Re: Klammern und verkleinerte Noten

2017-03-09 Thread Bernhard Kleine 
Am 08.03.2017 um 19:29 schrieb Bernhard Kleine:
> Obviously that is not so simple:  see the working example. One wonders
> how to add parenthesis.
>
> In addition omitting the \grace s8 in chord names makes the output even
> worth, the time indicator is repeated ofter the grace note.  BTW the
> structure is from Fresobaldi with the help of the partitur assistent.
>
> Regards Bernhard
Changing the working example as suggested by Auke and adding the \clef
bass to the tenor and bass voices,  I got this:
The problem is with the spacing of the grace notes. Being not a
programmer I do not find enough information in the 2.9.56 manual to do
it by myself: The spacing of parentheses to the graces and the distance
of the grace notes to the notes they are gracing seem not large enough.
Thanks for your patience, Bernhard
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Re: Klammern und verkleinerte Noten

2017-03-09 Thread Malte Meyn 


Am 09.03.2017 um 09:59 schrieb Bernhard Kleine:
> The problem is with the spacing of the grace notes. Being not a
> programmer I do not find enough information in the 2.9.56 manual to do
> it by myself: The spacing of parentheses to the graces and the distance
> of the grace notes to the notes they are gracing seem not large enough.
> Thanks for your patience, Bernhard

Why don’t you use regular notes instead of grace notes? Just change the
\partial 4 to \partial 4., delete all \grace commands, and put empty
syllables in the lyrics (see code below). And then parenthesize only one
voice in every staff. font-size changes the size of the parentheses,
padding pushes the parentheses further away from the note head (to avoid
collisions with flags) and extra-offset moves them to the right (because
there is no flag at the left side) and down (to get them around tenor
*and* bass).

I used \magnifyMusic #(magstep -3) to make the notes smaller. You could
also use \once \teeny (or similar) but this doesn’t change the stem
lengths and IMO small notes with long stems look weird.

%%%
soprano = \relative c' {
  \once \override ParenthesesItem.font-size = 3
  \once \override ParenthesesItem.padding = 0.5
  \once \override ParenthesesItem.extra-offset = #'(0.25 . 0)
  \global
  \magnifyMusic #(magstep -3) \parenthesize f8 f8 g |
  a2~ a8 a  \bar "|."
}
alto= \relative c' {
  \global
  \magnifyMusic #(magstep -3) f8 f8 f |
}
tenor   = \relative c' {
  \once \override ParenthesesItem.font-size = 6
  \once \override ParenthesesItem.padding = 0.5
  \once \override ParenthesesItem.extra-offset = #'(0.25 . -0.5)
  \global
  \magnifyMusic #(magstep -3) \parenthesize a8 a8 b |
}
bass= \relative c  {
  \global
  \magnifyMusic #(magstep -3) f8 f8 f |
  f2~ f8 f
}

verseOne = \lyricmode {
  \set stanza = "1." _ Lie -- be ist die Macht des Him -- mels.
}
verseTwo = \lyricmode {
  \set stanza = "2." _ Fehlt die
}
verseThree = \lyricmode {
  \set stanza = "3."  Die Lieb' ist
}
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Piano score, pedal problem

2017-03-09 Thread Robert Blackstone 
Dear all,

I have run into two problems with pedal indications in a piano score.

The score I am working on has different pedal marks: the "common" type: Ped  
closing with an astrisk, and the bracketed form, starting when I write "\set 
Staff.pedalSustainStyle = #'mixed".

Problem 1: how can I get back to the other pedal marking? The Notation 
Reference does not tell me and Learning does not contain the word "sustain" or 
"\sustainOn" and uses the word Pedal only for Organ music.
Problem 2: I want to specify pedal markings in a separate dynamics context, but 
while the"common" type works well, the bracketed type does not. When I enter 
"\set Staff.pedalSustainStyle = #'mixed", nothing  appears. So I have left that 
out in the second version of the example below, since it does throw in some 
spurious elements whwn rpocessed with Frescobaldi (I normally use TeXShop which 
is more forgiving.)

Here are two examples that will show the problems. The melody is taken from 
http://lilypond.org/doc/v2.18/Documentation/notation/piano, Piano pedals, 
but given twice in each example to enable illustrating problem 1.

%%

%\version "2.18.2"
\version "2.19.54.1"

 %Version 1
bassLine = {
\clef "bass" \key c \major \time 4/4

c4\sustainOn g c2\sustainOff | % 1
\set Staff.pedalSustainStyle = #'mixed
c4\sustainOn g c d | % 2
d\sustainOff\sustainOn g c2\sustainOff | % 3
\once \set Staff.pedalSustainStyle = #'bracket
c4\sustainOn g c d | % 4
d\sustainOff\sustainOn g c2 | % 5
c4\sustainOn g c2\sustainOff | % 6
\set Staff.pedalSustainStyle = #'mixed
c4\sustainOn g c d | % 7
d\sustainOff\sustainOn g c2\sustainOff | % 8
\set Staff.pedalSustainStyle = #'bracket
c4\sustainOn g c d | % 9
d\sustainOff\sustainOn g c2 \bar "|." | %10
}

pedal = {
}

\score {
\new Staff = "lower" 
<< 
\newVoice = "bassLine"  \bassLine   
 %\new Dynamics = "pedal" \pedal
>>  

  }
 

%Version 2

bassLine = {
\clef "bass" \key c \major \time 4/4


c4 g c2 | % 1
\set Staff.pedalSustainStyle = #'mixed
c4 g c d | % 2
d g c2 | % 3
\set Staff.pedalSustainStyle = #'bracket
c4 g c d | % 4
d g c2 | % 5
c4 g c2 | % 6
\set Staff.pedalSustainStyle = #'mixed
c4 g c d | % 7
d g c2 | % 8
\set Staff.pedalSustainStyle = #'bracket
c4 g c d | % 9
d g c2 \bar "|." | %10
}

pedal = {
s4\sustainOn s4 s2\sustainOff | % Ped 1
s4\sustainOn s4 s4 s4 | % Ped 2
s4\sustainOff\sustainOn s4 s2\sustainOff | % Ped 3
s4\sustainOn s4 s4 s4 | % Ped 4
s4\sustainOff\sustainOn s4 s2 | % Ped 5
s4\sustainOn s4 s2\sustainOff | % Ped 6
s4\sustainOn s4 s4 s4 | % Ped 7
s4\sustainOff\sustainOn s4 s2\sustainOff | % Ped 8
s4\sustainOn s4 s4 s4 | % Ped 9
s4\sustainOff\sustainOn s4 s4 s4 | % Ped 10


}

\score {
\new Staff = "lower" 
<< 
\newVoice = "bassLine"  \bassLine   
 \new Dynamics = "pedal" \pedal
>>  

  }

%%%

Any suggestions?

Thanks in advance.

Best regards,
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Re: Problems with parallel voices when using David's accordion push spanner

2017-03-09 Thread Mojca Miklavec 
Hi,

I just wanted to repeat my question (as I'm unable to get rid of some
pretty annoying side effects when typesetting musing for accordion).

I would greatly appreciate any hints for solving the problem.

Thank you,
Mojca

On 24 February 2017 at 13:47, Mojca Miklavec wrote:
> Hi,
>
> A while ago David Nalesnik wrote some wonderful macros to help me
> write a thick line that denote accordion pushing [1]. The macros work
> wonderfully in 99% of cases, but there are some strange examples where
> this fails.
>
> The example below produces output you can see in the attached PNG. If
> I remove "AccordionPushPull", then the scores typeset fine, but I do
> need those events.
>
> I tried several other strategies. All I need is a small chunk of code
> with different properties (tails pointing in different direction,
> perhaps the size or colour of the scores slightly changed to denote
> optional part for the player, ...). But whatever I try that works in
> normal conditions, fails here.
>
> I'm attaching a "minimal" working example that includes David's code
> (which I left untouched).
>
> melody = \fixed c' {
>   \time 3/4
>   \partial 2
>   \startPush d' e' | \stopPush
>   << { f'4 e' d' | f'4 d'2 | } \\ { 2.~ | 2. | } >>
> }
>
> basses = \fixed c {
>   \clef bass
>   \partial 2
>   f,4  | d,4   | a,4   |
> }
>
> \score {
>   \new PianoStaff <<
> \new Voice = "melody" { \melody }
> \new AccordionPushPull \with {
>   \override VerticalAxisGroup.nonstaff-nonstaff-spacing.padding = 1
> } {
>   \melody
> }
> \new Staff = "staff" <<
>   \new Voice = "bass" { \basses }
> >>
>   >>
> }
>
> If I change the above line of melody to
>
>   <<
> {
>   \voiceOne f'4 e' d' | f'4 d'2 |
> }
> \new Voice {
>   \voiceTwo 2.~ | 2. |
> }
>   >>
>
> then I get the attached screenshot (lily-accordion-with-new-voices.png)
> which is "equally" bad, only in a different way.)
>
> The example was taken from
>  http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices
>
> The first example with "\\" as voice separator has the additional
> problem that I cannot add lyrics to it (which is not acceptable), but
> this one repeats the second voice which is highly undesirable.
>
> I would be grateful for a bit of help to fix this.
>
> Thank you very much,
> Mojca
> (please CC me)
>
>
> [1] http://lists.gnu.org/archive/html/lilypond-user/2016-07/msg00392.html
>
> PS: Other examples of the push/pull macros not really obeying me (but
> those are all cases with much lower priority and there's no need to do
> anything about those now unless it's related to the problem at hand):
>
> - When push/pull spanner starts at "\repeat volta 2 {}", it's not
> properly aligned
>
> - Sometimes I need:
> melodyA = {\startPush ... \stopPush}
> melodyB = {\startPush ... \stopPush}
> melody = {\melodyA \melodyB}
> but I need to delete the last \stopPush in A and the first \startPush
> in B, else the line is disconnected (placed at different heights).
> This is also a problem with \repeat volta 2 {} \alternative { {} {} }
> where push events need to cross alternatives even if they are not
> logically connected, but I need to make sure that it looks visually
> accepting.
>
> - The code sometimes says
> warning: I think there's a dangling accordion push spanner :-(
> but it doesn't tell me the line to help me debug the problem.


test-lily-multiple-voices.ly
Description: Binary data
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Re: Piano score, pedal problem

2017-03-09 Thread Andrew Bernard 
Hi Robert,

 \set Dynamics.pedalSustainStyle = #'text

Use Staff if using Staff context, naturally.

Andrew
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Re: Problems with parallel voices when using David's accordion push spanner

2017-03-09 Thread David Nalesnik 
Hi Mojca,

On Thu, Mar 9, 2017 at 6:26 AM, Mojca Miklavec
 wrote:
> Hi,
>
> I just wanted to repeat my question (as I'm unable to get rid of some
> pretty annoying side effects when typesetting musing for accordion).
>
> I would greatly appreciate any hints for solving the problem.

I'm sorry, but I don't know what causes this.  I hope that someone
else on the list can offer you a solution.

David

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Re: Problems with parallel voices when using David's accordion push spanner

2017-03-09 Thread Mojca Miklavec 
Dear David,

On 9 March 2017 at 14:16, David Nalesnik wrote:
> On Thu, Mar 9, 2017 at 6:26 AM, Mojca Miklavec wrote:
>> Hi,
>>
>> I just wanted to repeat my question (as I'm unable to get rid of some
>> pretty annoying side effects when typesetting musing for accordion).
>>
>> I would greatly appreciate any hints for solving the problem.
>
> I'm sorry, but I don't know what causes this.  I hope that someone
> else on the list can offer you a solution.

I'm almost sure that I understand the problem when using new voice. A
new voice macro must be executed twice. First time during typesetting
of the regular melody (as expected) and second time in the middle of
typesetting the accordion push spanner.

But I don't know if it's possible to "temporary disable" adding a new
voice when typesetting the push spanner.

Mojca

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Re: Problems with parallel voices when using David's accordion push spanner

2017-03-09 Thread David Nalesnik 
On Thu, Mar 9, 2017 at 7:45 AM, Mojca Miklavec
 wrote:
> Dear David,
>
> On 9 March 2017 at 14:16, David Nalesnik wrote:
>> On Thu, Mar 9, 2017 at 6:26 AM, Mojca Miklavec wrote:
>>> Hi,
>>>
>>> I just wanted to repeat my question (as I'm unable to get rid of some
>>> pretty annoying side effects when typesetting musing for accordion).
>>>
>>> I would greatly appreciate any hints for solving the problem.
>>
>> I'm sorry, but I don't know what causes this.  I hope that someone
>> else on the list can offer you a solution.
>
> I'm almost sure that I understand the problem when using new voice. A
> new voice macro must be executed twice. First time during typesetting
> of the regular melody (as expected) and second time in the middle of
> typesetting the accordion push spanner.

Sure, something is triggering the creation of a new Staff context.  It
happens when you comment out the \consists line for the engraver too.

>
> But I don't know if it's possible to "temporary disable" adding a new
> voice when typesetting the push spanner.
>

I don't know either, but I hope that the solution doesn't require
doing something like this :)

Sorry I can't be of more help.

Best,
David

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\new ChordNames {...} placement

2017-03-09 Thread Menu Jacques 
Hello folks,

In the example below, derived from an example in the LPNR, the:

\new ChordNames {
  \chordmode {
c1 d:m
  }
}

block can be moved outside of the PianoStaff without changing the score’s 
appearance.

Ideally, should such a block belong to the score, a part group, a part or a 
grand staff such as PianoStaff?
The docs are not explicit about that.

Thanks for you help!

JM

—


\version "2.19.55"

<<
  \new PianoStaff <<

\new ChordNames {
  \chordmode {
c1 d:m
  }
}

\new Staff {
  \clef "treble_8"
  1^\markup {
\fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
  }
  1^\markup {
\fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-1;"
  }
}

\new Staff {
  \clef "bass"
  c1
  a1
}
  >>

>>




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Re: [ANN] LilyQuick 0.9beta - fast accurate Lilypond MIDI note entry for Linux

2017-03-09 Thread Herbert Liechti 
2017-02-24 13:49 GMT+01:00 Vaughan McAlley :

> Greetings,
>
> I’m pleased to announce LilyQuick,


Hello

I tried to compile LilyQuick on a Ubuntu

Distributor ID: Ubuntu
Description: Ubuntu 16.04.1 LTS
Release: 16.04
Codename: xenial

When I run make I get the following error:

 gcc -ILuaSource -LLuaSource -o lq LilyQuick.c -ldl -lm \
-llua -lpthread -lasound
/usr/bin/ld: LuaSource/liblua.a(lmathlib.o): undefined reference to symbol
'atan2@@GLIBC_2.2.5'
/lib/x86_64-linux-gnu/libm.so.6: error adding symbols: DSO aus der
Kommandozeile fehlt
collect2: error: ld returned 1 exit status
Makefile:4: die Regel für Ziel „all“ scheiterte
make: *** [all] Fehler 1


any suggestions?

Best regards
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Re: Piano score, pedal problem

2017-03-09 Thread Robert Blackstone 
Hi Andrew,

Thank you very much for solving my two problems with one magic formula. 

It is strange that I have not been able to find "\set 
Dynamics.pedalSustainStyle = #'text", or, for thet matter, "\set 
Staff.pedalSustainStyle = #'text" anywhere in the documentation.

Would it be worth while to add a snippet for this? 

Best regards,

Robert 



On 9 Mar 2017, at 13:35 , Andrew Bernard  wrote:

> Hi Robert,
> 
>  \set Dynamics.pedalSustainStyle = #'text
> 
> Use Staff if using Staff context, naturally.
> 
> Andrew
> 
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Re: Piano score, pedal problem

2017-03-09 Thread Kieren MacMillan 
Hi Robert,

> It is strange that I have not been able to find "\set 
> Dynamics.pedalSustainStyle = #'text", or, for thet matter, "\set 
> Staff.pedalSustainStyle = #'text" anywhere in the documentation.
> Would it be worth while to add a snippet for this? 

Is the description on 


“There are three styles of pedal indications: text, bracket, and mixed. The 
sustain pedal and the una corda pedal use the text style by default while the 
sostenuto pedal uses mixed by default.”

somehow insufficient?

Thanks,
Kieren.


Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info


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\repeatTie on a single note in a chord

2017-03-09 Thread Mojca Miklavec 
Hi,

How can one add "\repeatTie" that only works on a single note in a chord?

Example where I would only want to add the tie just to "f":

melody = \fixed c' {
  \time 3/4
  \repeat volta 2 {
2.~ |
  } \alternative {
{
  2. |
} {
  2 \repeatTie r4 |
}
  }
}

Thank you,
Mojca

(Please CC me.)

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Re: \repeatTie on a single note in a chord

2017-03-09 Thread Malte Meyn 


Am 09.03.2017 um 17:07 schrieb Mojca Miklavec:
> How can one add "\repeatTie" that only works on a single note in a chord?
> 
> Example where I would only want to add the tie just to "f":
> 
[…]
>   2 \repeatTie r4 |

I think

2

should do what you want. But there’s no visible output (although the
RepeatTieEvent is present in the f’s 'articulations); I think that’s a bug.

You can fake the desired result by placing all three ties at the same spot:

\once \override RepeatTieColumn.tie-configuration =
#`((-4 . ,DOWN) (-4 . ,DOWN) (-4 . ,DOWN))
2\repeatTie

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Differing header position depending on tallest letter

2017-03-09 Thread Peter Crighton 
Hello all,

I noticed that the title (and other header types) doesn’t get vertically
positioned according to its baseline (which would make sense to me), but to
its cap height or ascender height. So if there are several scores with
titles with different maximum letter heights, the scores will begin at
different vertical positions.
Compare the two examples below:


\version "2.19.47"

\book {
  \header {
title = "Title"
  }
  {
c'1
  }
}

\book {
  \header {
% Due to the title having only a lowercase letter, everything gets
positioned higher.
title = "e"
  }
  {
c'1
  }
}


Can this behaviour be changed?

Thanks,
Peter

--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
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Re: \repeatTie on a single note in a chord

2017-03-09 Thread Mojca Miklavec 
Dear Malte,

On 9 March 2017 at 17:27, Malte Meyn wrote:
> Am 09.03.2017 um 17:07 schrieb Mojca Miklavec:
>> How can one add "\repeatTie" that only works on a single note in a chord?
>>
>> Example where I would only want to add the tie just to "f":
>>
> […]
>>   2 \repeatTie r4 |
>
> I think
>
> 2
>
> should do what you want. But there’s no visible output

Thank you.

That's exactly what I tried and came to the same conclusion (no
output), even though I didn't inspect as deep as you did.

> (although the
> RepeatTieEvent is present in the f’s 'articulations); I think that’s a bug.

Should I file a bug report?

> You can fake the desired result by placing all three ties at the same spot:
>
> \once \override RepeatTieColumn.tie-configuration =
> #`((-4 . ,DOWN) (-4 . ,DOWN) (-4 . ,DOWN))
> 2\repeatTie

Thank you. While the source looks horrible, it gives me exactly the
desired output :) :) :)
Using (-2 . ,UP).

Thanks,
Mojca

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Re: \repeatTie on a single note in a chord

2017-03-09 Thread Malte Meyn 


Am 09.03.2017 um 17:35 schrieb Mojca Miklavec:
> Should I file a bug report?

I think so. Minimal example could look like this (I use \displayMusic to
show that the RepeatTieEvent is there):

\version "2.19.56"

\displayMusic 

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Distance from beginning of bar to first chord symbol when only displaying chords

2017-03-09 Thread Peter Crighton 
Hello all,

I have a layout for lead sheets that only show chords. Reduced to its
relevant features it looks like the one below.
There’s only problem with it: depending on the number of bars in a line,
the distance from the barline (or beginning of line) to the first chord
symbol in a bar differs, which looks very bad.
Can I somehow specify a fixed distance for every bar, independent from the
number of bars per line, without doing so manually for every bar?


\version "2.19.47"

\new ChordNames \chordmode {
  \repeat unfold 2 {
c1
  } \break
  \repeat unfold 4 {
c1
  } \break
  \repeat unfold 8 {
c1
  }
}

\layout {
  \context {
\ChordNames
\consists "Bar_engraver"
\override BarLine.bar-extent = #'(-2 . 2)

\override ChordName.Y-extent = ##f
\override ChordName.Y-offset = #-0.9
  }

  \context {
\Score
\remove "Bar_number_engraver"

proportionalNotationDuration = #(ly:make-moment 1/2)
\override SpacingSpanner.uniform-stretching = ##t
  }
}

\paper {
  indent = 0
}


Thanks,
Peter

--
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http://www.petercrighton.de
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Re: \repeatTie on a single note in a chord

2017-03-09 Thread Thomas Morley 
2017-03-09 17:47 GMT+01:00 Malte Meyn :
>
>
> Am 09.03.2017 um 17:35 schrieb Mojca Miklavec:
>> Should I file a bug report?
>
> I think so. Minimal example could look like this (I use \displayMusic to
> show that the RepeatTieEvent is there):
>
> \version "2.19.56"
>
> \displayMusic 



Another possibility to fake it:

{
  \override LaissezVibrerTie.head-direction = #RIGHT
  < b d'^\laissezVibrer >
}

mySingleRepeatTie = \tweak head-direction #RIGHT \laissezVibrer

{
  < b d'^\mySingleRepeatTie >
}

Cheers,
  Harm

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Re: \repeatTie on a single note in a chord

2017-03-09 Thread Malte Meyn 


Am 09.03.2017 um 22:25 schrieb Thomas Morley:
> 
> Another possibility to fake it:
> 
> {
>   \override LaissezVibrerTie.head-direction = #RIGHT
>   < b d'^\laissezVibrer >
> }

This looks like the source of the bug should be easily found.
LaissezVibrerTies and RepeatTies are basically the same thing except for
the names and directions, aren’t they?

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Re: \repeatTie on a single note in a chord

2017-03-09 Thread Thomas Morley 
2017-03-09 23:05 GMT+01:00 Malte Meyn :
>
>
> Am 09.03.2017 um 22:25 schrieb Thomas Morley:
>>
>> Another possibility to fake it:
>>
>> {
>>   \override LaissezVibrerTie.head-direction = #RIGHT
>>   < b d'^\laissezVibrer >
>> }
>
> This looks like the source of the bug should be easily found.
> LaissezVibrerTies and RepeatTies are basically the same thing except for
> the names and directions, aren’t they?

Nope.
Different stencil-drawing-procedures.
There may be a reason for that difference, though, I don't know.

Cheers,
  Harm

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Re: [ANN] LilyQuick 0.9beta - fast accurate Lilypond MIDI note entry for Linux

2017-03-09 Thread Vaughan McAlley 
On 10 March 2017 at 02:00, Herbert Liechti  wrote:
>
>
> 2017-02-24 13:49 GMT+01:00 Vaughan McAlley :
>>
>> Greetings,
>>
>> I’m pleased to announce LilyQuick,
>
>
> Hello
>
> I tried to compile LilyQuick on a Ubuntu
>
> Distributor ID: Ubuntu
> Description: Ubuntu 16.04.1 LTS
> Release: 16.04
> Codename: xenial
>
> When I run make I get the following error:
>
>  gcc -ILuaSource -LLuaSource -o lq LilyQuick.c -ldl -lm \
> -llua -lpthread -lasound
> /usr/bin/ld: LuaSource/liblua.a(lmathlib.o): undefined reference to symbol
> 'atan2@@GLIBC_2.2.5'
> /lib/x86_64-linux-gnu/libm.so.6: error adding symbols: DSO aus der
> Kommandozeile fehlt
> collect2: error: ld returned 1 exit status
> Makefile:4: die Regel für Ziel „all“ scheiterte
> make: *** [all] Fehler 1
>
>
> any suggestions?
>
> Best regards

Hi Herbert,

Does it work if you change line 8 in the Makefile to this?

gcc -ILuaSource -LLuaSource -o lq LilyQuick.c -ldl -Bstatic -lm \

(don't mess with the start of the line: Make requires a proper tab there)

This forces GCC to load the math library (-lm) statically instead of
dynamically, as it can't find a dynamic maths library. It may work...

Vaughan

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Re: [ANN] LilyQuick 0.9beta - fast accurate Lilypond MIDI note entry for Linux

2017-03-09 Thread Herbert Liechti 
Hi Vaughan

Unfortunately the error is the same when I compile with this change.

Best regards
Herbert

2017-03-10 4:04 GMT+01:00 Vaughan McAlley :

> On 10 March 2017 at 02:00, Herbert Liechti 
> wrote:
> >
> >
> > 2017-02-24 13:49 GMT+01:00 Vaughan McAlley :
> >>
> >> Greetings,
> >>
> >> I’m pleased to announce LilyQuick,
> >
> >
> > Hello
> >
> > I tried to compile LilyQuick on a Ubuntu
> >
> > Distributor ID: Ubuntu
> > Description: Ubuntu 16.04.1 LTS
> > Release: 16.04
> > Codename: xenial
> >
> > When I run make I get the following error:
> >
> >  gcc -ILuaSource -LLuaSource -o lq LilyQuick.c -ldl -lm \
> > -llua -lpthread -lasound
> > /usr/bin/ld: LuaSource/liblua.a(lmathlib.o): undefined reference to
> symbol
> > 'atan2@@GLIBC_2.2.5'
> > /lib/x86_64-linux-gnu/libm.so.6: error adding symbols: DSO aus der
> > Kommandozeile fehlt
> > collect2: error: ld returned 1 exit status
> > Makefile:4: die Regel für Ziel „all“ scheiterte
> > make: *** [all] Fehler 1
> >
> >
> > any suggestions?
> >
> > Best regards
>
> Hi Herbert,
>
> Does it work if you change line 8 in the Makefile to this?
>
> gcc -ILuaSource -LLuaSource -o lq LilyQuick.c -ldl -Bstatic -lm \
>
> (don't mess with the start of the line: Make requires a proper tab there)
>
> This forces GCC to load the math library (-lm) statically instead of
> dynamically, as it can't find a dynamic maths library. It may work...
>
> Vaughan
>
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-- 
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Tel +41 (0)32 623 81 66, Mobile +41 (0)76 334 81 66, http://www.thinx.ch
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