Re: ottavation
Thanks a lot Mike and Nick. Your suggestions have been very helpful.
Regards,
Peter
On 04/07/2011 01:37 AM, Nick Payne wrote:
On 06/04/11 23:26, Peter O'Doherty wrote:
Thanks.
The code you sent applies \ottava #1 to the whole score, whereas I
also have instances of |8vb and 15va etc|. All I need is a way to
change the property to print only 8 or 15 without va, vb etc. to save
me typing \set Staff.ottavation = #"8" each time.
Thanks,
Peter
\score { \new Staff {
{
{
\ottava #1
%\set Staff.ottavation = #"8"
c''1
\ottava #-1
%\set Staff.ottavation = #"8"
c,1
}
}}
\layout {
\context {
% \Score ottavation=#"8" % this does not work
} }}
Why not just define something like
eightU = { \ottava #1 \set Staff.ottavation = #"8" }
eightD = { \ottava #-1 \set Staff.ottavation = #"8" }
{
\eightU
c''1
\eightD
c,1
}
Nick
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Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
On Wed, Mar 23, 2011 at 02:58:39AM -0300, Pato Press wrote:
>And, if you want to, I have a not so good violin made in Blender, nearly
>with all it's pieces. I have never completely finish it.
In case anybody is wondering about this, the blender model is
absolutely awesome, and it's now part of Artifastring. You can
get it here:
https://github.com/gperciva/artifastring
Artifastring ("artificial fast string") produces a not-very-good
.wav file and an visually amazing .mpeg or .avi file, based on a
series of physical actions stored in an .actions file. I've just
submitted a patch to extract music events from from lilypond --
the goal[1] is to produce sound and video from a .ly file
automatically.
[1] well, I already have this "goal" working... so rather, I
should say that the goal is to make this work on other people's
computers, and to make the code meet lilypond's standards.
If you check out Artifastring right now, treat it more like a
"technology preview" -- you can't easily produce anything other
than the "unit test" video. The other bits and pieces will be
coming over the next week or two.
Cheers,
- Graham
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Re: Arpeggio collision bug
Hu Haipeng wrote: the arpeggio sign collides with the a'4 natural of the treble It is as if the arpeggio code doesn't notice the staff change. Here is a workaround which doesn't prevent a collision but disguises it. Insert a transparent breathing sign after s2 in the right hand: \once \override BreathingSign #'transparent = ##t \breathe Cheers, Robin <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
How to create "and so on..." snippets, examples, excerpts etc. with lilypond
Hello list, I regulary create educational music sheets and need a way to indicate that the music is incomplete. In the handwriting world there are many ways to do this. I only need one :) What is the Lilypond way to do this? I created some examples in inkscape, attached. Nils <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: How to create "and so on..." snippets, examples, excerpts etc. with lilypond
Nils, )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of Nils )Sent: 07 April 2011 16:38 )To: lilypond-user )Subject: How to create "and so on..." snippets, examples, excerpts etc. )with lilypond ) )Hello list, ) )I regulary create educational music sheets and need a way to indicate that )the music is incomplete. In the handwriting world there are many ways to )do this. I only need one :) What is the Lilypond way to do this? )I created some examples in inkscape, attached. ) http://lsr.dsi.unimi.it/LSR/Item?id=668 For a start james ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
How do I get the video? I just got a wave file from
../build/src/actions2wav unit.actions
Nils
On Thu, 7 Apr 2011 11:07:28 +0100
Graham Percival wrote:
> On Wed, Mar 23, 2011 at 02:58:39AM -0300, Pato Press wrote:
> >And, if you want to, I have a not so good violin made in Blender, nearly
> >with all it's pieces. I have never completely finish it.
>
> In case anybody is wondering about this, the blender model is
> absolutely awesome, and it's now part of Artifastring. You can
> get it here:
> https://github.com/gperciva/artifastring
>
> Artifastring ("artificial fast string") produces a not-very-good
> .wav file and an visually amazing .mpeg or .avi file, based on a
> series of physical actions stored in an .actions file. I've just
> submitted a patch to extract music events from from lilypond --
> the goal[1] is to produce sound and video from a .ly file
> automatically.
>
> [1] well, I already have this "goal" working... so rather, I
> should say that the goal is to make this work on other people's
> computers, and to make the code meet lilypond's standards.
>
> If you check out Artifastring right now, treat it more like a
> "technology preview" -- you can't easily produce anything other
> than the "unit test" video. The other bits and pieces will be
> coming over the next week or two.
>
> Cheers,
> - Graham
>
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Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
Hi Nils 2011/4/7 Nils Hammerfest > How do I get the video? I just got a wave file from > ../build/src/actions2wav unit.actions > > Nils > > Just cd blender make test # first do the test. These should give you 3 violin bow img in the /tmp/vivi-movie/ that you could verify with your prefer soft. make mpeg # rest a couple of minutes. While it renders the movie and there you'll have a ./unit.mpeg It should work fine. You need blender in your system. Or at your home/ or any other. If its the last, you should edit the blender/Makefile and follow the instructions of the first paragraph. And you should have mencoder too. Luck! Marcos. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
intro; art song example or template?
Hello All; I am a first time poster. I have much experience with linux and latex and so hopefully I will catch on to lilypond without too much trouble. I am a composer of mostly atonal music, often with a lot of time signature changes (or with passages that have no time signatures), to give you an idea of the kinds of issues I am be facing. My first lilypond project is too notate some songs I wrote for soprano and classical guitar. Can someone recommend a template or even a finished song that I could begin with? Thank you for your help; Ivan ivan.k.kuznet...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Forcing extender lines
How do I "force" extender lines to be printed? Attached is my example, and I
want (near and at the end) the words Thee and Lord to have extenders after
them as I have indicated in my lyrics, but am not sure how to achieve this.
Help please. Thanks in advance.
--
In Christ,
Michael D
\version "2.12.3"
\include "english.ly"
\include "gregorian.ly"
\header {
title = "The Hymn of Orthodoxy~Only-Begotten Son"
poet = "Znamenny Chant~Tone 2"
composer = "Arranged by Michael Dykes"
footer = "obs_zn[3].ly"
ponomarname = "Only-Begotten Son"
ponomartype = "OwnWork"
ponomarsubtype = "Arrangement"
ponomarsource = "Unknown"
ponomarauthor = "Michael Dykes"
maintainer = "Michael Dykes"
maintaineremail = "thedoctor81...@gmail.com"
lastupdated = "2011/04/07"
ponomarlang = "en"
ponomarcomments = ""
copyright = "This score is part of the Ponomar OpenMusic Project"
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #"http://www.ponomar.net"; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #"http://www.LilyPond.org"; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0"; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar "" \break }
soprano = \relative c'' {
\global
% Music follows here.
a4 a a a a a a a a a g a2 g4 f g2 \finalis
f4 f f g2 g4 g g g f g a(g) f(g) a2 \divisioMinima
g4 g g a bf2 a4 a a a a g a2(g) f1 \divisioMaior
f4 g a2 a4 a a a a a a a a g a(g f2) g2 \divisioMinima
f4 f f g2 g4 g g g f g a(g) f(g) a2 \divisioMinima
g4 g a bf2 a4 a g a2 g f1 \divisioMaior
f4 g a2 a4 a a g a(g) f2 g \divisioMinima
g2 g4 g g g g g g g f g a(g f g) a1 \divisioMaxima
g2(a bf2. a4 g2 f) g1 \finalis
a2. g4 a(g f2) g1 \divisioMaxima
g2(f4) g a(g f g) a1 \finalis
g4(a) bf2(a2.) g4 a2(g f1) \finalis
a2.(g4 f2 g) a\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
c4 c c c c c c c c c c c2 c4 a c2 \finalis
a4 a a c2 c4 c c c a c c2 a4(c) c2 \divisioMinima
bf4 bf bf c d2 c4 c c c c c c1 a \divisioMaior
a4 c c2 c4 c c c c c c c c c c2(a) c \divisioMinima
a4 a a c2 c4 c c c a c c2 a c \divisioMinima
bf4 bf c d2 c4 c c c2 c a1 \divisioMaior
a4 c c2 c4 c c c c2 a c \divisioMinima
c2 c4 c c c c c c c a c c2(a) c1 \divisioMaxima
bf2(c d2. c a2) bf1 \finalis
c2. c4 c2(a) c1 \divisioMaxima
c2(a4) c c2(a4 c) c1 \finalis
bf4(c) d2(c2.) bf4 c1(a) \finalis
c1(a2 c) c\breve \finalis
}
bass = \relative c {
\global
% Music follows here.
f4 f f f f f f f f f c f2 f4 d c2 \finalis
d4 d d c2 c4 c c c d c f2 d4(f) f2 \divisioMinima
g4 g g f bf,2 f'4 f f f f c f2(c) d1 \divisioMaior
d4 c f2 f4 f f f f f f f f c f2(d) c \divisioMinima
d4 d d c2 c4 c c c d c f2 d f \divisioMinima
g4 g f bf,2 f'4 f c f2 c d1 \divisioMaior
d4 c f2 f4 f f c f2 d c \divisioMinima
c2 c4 c c c c c c c d c f2(d) c1 \divisioMaxima
g'2(f bf,2. f' d2 1) \finalis
f2. c4 f2(d) c1 \divisioMaxima
c2(f4) c f2.(c4) f1 \finalis
g4(f) bf,2(f'2.) f4 f1(d) \finalis
f1(d2 c) \breve \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
Both now and
\override LyricHyphen #'minimum-distance = #1.4
ev -- er, and
\override LyricHyphen #'minimum-distance = #1.4
un -- to a -- ges of a -- ges. A -- men.
On -- ly- Be -- got -- ten Son and Im -- mor -- tal Word __ of __ God,
Who for our sal -- va -- tion didst will to be in -- carn -- ate,
of the Ho -- ly The -- o -- to -- kos and Ev -- er- Vir -- gin Ma -- ry,
Who with -- out change, didst be -- come man, and wast cru -- ci -- fied,
O Christ our God, tramp -- ling down death by death.
Who art one of the Ho -- ly Tri -- ni -- ty,
glor -- i -- fied with the Fa -- ther, and the Ho -- ly Spir -- it:
Save __ us!
Lord, have mer -- cy.
Lord,__ have mer -- cy.
To __ Thee,__ O Lord.__
A -- men.
}
\score {
\new ChoirStaff <<
\new Staff \with {
midiInstrument = " string ensemble 1 "
instrumentName = \markup \center-column { "S" }
} <<
\new Voice = "soprano" { \voiceOne \soprano }
>>
\new Lyrics \lyricsto "soprano" \verse
\new Staff \with {
midiInstrument = " string ensemble 1 "
instrume
Re: intro; art song example or template?
Welcome Ivan. 2011/4/7 > > Hello All; > > I am a first time poster. I have much experience with > linux and latex and so hopefully I will catch on > to lilypond without too much trouble. > > I am a composer of mostly atonal music, often with > a lot of time signature changes (or with passages > that have no time signatures), to give you > an idea of the kinds of issues I am be facing. > > My first lilypond project is too notate some songs I > wrote for soprano and classical guitar. > > Can someone recommend a template or even a finished > song that I could begin with? > > Thank you for your help; Ivan > > I'm just a simple and basic user. But I've been writing my scores with lilypond for a couple of years now. I would recommend you to start from the beginning. It would take you no time. And it would give you a great walk around of everything. http://lilypond.org/manuals.html Definitely the best place where to start. Luck! tdy ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to create "and so on..." snippets, examples, excerpts etc. with lilypond
> Message: 1 > Date: Thu, 7 Apr 2011 17:38:11 +0200 > From: Nils > Subject: How to create "and so on..." snippets, examples, excerpts >etc. with lilypond > To: "lilypond-user" > Message-ID: <20110407173811.4ef09...@hammerfeste.com> > Content-Type: text/plain; charset="us-ascii" > > Hello list, > > I regulary create educational music sheets and need a way to indicate > that the music is incomplete. In the handwriting world there are many > ways to do this. I only need one :) What is the Lilypond way to do this? > I created some examples in inkscape, attached. > > Nils Nils, Wouldn't http://lsr.dsi.unimi.it/LSR/Item?id=668 work? Tim Reeves ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Breves
Hullo all. I have figured out how to fix my earlier prob, but now I have another question if I may. In the new testing version of Lilypond, how do I print a breve with 2 vertical lines on both sides of it? Thanks. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Breves
2011/4/7 Michael Dykes : > Hullo all. I have figured out how to fix my earlier prob, but now I have > another question if I may. In the new testing version of Lilypond, how do I > print a breve with 2 vertical lines on both sides of it? Thanks. \override Staff.NoteHead #'style = #'altdefault it works with 2.13.54. HTH, Janek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: intro; art song example or template?
Hi Ivan, 2011/4/7 : > > Hello All; > > I am a first time poster. I have much experience with > linux and latex and so hopefully I will catch on > to lilypond without too much trouble. > > I am a composer of mostly atonal music, often with > a lot of time signature changes (or with passages > that have no time signatures), to give you > an idea of the kinds of issues I am be facing. > > My first lilypond project is too notate some songs I > wrote for soprano and classical guitar. > > Can someone recommend a template or even a finished > song that I could begin with? This part of the manuals contains some templates: http://lilypond.org/doc/v2.13/Documentation/learning/templates However, if i were you i'd begin by reading Learning Manual and composing your own template - i think doing it yourself will give you a better understanding of LilyPond. good luck, Janek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: intro; art song example or template?
On Apr 7, 2011, at 3:02 PM, ivan.k.kuznet...@gmail.com wrote: > > Hello All; > > I am a first time poster. I have much experience with > linux and latex and so hopefully I will catch on > to lilypond without too much trouble. > > I am a composer of mostly atonal music, often with > a lot of time signature changes (or with passages > that have no time signatures), to give you > an idea of the kinds of issues I am be facing. > > My first lilypond project is too notate some songs I > wrote for soprano and classical guitar. > > Can someone recommend a template or even a finished > song that I could begin with? > > Thank you for your help; Ivan > A couple things you may want to try: #(set-accidental-style 'neo-modern) at the beginning of each staff when there's no time signature, use \once \override Staff . TimeSignature #'stencil = ##f and then use \bar "" at each point in time where a line break would be acceptable. If you're OK with beams over system breaks and glissandi over system breaks, set the breakable property to ##t for Beam and Glissando. My four LilyPond scores from 2011 are at: http://www.apollinemike.com/master.pdf http://www.apollinemike.com/zauberbuch.pdf http://www.apollinemike.com/norman1 http://www.apollinemike.com/test.svg Not all of them are 100% LilyPond, but all of them use LilyPond somehow. Two of them use voice. If you see anything you'd want to use, I can tell you how I did it. Cheers, Mike ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Forcing extender lines
2011/4/7 Michael Dykes : > How do I "force" extender lines to be printed? Attached is my example, and I > want (near and at the end) the words Thee and Lord to have extenders after > them as I have indicated in my lyrics, but am not sure how to achieve this. > Help please. Thanks in advance. You need to put a space before __ (otherwise it is not recognized as an extender line command by LilyPond). So To __ Thee, __ O Lord. __ instead of To __ Thee,__ O Lord.__ Also, please add \revert Score.SpacingSpanner #'packed-spacing to your file, for example inside "global" variable. It would make your score not look crappy ;) HTH, Janek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
Hi Marcos (etc.) > Just > > cd blender > make test # first do the test. These should give you 3 violin bow img in the > /tmp/vivi-movie/ that you could verify with your prefer soft. > make mpeg # rest a couple of minutes. While it renders the movie and there > you'll have a ./unit.mpeg Any preview movies that can be put up anywhere? Christ van Willegen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
2011/4/7 Christ van Willegen : > Hi Marcos (etc.) > >> Just >> >> cd blender >> make test # first do the test. These should give you 3 violin bow img in the >> /tmp/vivi-movie/ that you could verify with your prefer soft. >> make mpeg # rest a couple of minutes. While it renders the movie and there >> you'll have a ./unit.mpeg > > Any preview movies that can be put up anywhere? I will appreciate them too :) cheers, Janek ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
On Thu, Apr 07, 2011 at 11:16:10PM +0200, Christ van Willegen wrote: > > Any preview movies that can be put up anywhere? Yes, there's a short one on the main Vivi page: http://percival-music.ca/vivi.html and a longer one on the conference webpage: http://percival-music.ca/smc2011.html I still need to write a better "black-box testing" composition; the current piece demonstrates all technical aspects and is vaguely musical, but it's not very inspiring. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
midi bug in 2.13.58
Hello, Lilypond 2.13.58 still has bug on mid output. Because the max number of instr is 16, and now the midi output considers every instr instead of track as an item, the result of program change still causes error. For example, I have a full orch score with 14 sounds plus perc. Then I change strings to pizz, and then violin I as solo violin, then trumpet muted. Now there are 18 instr even I revert these sounds back, and the topmost instr (picc and fl) changes to string ensemble due to wrapping. I hope that the initial instr amount is considered as basic midi instrument amount, and the subsequent created sounds within a single track is treated as common program changes. This will make it convenient to play midi files by reassigning patches in software like Synthfont. Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: midi bug in 2.13.58
On Fri, Apr 08, 2011 at 06:43:24AM +0800, 胡海鹏 - Hu Haipeng wrote: > Lilypond 2.13.58 still has bug on mid output. Because the max number of Yes, I saw your email to bug-lilypond. Please continue to report bugs to that address, not the user list. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: intro; art song example or template?
On Thu, Apr 7, 2011 at 2:02 PM, wrote: > > My first lilypond project is too notate some songs I > wrote for soprano and classical guitar. > > Can someone recommend a template or even a finished > song that I could begin with? > > Thank you for your help; Ivan Hi Ivan, If you're interested you can check out my song cycle "Canciones para niños" for voice and guitar, done in lilypond. http://music2.louisiana.edu/Gratis/lorca.tar If you don't understand my file structure you can email me off-list. If you're familiar with Makefiles and Latex and such things, it shouldn't be too hard though. After downloading & unpacking, cd to the dir and type "make score" to compile the whole cycle. Individual songs compile by "make .pdf" and are output in the PDF directory. Good luck with your scores. :) Jon -- Jonathan Kulp http://www.jonathankulp.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Difficulty in jedit with LilyPondTools
I just started using JEdit and the LilypondTools provided as a plug-in for that editor. Everytime I use it though, I keep getting the follwoing error: java.io IOException:error=2, No such file or directory - Any help resolving this would be appreciated. Thanks. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re:Re: Arpeggio collision bug
Dear Robin,
> It is as if the arpeggio code doesn't notice the staff change.
> Here is a workaround which doesn't prevent a collision but disguises it.
> Insert a transparent breathing sign after s2 in the right hand:
> \once \override BreathingSign #'transparent = ##t \breathe
Thanks, but unfortunately, this doesn't work at all. The hidden breathe sign
strangely leaves an apostrophe like sign on the score, and the collision
remains. Here's my workaround, but still hope it considered as a bug and solved
as automatically shifting the arpeggio and the notecolumn right to prevent
collision.
Haipeng
**
\version "2.13.57"
\paper {
ragged-right = ##t
}
upper = \relative c'' {
\clef treble \key ees \major \time 4/4
\showStaffSwitch
s2 s8 4*1/2\arpeggio r4 |
}
lower = \relative c, {
\clef bass \key ees \major \time 4/4
\times 2/3 { fis8( e' a } \change Staff = "r" \times 2/3 { c e a) }
\change Staff = "l" s8 4*1/2\arpeggio r4 |
}
dyn = { s1\mf }
\score {
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\new Staff = "r" { \upper }
\new Dynamics { \dyn }
\new Staff = "l" { \lower }
>>
\layout {}
}
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