Re: List of Chordname attributs
2013/12/24 Helge Kruse > 2013/12/23 Johan Vromans > >> > This shows the modifier names. I was looking for that thingee that >> gives me >> > that small zero. >> >> That should be the "dim" > > > Yes, I found it as I already wrote. I just want to ask if it would be > possible to add the result of "C:dim" and all others chords to > http://www.lilypond.org/doc/v2.17/Documentation/notation/common-chord-modifiers > > Hi Helge I've added your request here: https://code.google.com/p/lilypond/issues/detail?id=3755 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Question from a new user
- Original Message -
From: "Ed Faulk"
To:
Sent: Thursday, December 26, 2013 3:03 AM
Subject: Re: Question from a new user
Thanks to everyone who replied. I've once again been bitten bitten by the
"assume" bug -- after 50 years of working with computers you'd think I
would learn my lesson. Problem solved with the follwing simplified code:
An alternative, if you want unmetered music, is the following:
\relative c' { \key f \major
f8 f a a a a a a |
\cadenzaOn
g8 a bes4 g4 f2 \bar "|."
\cadenzaOff
}
Autobeam will not work with this approach (although manual beaming would)
since unmetered music does not have beaming patterns.
--
Phil Holmes
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ANN: Frescobaldi 2.0.12
Hi all,
In keeping up with the good tradition of releasing a new version of
Frescobaldi on Christmas, I happily and proudly annouce Frescobaldi
2.0.12 to be out in the wild! This is a maintainance release with some
improvements, massive internal changes and a new SVG view. This is the
changelog:
* Translations:
- updated: cs, nl, fr, es
* New features:
- Edit->Select Block has finally been implemented
- A viewer for LilyPond-generated SVG files has been added by Peter
Bjuhr.
This viewer (accessible via Tools->SVG Viewer) currently has
one-way point
and click. This only works with recent development versions of
LilyPond,
that add the point and click information to SVG files. In the
future, the
SVG view may become a fully fledged graphical music editor.
- The default output format can be set in the LilyPond preferences (the
current options are PDF or SVG, the default is PDF)
* Improvements:
- The indenter's handling of tabs and spaces has been improved. A tab
always
starts a new indent level, and aligning is now always done with spaces.
The default is still using 2 spaces for indent, but it is now
configurable
in a new settings panel Editor Preferences.
- Besides the good old Preview and Publish modes a new mode has been
added:
Layout Control. This mode uses the settings on the preview mode
panel, which
has been renamed to Layout Control Options. The layout of the panel
has been
improved. The Preview mode is reverted back to enabling only point
and click
links. In the Engrave (custom) dialog the run mode can be chosen
and the
commandline edited directly.
- Entering staccatissimo writes -! when the document specifies a LilyPond
version >= 2.17.25, otherwise -|
- When editing keyboard shortcuts, conflicts are directly shown as
they are
entered; better support French keyboards (contributed by Nicolas
Malarmey)
- Better Mac OS X icons (contributed by Davide Liessi)
- The internal handling of manipulations like transpose, translate,
and the
various rhythm commands has become less dependent on Frescobaldi code.
These functionality now resides in the ly module and could be used by
other applications. The commands now can work on any ly.document,
which
need not be a Frescobaldi document.
- The internal help system has seen a massive overhaul: help files
are now
very easy to write in a simplified markdown-like syntax. Adding
help pages
is very easy by dropping a *.md file in the userguide/ directory. Every
paragraph in a help file is automatically added to the POT file and
can be
translated by editing the language's PO file.
* Bug fixes:
- Music View: horizontal scrolling using trackpad now works with
kinetic mode
enabled. Fixes #248.
* Removed feature:
- The 'master' variable is no longer supported, it's goal has been
superseded
by the 'Always Engrave' option, which is also saved in the session.
This
decision was taken to simplify the handling of files created on
behalf of
a document.
Due to the revised help system, some large pieces of translatable text
are now cut into paragraphs. This means translators are invited to
revisit the translations, especially from the help pages. Many strings
will be easily updated. The Html formatting in the help pages is
removed, but some strings now expose basic inline markdown formatting.
This is clearly indicated in the comment for a translatable string
("Note: markdown formatting").
Enjoy, and please report bugs as usual!
The goal for Frescobaldi 2.0.13 is to adapt all LilyPond 2.18 syntax
changes.
Merry Chrismas and a happy new year!!!
Wilbert and all the Frescobaldi contributors.
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Re: Question from a new user
- Original Message -
From: "Ed Faulk"
To: "Phil Holmes"
Sent: Thursday, December 26, 2013 11:21 AM
Subject: Re: Question from a new user
Phil,
Please always "reply all" so that others can also answer your questions and
benefit from the answers.
Thanks -- I had looked at that but, as a new user, didn't want to worry
about having to specify the beaming. I have enough problems learning this
system to see if it will do what I want.
Manual beaming is a doddle:
g8 [ a ] bes4 g4 f2 \bar "|."
Note the square brackets after the note where you want beams to start and
finish.
I'm using Scribus and including music snippets within text. Previously I'd
been using Encore to score the music, producing a PDF and then extracting
the part I wanted. I was hoping this would give me better control while
keeping everything in a single document. So far it seems to work -- except
that I'm having problems getting the snippet fixed to a particular size.
I've tried this:
#(set-global-staff-size 7)
...
\paper {
left-margin = 0
indent = 0
line-size = 4\in
}
but the results seem inconsistent. Is there a better way?
I'm assuming it's inconsistency in the width. Have you looked up
"ragged-right" ?
--
Phil Holmes
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Re: ANN: Frescobaldi 2.0.12
Wilbert Berendsen writes: > Enjoy, and please report bugs as usual! Oh, how wonderful it would have been if a download link had been included :) -- Johan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ottava bracket
Am 24.12.2013 00:30, schrieb Noeck: > can I make the vertical line of an ottava bracket solid while keeping > the dashed style of the horizontal line? Should I count that as: This is impossible? Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.0.12
Johan Vromans wrote > Wilbert Berendsen < > wbsoft@ > > writes: > >> Enjoy, and please report bugs as usual! > > Oh, how wonderful it would have been if a download link had been > included :) > > -- Johan > > ___ > lilypond-user mailing list > lilypond-user@ > https://lists.gnu.org/mailman/listinfo/lilypond-user http://www.frescobaldi.org/download Great bunch of new features! - composer | sound designer LilyPond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-12-tp156533p156542.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ottava bracket
On Thu, Dec 26, 2013 at 11:58 AM, Noeck wrote: > Am 24.12.2013 00:30, schrieb Noeck: >> can I make the vertical line of an ottava bracket solid while keeping >> the dashed style of the horizontal line? > > Should I count that as: This is impossible? > Joram This is probably not very helpful, but the only way I can think of would be to rewrite the stencil from scratch in Scheme. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Possible bug with TrillSpanner.to-barline?
In the example below, uncommenting the indicated line results in the
TrillSpanner only printing the wavy line without the "tr." Is this a bug?
\version "2.17.97"
trillSharpMarkup = \markup {
\concat { \musicglyph #"scripts.trill" \hspace #0.4 \raise #1.9 \teeny \sharp
}
}
trillspanSharp = { \override TrillSpanner.bound-details.left.text =
\trillSharpMarkup }
trillspanNormal = \revert TrillSpanner.bound-details
\relative c' {
%% Uncomment next line
%\override TrillSpanner.to-barline = ##t
\trillspanSharp c1\startTrillSpan |
\trillspanNormal c1\stopTrillSpan\startTrillSpan |
}
DR
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Re: Possible bug with TrillSpanner.to-barline?
Am 26.12.2013 22:22, schrieb Daniel Rosen:
In the example below, uncommenting the indicated line results in the TrillSpanner only
printing the wavy line without the "tr." Is this a bug?
\version "2.17.97"
trillSharpMarkup = \markup {
\concat { \musicglyph #"scripts.trill" \hspace #0.4 \raise #1.9 \teeny
\sharp }
}
trillspanSharp = { \override TrillSpanner.bound-details.left.text =
\trillSharpMarkup }
trillspanNormal = \revert TrillSpanner.bound-details
\relative c' {
%% Uncomment next line
%\override TrillSpanner.to-barline = ##t
\trillspanSharp c1\startTrillSpan |
\trillspanNormal c1\stopTrillSpan\startTrillSpan |
}
try it in the Staff context:
\override Staff.TrillSpanner.to-barline = ##t
Eluze
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Re: ANN: Frescobaldi 2.0.12
Does anyone know why the version in the ubiuntu repos is always so out of date? On Thu, Dec 26, 2013 at 3:34 PM, SoundsFromSound wrote: > Johan Vromans wrote > > Wilbert Berendsen < > > > wbsoft@ > > > > writes: > > > >> Enjoy, and please report bugs as usual! > > > > Oh, how wonderful it would have been if a download link had been > > included :) > > > > -- Johan > > > > ___ > > lilypond-user mailing list > > > lilypond-user@ > > > https://lists.gnu.org/mailman/listinfo/lilypond-user > > > http://www.frescobaldi.org/download > > Great bunch of new features! > > > > - > composer | sound designer > LilyPond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond > -- > View this message in context: > http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-12-tp156533p156542.html > Sent from the User mailing list archive at Nabble.com. > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.0.12
Alex Loomis wrote > Does anyone know why the version in the ubiuntu repos is always so out of > date? It's an Ubuntu thing. Just download the tar and sudo python/install and you're all set! :) Ubuntu ain't what it used to be, imo. New directions, new is not always good. - composer | sound designer LilyPond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-12-tp156533p156548.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [Feature Request] \compressFullBarRests improvement(s)
Hi Keith, (Sorry for the delay in responding: ice storm + holidays = crazy times.) YES! This works wonderfully. I look forward to stress-testing this in the very near future. Thank you, Kieren. On Dec 22, 2013, at 4:35 PM, Keith OHara wrote: > Let's try it out, then, using music functions. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: calling all opera/musical engravers
Hi Jean-Charles,
> Problem is that the reset occurs at _every_ book-part; you then cannot open a
> part on an act basis.
There should be a property:
\paper {
first-page-number = 3
}
That would solve it! =)
Cheers,
Kieren.
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note / rest clash
How do I move the rests further to the right to avoid the clashing note
columns?
\version "2.16.0"
melody = \relative c' {
\time 3/4
<< { \stemDown b,2 b4\rest } \\ { g'4 g g } \\ { \stemUp d'2 d4\rest }
>> | \break
}
\score {
<<
\context Voice {
\clef "treble_8"
\melody
}
>>
} % score
% Local Variables: %
% tab-width: 4 %
% compile-command: "lilypond --ps test1.ly" %
% End: %
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Re: note / rest clash
Hi,
> How do I move the rests further to the right to avoid the clashing note
> columns?
Use Lilypond’s built in voices:
\version "2.16.0"
melody = \relative c' {
\time 3/4
<< { \voiceTwo b,2 b4\rest } \\ { \voiceThree g'4 g g } \\ { \voiceOne
d'2 d4\rest } >> | \break
}
\score {
<<
\context Voice {
\clef "treble_8"
\melody
}
>>
} % score
Hope this helps!
Kieren.
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Re: note / rest clash
Change the fourth line to
<< { \voiceTwo b,2 b4\rest } \\ { \voiceFour g'4 g g } \\ { \voiceOne d'2
d4\rest } >> | \break
The odd numbered voices will always have stems up and even voices will
always have down stems. I don't remember where it was but I remember
reading the numbering of voices should go from outside in; top and bottom
are one and two, the middle two are three and four.
On Thu, Dec 26, 2013 at 10:39 PM, pabuhr wrote:
> How do I move the rests further to the right to avoid the clashing note
> columns?
>
> \version "2.16.0"
>
> melody = \relative c' {
> \time 3/4
> << { \stemDown b,2 b4\rest } \\ { g'4 g g } \\ { \stemUp d'2
> d4\rest } >> | \break
> }
>
> \score {
> <<
> \context Voice {
> \clef "treble_8"
> \melody
> }
> >>
> } % score
>
> % Local Variables: %
> % tab-width: 4 %
> % compile-command: "lilypond --ps test1.ly" %
> % End: %
>
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Re: [Feature Request] \compressFullBarRests improvement(s)
On Thu, 26 Dec 2013 18:44:56 -0800, Kieren MacMillan
wrote:
I look forward to stress-testing this in the very near future.
One missing feature is that \mergeSkips doesn't look inside {...} to see if
they are empty. I often set breaks for proofreading and then remove them by
defining them as an empty {}
draftBreak = {} %% \pageBreak
conductor = { s1*5 \draftBreak s1*3 }
I could make \mergeSkips {s1*5 {} s1*3} check if the {..} is completely empty
and output s1*8, but if it gets too complicated for my sake its behavior will
confuse and maybe frustrate somebody else.
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Re: two-column dialogue markup function(s)
Kieren MacMillan writes:
> I’m trying to create a two-column dialogue markup function for my
> musical score(s), e.g.,
>
> *
>
> I’ve got this so far, but even it’s not working correctly:
>
> % BEGIN SNIPPET
>
> \version "2.17.97"
>
> #(define-markup-command (dialogue layout props charname text) (markup?
> markup?)
> #:properties ((line-width 12))
> (interpret-markup layout props
> #{\markup \line {
> \bold \concat { #charname : }
> \override #`(line-width . ,line-width) \wordwrap { #text } } #}))
>
> \markup \dialogue #”Kieren" #"This long line of text should wrap, into
> a column narrow enough to allow for two of these side-by-side on a
> single U.S. letter page. Furthermore, it should appear 'indented',
> i.e., the text should all sit to the right of the rightmost edge of
> the character name.”
>
> % END SNIPPET
>
> Any help would be appreciated.
The wrong quotes, Sir!.
Apart from that #:properties ((line-width 12)) will only use the 12 as a
default if it is left unspecified, and it never is unspecified. You
need to use a non-predefined name for that kind of thing.
At any rate, the following should get you a bit further:
% BEGIN SNIPPET
\version "2.17.97"
#(define-markup-command (dialogue layout props charname text) (markup?
markup?)
(interpret-markup layout props
#{\markup \line {
\bold \concat { #charname : }
\override #'(line-width . 30)
\wordwrap-string #text } #}))
\markup
\dialogue #"Kieren" #"This long line of text should wrap, into
a column narrow enough to allow for two of these side-by-side on a
single U.S. letter page. Furthermore, it should appear 'indented',
i.e., the text should all sit to the right of the rightmost edge of
the character name."
I'd actually lean towards _not_ using a markup? as the last argument but
a markup-list?. Then the argument can be given as
\markup \dialogue Kieren { This long line ... }
which is more natural.
--
David Kastrup
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Re: Odp: hotrizontal spacing question
On Mon, Dec 23, 2013 at 10:14 AM, Karol Majewski wrote: > Hi Eluze, > > now I have found that in my example it should be: > > \override Score.SpacingSpanner #'uniform-stretching = ##t > > insted of: > > \override SpacingSpanner #'uniform-stretching = ##t > > :) > > Now, uniform-stretching appears to be the right solution. Agreed: turning on proportional notation should always be done with setting the SpacingSpanner's uniform-stretching attribute to true. (And, as Karol found out, the SpacingSpanner lives in the Score context.) This combination of settings has spaced the notes of hundreds of polyrhythms for me exactly. Trevor. -- Trevor Bača trevorb...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
