Positioning of hyphens

2012-01-27 Thread Hannes Kuhnert 
Hello,

I’m setting a song, using a font with a large x-height. The standard 
positioning of the lyrics hyphens doesn’t fit the proportions of my font.

How can the vertical position of the hyphens be adjusted?

I was surprised not to find anything on this matter in the LSR.


Hannes


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Re: Positioning of hyphens

2012-01-27 Thread Xavier Scheuer 
On 27 January 2012 12:26, Hannes Kuhnert  wrote:
> Hello,
>
> I’m setting a song, using a font with a large x-height. The standard
> positioning of the lyrics hyphens doesn’t fit the proportions of my font.
>
> How can the vertical position of the hyphens be adjusted?
>
> I was surprised not to find anything on this matter in the LSR.

  \override Lyrics . LyricHyphen #'Y-offset = #0.2

should do the trick I think.

Cheers,
Xavier

-- 
Xavier Scheuer 

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Re: Positioning of hyphens

2012-01-27 Thread James 
Hello,

On 27 January 2012 11:33, Xavier Scheuer  wrote:
> On 27 January 2012 12:26, Hannes Kuhnert  wrote:
>> Hello,
>>
>> I’m setting a song, using a font with a large x-height. The standard
>> positioning of the lyrics hyphens doesn’t fit the proportions of my font.
>>
>> How can the vertical position of the hyphens be adjusted?
>>
>> I was surprised not to find anything on this matter in the LSR.

Because no one has ever submitted anything to the LSR for this.

>
>  \override Lyrics . LyricHyphen #'Y-offset = #0.2
>
> should do the trick I think.

and if it does work Hannes, can you post it to the LSR for others?

Thanks


-- 
--

James

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Minimal space between barline and next object

2012-01-27 Thread Nils 
Hi list,

I noticed that often in Lilypond there is not enough space after a barline.
It is perfectly fine if there is an accidental etc. but not with only a 
note/chord.
Especially if it is a thicker barline like a repeat close. (I don't want to 
jump to conclusions here but is it possible that for a thicker barline type the 
calculation is still for the default barline?)

1) Can I ask instruct Lilypond globally for minimal space after a barline? Not 
an overall, relative increas. I don't want notes with accidentals to move 
further away, they are perfect. 
2) A few publishers whom I showed my works to already mentioned this to me. Is 
it possible that this is an overlooked issue until now? Who is the right person 
to ask or tell?

Nils

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Re: Minimal space between barline and next object

2012-01-27 Thread Phil Holmes 
- Original Message - 
From: "Nils" 

To: "Lilypond-User" 
Sent: Friday, January 27, 2012 12:28 PM
Subject: Minimal space between barline and next object



Hi list,

I noticed that often in Lilypond there is not enough space after a 
barline.
It is perfectly fine if there is an accidental etc. but not with only a 
note/chord.
Especially if it is a thicker barline like a repeat close. (I don't want 
to jump to conclusions here but is it possible that for a thicker barline 
type the calculation is still for the default barline?)


1) Can I ask instruct Lilypond globally for minimal space after a barline? 
Not an overall, relative increas. I don't want notes with accidentals to 
move further away, they are perfect.
2) A few publishers whom I showed my works to already mentioned this to 
me. Is it possible that this is an overlooked issue until now? Who is the 
right person to ask or tell?


Nils


http://lilypond.org/bug-reports.html


--
Phil Holmes



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Re: Minimal space between barline and next object

2012-01-27 Thread Janek Warchoł 
Hi Nils,

2012/1/27 Nils :
> 1) Can I ask instruct Lilypond globally for minimal space after a barline? 
> Not an overall, relative increas. I don't want notes with accidentals to move 
> further away, they are perfect.

I think it's possible, but i don't remember how to do it, sorry :(

> 2) A few publishers whom I showed my works to already mentioned this to me. 
> Is it possible that this is an overlooked issue until now? Who is the right 
> person to ask or tell?

I have some insights into horizontal spacing problems (including
this), but they're a bunch of loose notes now.  I need to do more
research before posting my conclusions, but currently i don't have
time to do this because i'm working on maintainability issues
(improving tools that contributors use and smoothing workflow).  If
you can help with these, i'll finish my spacing report sooner.

cheers,
Janek

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Re: Minimal space between barline and next object

2012-01-27 Thread David Nalesnik 
Hi Nils,

2012/1/27 Janek Warchoł 

> Hi Nils,
>
> 2012/1/27 Nils :
> > 1) Can I ask instruct Lilypond globally for minimal space after a
> barline? Not an overall, relative increas. I don't want notes with
> accidentals to move further away, they are perfect.
>
>
You could do this:

\override Staff.BarLine #'extra-spacing-width = #'(0 . 1)

But this will affect all first notes, whether having an accidental or not.

I'm new to the Scheme engraver thing, but I've written one which appears to
work, at least with my minimal example.  Basically, it finds the first
note-column in a measure and adds extra space to the preceding bar line if
there is no accidental.  (It will also add space if there is a rest there,
but that could be easily fixed if it's a problem.)

\version "2.15.26"

addSpace =
#(lambda (context)
   (let ((bar-line '())
 (accidental #f)
 (note-column '()))

   `((acknowledgers
   (bar-line-interface
 . ,(lambda (engraver grob source-engraver)
  (set! bar-line grob)))

   (accidental-interface
 . ,(lambda (engraver grob source-engraver)
  (set! accidental #t)))

   (note-column-interface
 . ,(lambda (engraver grob source-engraver)
  (set! note-column grob

 (stop-translation-timestep
   . ,(lambda (trans)
(if (null? bar-line)
'()
(if (not accidental)
(set! (ly:grob-property bar-line 'extra-spacing-width)
'(0 . 1
(set! bar-line '())
(set! accidental #f))

\layout {
  \context {
\Staff
\consists #addSpace
  }
}

\relative c'' {
  c c c c
  cis cis cis cis
   c c c
  cis cis cis cis
  c c c c
}

I hope this helps!  If anyone more experienced with this sort of thing has
comments/suggestions, please let me know how I can improve this.

-David
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Re: Minimal space between barline and next object

2012-01-27 Thread David Nalesnik 
Hi again,

2012/1/27 David Nalesnik 

>
> I'm new to the Scheme engraver thing, but I've written one which appears
> to work, at least with my minimal example.  Basically, it finds the first
> note-column in a measure and adds extra space to the preceding bar line if
> there is no accidental.  (It will also add space if there is a rest there,
> but that could be easily fixed if it's a problem.)
>
>
An immediate correction...  I see that there was no reason for my engraver
to acknowledge note-columns:

 addSpace =
#(lambda (context)
   (let ((bar-line '())
 (accidental #f))

   `((acknowledgers
   (bar-line-interface
 . ,(lambda (engraver grob source-engraver)
  (set! bar-line grob)))

   (accidental-interface
 . ,(lambda (engraver grob source-engraver)
  (set! accidental #t

 (stop-translation-timestep
   . ,(lambda (trans)
(if (null? bar-line)
'()
(if (not accidental)
(set! (ly:grob-property bar-line 'extra-spacing-width)
'(0 . 1
(set! bar-line '())
(set! accidental #f))

-David
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Re: Minimal space between barline and next object

2012-01-27 Thread Xavier Scheuer 
On 27 January 2012 13:28, Nils  wrote:
> Hi list,
>
> I noticed that often in Lilypond there is not enough space after a barline.
> It is perfectly fine if there is an accidental etc. but not with only a 
> note/chord.
> Especially if it is a thicker barline like a repeat close. (I don't
> want to jump to conclusions here but is it possible that for a thicker
> barline type the calculation is still for the default barline?)

Which version do you use?
IIRC there used to be an issue about fixed-space that was not "fixed"
anymore and Keith fixed it somewhere around 2.15.9 or 2.15.10.

Do you see the same issue with latest development version?


> 1) Can I ask instruct Lilypond globally for minimal space after a
> barline? Not an overall, relative increas. I don't want notes with
> accidentals to move further away, they are perfect.

Use  \override Staff.Barline #'space-alist =
  #'((time-signature extra-space . 0.75)
 (custos minimum-space . 2.0)
 (clef minimum-space . 1.0)
 (key-signature extra-space . 1.0)
 (key-cancellation extra-space . 1.0)
 (first-note fixed-space . 1.3)
 (next-note semi-fixed-space . 0.9)
 (right-edge extra-space . 0.0))

and change the value of "first-note".  AFAIK it will not affect notes
with accidental since accidental is normally handled under "next-note".

> 2) A few publishers whom I showed my works to already mentioned this
> to me. Is it possible that this is an overlooked issue until now?
> Who is the right person to ask or tell?

If it is not ok with latest dev version please submit a bug report.
http://lilypond.org/bug-reports.html

Cheers,
Xavier

-- 
Xavier Scheuer 

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Re: Minimal space between barline and next object

2012-01-27 Thread Neil Puttock 
On 27 January 2012 15:20, Xavier Scheuer  wrote:

> Use  \override Staff.Barline #'space-alist =
>  #'((time-signature extra-space . 0.75)
>     (custos minimum-space . 2.0)
>     (clef minimum-space . 1.0)
>     (key-signature extra-space . 1.0)
>     (key-cancellation extra-space . 1.0)
>     (first-note fixed-space . 1.3)
>     (next-note semi-fixed-space . 0.9)
>     (right-edge extra-space . 0.0))
>
> and change the value of "first-note".  AFAIK it will not affect notes
> with accidental since accidental is normally handled under "next-note".

`first-note' is the space from a symbol to the first note in a line;
it doesn't matter whether it has an accidental or not.

Cheers,
Neil

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Re: Hiding the RH piano staff

2012-01-27 Thread PMA 

I support your preference.  If two staves were *needed*
to avoid a performance disaster, I would say otherwise.
But where, as here, the issue is merely what somebody
"expects", then I see no reason for you to reconsider.


Jan Terje Augestad wrote:

Actually there's examples of this; for instance most of Godowsky's left hand 
adaptions are done with only one staff.

But I do it just because I prefer it visually. :)

JanTerje


Den 25. jan. 2012 kl. 18.50 skrev Tim Roberts:


JanTerje wrote:

I'm writing a piano arrangement (of Pirates of the Caribbean) which has 19
bars of solo left hand before the right hand enters. I'd very much like to
hide the right hand piano staff until the right hand enters.


Pianists don't expect that.  We would expect to see both staves, with 19
whole rests in the right hand.

--
Tim Roberts, t...@probo.com
Providenza&  Boekelheide, Inc.




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Switching lyrics to italic in the same syllabe

2012-01-27 Thread Nils 
Questions over Questions:

I have lyrics here which need switching to italics during a syllabe. It the 
following example it is "phi" where the "i", and everything after, needs to be 
italic.

Se --  ra --  ph \override LyricText #'font-shape = #'italic i --  nen

If I do it like this the "i" moves to the next syllabe which is wrong.
When removing either the space after "ph" or before "i" I get errors.

[...]#'italic"i" --  nen does not work either.


Nils

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Re: Switching lyrics to italic in the same syllabe

2012-01-27 Thread Marek Klein 
Hello
2012/1/27 Nils 

> I have lyrics here which need switching to italics during a syllabe. It
> the following example it is "phi" where the "i", and everything after,
> needs to be italic.
>
> Se --  ra --  ph \override LyricText #'font-shape = #'italic i --  nen
>
> If I do it like this the "i" moves to the next syllabe which is wrong.
> When removing either the space after "ph" or before "i" I get errors.
>
> You have to use \concat

Se --  ra -- \concat { ph \override LyricText #'font-shape = #'italic i }
--  nen

HTH

Marek Klein
http://gregoriana.sk
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Re: Switching lyrics to italic in the same syllabe

2012-01-27 Thread Phil Holmes 
- Original Message - 
From: "Nils" 

To: "Lilypond-User" 
Sent: Friday, January 27, 2012 5:17 PM
Subject: Switching lyrics to italic in the same syllabe



Questions over Questions:

I have lyrics here which need switching to italics during a syllabe. It 
the following example it is "phi" where the "i", and everything after, 
needs to be italic.


Se --  ra --  ph \override LyricText #'font-shape = #'italic i --  nen

If I do it like this the "i" moves to the next syllabe which is wrong.
When removing either the space after "ph" or before "i" I get errors.

[...]#'italic"i" --  nen does not work either.


Nils



I think concat will do what you need.



--
Phil Holmes



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cannot find or create new `voice'

2012-01-27 Thread cgodefro free 

Hello All,

i'm wondering why it can get this warning by time to time, and how to 
get rid of it :


# -*-compilation-*-
Processing `C:/Users/cgodefro/Music/Enesco/op1_6.ly'
Parsing...
Interpreting music...
warning: cannot find or create new `voice'
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `/Users/cgodefro/Music/Enesco/op1_6.ps'...
Converting to `/Users/cgodefro/Music/Enesco/op1_6.pdf'...
success: Compilation successfully completed

the source file:

\version "2.14.0"
\include "italiano.ly"
\header { }
#(set-global-staff-size 15)
TimeKey = { \key do \minor \time 12/8}


TOne= \relative do'' {
\clef treble
\TimeKey
sol'8 fa mib re4.~\(re4 \sib' (lab sol fa4.) lab8 (sol) mib (sol fa) re (fa mib re 
do) r r r2.

}

\score {
\new Staff {
\set Staff.instrumentName = \markup{ \fontsize #2 {"Violons I"} 
\hspace #1.0 }

\new voice = "op1_6" {\TOne}
}
\layout {}
}


in fact this message polute my logs from latex and i'd like first to 
understand why it appears and how to resolve it.


Thanks all for your help.

Christophe

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Re: Switching lyrics to italic in the same syllabe

2012-01-27 Thread -Eluze 


Phil Holmes-2 wrote:
> 
> - Original Message - 
> From: "Nils" 
> To: "Lilypond-User" 
> Sent: Friday, January 27, 2012 5:17 PM
> Subject: Switching lyrics to italic in the same syllabe
> 
> 
>> Questions over Questions:
>>
>> I have lyrics here which need switching to italics during a syllabe. It 
>> the following example it is "phi" where the "i", and everything after, 
>> needs to be italic.
>>
>> Se --  ra --  ph \override LyricText #'font-shape = #'italic i --  nen
>>
>> If I do it like this the "i" moves to the next syllabe which is wrong.
>> When removing either the space after "ph" or before "i" I get errors.
>>
>> [...]#'italic"i" --  nen does not work either.
>>
>>
>> Nils
>>
> 
>  
> I think concat will do what you need.
> 
> 

you have to use \concat in a \markup … :

\markup {
\concat { ph \override #'(font-shape . italic)  }
  }
-- 
View this message in context: 
http://old.nabble.com/Switching-lyrics-to-italic-in-the-same-syllabe-tp33215638p33216018.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.


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Re: polychords, using root in chord markup?

2012-01-27 Thread Jean-Alexis Montignies 

On 3 déc. 2011, at 05:27, Carl Sorensen wrote:

> 
> 
> On 12/2/11 3:59 PM, "Jean-Alexis Montignies"  wrote:
> 
>> Hi,
>> I will have to write polychords (as my jazz harmony classes is getting to
>> that) in Lilypond. I'm looking for ways to do this. Polychord -
>> Wikipedia, the free encyclopedia 
>> 
>> Is it be possible to use the root or a transposed root into the markup of
>> a chord? I could then use the extensions to recognize a upper chord
>> relatively to the root.
> 
> The scheme procedure that is the context property chordRootNamer is used
> to return the markup of the root.
> 
> The scheme procedure that is the context property chordNoteNamer is used
> to return the markup of any individual pitch.
> 
> These two procedures could probably be used to do what you want to do, but
> it would take some scheme hacking to make it work.
> 
I'm back on the problem, had been distracted since :).
Thanks for the suggestions. Since I read user/devs interaction messages, I'll 
take this opportunity to say I'm very happy with the support I received since 
I'm using Lilypond!

I'm not afraid to hack some scheme though I'm not fluent in it yet or even less 
in the lilypond internals.

My guess is for a start, I should find a way to use the chord root, transpose 
it and translate that to a name from a chord name exception markup block

I looked in the extending lilypond guide and searched in the snipnets.

I understand I could probably use define-markup-command, but would it be 
possible to have access to the context from a function defined that way? Or is 
there something in props I could use?

Sorry if this are trivial questions. I would be able use a pointer to the 
relevant doc or an existing peace of code as an example.

Jean-Alexis


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Re: cannot find or create new `voice'

2012-01-27 Thread Xavier Scheuer 
On 27 January 2012 14:40, cgodefro free  wrote:
> Hello All,
>
> i'm wondering why it can get this warning by time to time, and how to get
> rid of it :

Salut,

"Voice" with a capital letter, not "voice" in

  \new Voice

Cordialement,
Xavier

-- 
Xavier Scheuer 

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Re: Repeating stanza numbers

2012-01-27 Thread Matie Holtzhausen 

Neil Puttock wrote:

It might break things on 2.14 too.  It's mostly untested. :)


It seems to be the ultimate solution, but it does break a few things.  The 
line breaking seems to stop working, and blank lines also gets verse 
numbers.  In the attached example I included both methods (the other being 
Matthew's).  I think what will work in the end is to use shortVocalName and 
vocalName with the X-offset.  They are not "anchored" to the lyrics, but at 
least they are in a strait line.  I suppose that is what Eluze meant.


Regards, Matie 
\version "2.12.3"
BCAVerseA = \lyricmode { \set associatedVoice = #"BCAVoiceRH"  \set stanza = #"1." \set shortVocalName = "1."
 Ne8 -- na8 kwa8 i4 -- ne8 Ye4. -- su.4
 \skip 8 La8 -- nkhu8 -- la8 mo4 -- fe8 --wa.4.
 \skip 4 \skip 8 No8 -- ng'o8 -- na8 ndi4 chi8 -- ko4. -- ndi:4
 \skip 8 “Si8 -- mu8 -- li8 no4 -- kha8 'nu.”4.
 \skip 4 \skip 8 Tse8 -- gu8 -- la8 mti4 -- ma8 ndi4. -- mve4
 \skip 8 Msa8 -- nga8 li8 -- wu4 la8 -- nu.4.
 \skip 4 \skip 8 Mti8 -- ma8 wa8 -- nga4 u8 -- ta4. -- me.4
 \skip 8 Ndi8 -- ko8 -- ndwe8 mwa4 I8 -- nu.4.
 \set shortVocalName = "Chorus-"
 \skip 4 \skip 8 Mu8 -- la8 -- nkhu8 -- le4 mo8 -- fe4. -- wa4
 \skip 8 Chi8 -- ko8 -- ndi8 kwa4 i8 -- ne.4.
 \skip 4 \skip 8 Mu8 -- dza8 -- go8 -- nje4 -- tsa8 ndi4. -- thu4
 \skip 8 Mu8 -- dza8 -- ma8 -- su4 -- ka8 -- di.4.
 }
BCAVerseB = \lyricmode { \set associatedVoice = #"BCAVoiceRH"  \set stanza = #"2." \set shortVocalName = "2."
 Ne8 -- na8 kwa8 a4 -- na8 a4. -- nu.4
\skip 8 Tso8 -- go8 -- le8 -- ra4 i8 -- wo.4.
 \skip 4 \skip 8 Mu8 -- wa8 -- dza8 -- ze4 chi8 -- mwe4. -- mwe4
 \skip 8 A8 -- kha8 -- le8 o4 -- lo8 -- nda.4.
 \skip 4 \skip 8 A8 -- pe8 -- re8 -- ke4 kwa8 I4. -- nu4
 \skip 8 Mi8 -- ti8 -- ma8 ya4 -- thu8 -- nthu.4.
 \skip 4 \skip 8 U8 -- fu8 -- mu8 u4 -- dze8 msa4. -- nga4
 \skip 8 Ndi8 ku8 -- o8 -- na4 Ye8 -- su.4.
 \set shortVocalName = ""
 \skip 4 \skip 8 Ne8 -- na8 tsi8 -- ku4 ndi8 tsi4. -- ku.4
 \skip 8 La8 -- nkhu8 -- la8 mo4 -- fe8 -- wa.4.
 \skip 4 \skip 8 Ndi8 -- mve8 -- re8 ku4 -- no8 -- ng'o4. -- na4
 \skip 8 “Si8 -- mu8 -- li8 no4 --  \skip 8 \skip 4.  \skip 4kha8 'nu.”2.
 }
BCAVerseC = \lyricmode { \set associatedVoice = #"BCAVoiceRH"  \set stanza = #"3." \set shortVocalName = "3."
 La8 -- nkhu8 -- la8 mo4 -- nga8 ka4. -- le4 
 \skip 8 Mu8 -- na8 -- vu8 -- mbu4 -- lu8 -- tsa.4.
\skip 4 \skip 8 Ndi8 -- dzi8 -- we8 cho4 -- fu8 -- ni4. -- ka4
 \skip 8 Ndi8 -- chi8 -- te8 la4 -- mu8 -- lo.4.
 \skip 4 \skip 8 Ndi8 -- le8 -- me8 -- ke4 -- ze8 I4. -- nu4
 \skip 8 Ndi8 -- po8 ku8 -- ta4 -- ma8 -- nda.4. 
  \set shortVocalName = ""
 }
BCAMusicGlobal = { 
\set Staff.autoBeaming = ##f
\tempo "" 4 = 90
\key d \major
\time 6/8
}
BCAMusicRH = \relative c'{ \BCAMusicGlobal \clef "treble"
8   4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8 |
	8   d4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8 |
	   4 8 | 4. 4 r8 | 
	   4 8 | 4.~4 r8 |
	   d4 8 | 4. 4 r8 |
	   4 8 | d4.~d4 r8 | \break
	\repeat volta 2 {
	   4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8 |
	   4 8 | 4. 4 r8 |
	   4 }
	\alternative {
	{8 |
 	\set Timing.measureLength = #(ly:make-moment 5 8) 4.~4}
	{\set Timing.measureLength = #(ly:make-moment 1 8) 8 |
	\set Timing.measureLength = #(ly:make-moment 6 8) d2.}
	}
}
BCAMusicLH = \relative c{ \BCAMusicGlobal \clef "bass"
		8   4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8  |
	8   4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8 |
	   4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8 |
	   4 8 | 4. 4 r8 |
	   4 8 | 4.~4 r8 |
	\repeat volta 2 {
	4 8 | 4. 4 r8 | 
	   a4 8 | 4.~4 r8 |
	   4 8 | 4. 4 r8 |
	   4  }
	\alternative {
		{8 | 
 	\set Timing.measureLength = #(ly:make-moment 5 8) 4.~4} 
		{\set Timing.measureLength = #(ly:make-moment 1 8) 8 |
\set Timing.measureLength = #(ly:make-moment 6 8) 2.}
	}
}
BCAMusicLyrics = \relative c''{ \BCAMusicGlobal \clef "treble"
\hideNotes \voiceFour fis8 fis8 fis8 fis4 fis8 fis4. fis4  s8 fis8 fis8 fis8 fis4 fis8 fis4. s4 s8 fis8 fis8 fis8 fis4 fis8 fis4. fis4  s8 fis8 fis8 fis8 fis4 fis8 fis4. s4 s8 fis8 fis8 fis8 fis4 fis8 fis4. fis4  s8 fis8 fis8 fis8 fis4 fis8 fis4. s4 s8 fis8 fis8 fis8 fis4 fis8 fis4. fis4  s8 fis8 fis8 fis8 fis4 fis8 fis4. s4 s8 fis8 fis8 fis8 fis4 fis8 fis4. fis4  s8 fis8 fis8 fis8 fis4 fis8 fis4. s4 s8 fis8 fis8 fis8 fis4 fis8 fis4. fis4  s8 fis8 fis8 fis8 fis4 fis8 fis4.  s4 fis8 fis2.
}

#(set-default-paper-size "a6" ) #(set-global-staff-size 12.4)

\paper {
  indent = 0 \mm 
  ragged-bottom = ##f 
  ragged-last-bottom = ##f 
  ragged-last = ##f
  ragged-right = ##f
  oddFooterMarkup = \markup ""
  evenFooterMarkup = \markup ""
  print-all-headers = ##f
  print-page-number = ##f
  system-system-spacing = #'((padding . 2) (space . 2) (minimum-distance . 1))
  markup-system-spacing = #'((padding . 1) (space . 2) (minimum-distance . 1))
  top-system-spacing = #'((padding . 1) (space . 1) (minimum-distance . 1))
  head-separation = #'((padding . 0.5 ) (space . 1) (minimum-distance . 0.1))
}
\layout {
  \context {
\Score
\remove "Bar_number_engraver

Re: Hiding the RH piano staff

2012-01-27 Thread Shane Brandes 
As someone whose primary instrument is the piano. I agree it might be
disconcerting to suddenly see two staves after a page turn, but single
staff treatment certainly has been around since at least Liszt's
Paganini variations if not earlier. But as it is your creation you do
what you want.

Shane


On Fri, Jan 27, 2012 at 11:29 AM, PMA  wrote:
> I support your preference.  If two staves were *needed*
> to avoid a performance disaster, I would say otherwise.
> But where, as here, the issue is merely what somebody
> "expects", then I see no reason for you to reconsider.
>
>
> Jan Terje Augestad wrote:
>>
>> Actually there's examples of this; for instance most of Godowsky's left
>> hand adaptions are done with only one staff.
>>
>> But I do it just because I prefer it visually. :)
>>
>> JanTerje
>>
>>
>> Den 25. jan. 2012 kl. 18.50 skrev Tim Roberts:
>>
>>> JanTerje wrote:

 I'm writing a piano arrangement (of Pirates of the Caribbean) which has
 19
 bars of solo left hand before the right hand enters. I'd very much like
 to
 hide the right hand piano staff until the right hand enters.
>>>
>>>
>>> Pianists don't expect that.  We would expect to see both staves, with 19
>>> whole rests in the right hand.
>>>
>>> --
>>> Tim Roberts, t...@probo.com
>>> Providenza&  Boekelheide, Inc.
>>>
>>
>>
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>>
>>
>
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change note names from italiano to english in existing input file

2012-01-27 Thread Frédéric Bron 
Is it possible that \displayLilyMusic outputs note names in a
different language?
I use to work with english notations because they are shorter but I am
using an existing file written with italiano.
Is it possible to change the note names from do re mi fa sol... to c d e f g?
I know I can try with regex but it would be nice it it was an option
of displayLilyMusic.
Regards,
Frédéric

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