisp style programming I'd be super grateful for any tips on this. Regards, Michiel Let's Deliver http://letsdeliver.com/ m...@letsdeliver.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Abstracting these commands
Hi Michiel, Can you post a MWE showing the issue you are concerned about? I believe there is a simple answer, but I don't want to code up a sample that may not be what you want. MWE's a pretty much mandatory for helping out. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Unusual repeat/chorus structure
Hi,
As part of an on-going project to convert all of the tunes that
I play regularly to Lilypond I'm trying to typeset a song with
the structure:
verse - chorus
verse
verse - chorus
verse
verse - chorus
This particular tune started in MuseScore and was exported
as XML. The export/import did not go well, though I'd suggest
that the problem was more likely to have been the export
rather than the import. This is a complex structure, in any case.
I'm getting close to the score that I want, but there's still a repeat
bar showing up where I don't want it.
I've done my best to reduce it to basics, while giving the flavour
of what I'm trying to achieve.
The repeat before the 2,4 ending is the problem.
I feel like I've got really close, BUT.
If I could reduce the vertical spacing in the note
"Can modulate . verse 5" that would be a bonus.
Thanks for your help
-Don
--
Don Gingrich
begin ---
\version "2.18.2"
% started as a MusicXML to ly conversion, but it's been hacked a *lot*
% initial conversion was a disaster, but it's a really complex score and
% MuseScore may well have generated dodgy XML
\header {
title = "Mr Bojangles"
}
Tune = \relative d' {
\clef "treble"
\key g \major
\time 3/4
\partial 8
d8 | % 1
\repeat volta 5 {
b'8 a8 b4 a8 b8 \bar "||" % 2
% Main part of verse here
a2. ~ | % 26
a4^\markup{\center-column{
\line {\teeny{\italic "Can modulate" }}
\line{\teeny{\italic "to D7 and repeat"}}
\line {\teeny{\italic " \"Please\" verse 5"}}}
} r2 | % 27
r2. \bar"|"
}
\alternative {
\set Score.repeatCommands = #'((volta " 2, 4")end-repeat ){
r2.
\bar ":|."
}
\set Score.repeatCommands = #'((volta " 1, 3, 5") ){
r2. | % 31
% chorus here
e'8 e8 fis2 | % 32
d8 b8 a2 | % 33
g2. | % 44
r2.^\markup{\small {\italic "D.C. on 1 & 3"}}
r2.
\bar "|."
}
}
}
LyricsOne = \lyricmode {
I knew a man Bo -- jan
down
__ Mis -- ter Bo -- jan -- \skip4 "gles " __ "dance " __
}
LyricsTwo = \lyricmode {
I met him in a cell
steo
}
LyricsThree = \lyricmode {
He said the name Bo -- jan
round
}
LyricsFour = \lyricmode {
He danc'd for those at Min
grieves
}
LyricsFive = \lyricmode {
He said I dance now at
please
}
% The score definition
\score {
<<
\new Staff <<
\context Staff <<
\context Voice = "Song" { \Tune }
\new Lyrics \lyricsto "Song" \LyricsOne
\new Lyrics \lyricsto "Song" \LyricsTwo
\new Lyrics \lyricsto "Song" \LyricsThree
\new Lyrics \lyricsto "Song" \LyricsFour
\new Lyrics \lyricsto "Song" \LyricsFive
>>
>>
>>
\layout {}
\midi {}
}
- end
--
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Re: Unusual repeat/chorus structure
Hi Don,
For the text issue, try this:
\version "2.19.59"
{
a4^\markup{
\teeny \italic
\override #'(baseline-skip . 1.5)
\center-column{
\line { "Can modulate" }
\line { "to D7 and repeat"}
\line {" \"Please\" verse 5"}
}
}
}
Andrew
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