Re: Questions before starting big piece. Pushing myself...

2009-03-03 Thread aliteralmind 

I'm discovering important stuff in the documentation, too. Like the sections
on managing large projects, and managing projects with variables and such.

There is so much documentation to sift through!

Thank you for the tips.  :'  )
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Forcing markup to be IN the staff

2009-03-03 Thread aliteralmind 

I have repetitive notes:

c8 c c   c c c   c c c   c c c |

This type of repetition is found throughout my piece. I'm trying to hide the
second-through-fourth beats of notes, and have a "..." in its place, IN the
staff. No matter how much I \raise the markup, it never enters the staff.
How can I force this collision?

Here is an image describing what I want and am actually getting (I also
can't quite position the lyrics and "repeat throught" text as tightly as I
want):

http://jeffyepstein.com/tmp/staff_collision_question.gif

And following is the LY code that created the bottom version.

Thank you for helping.


\version "2.12.2"

global = {
\key c \major
\time 12/8
}

rptDDD = \markup { \fontsize #6 "..." }
rptDDDInStaff = \markup {
\column {
\raise #2.5 \rptDDD
\small \italic "Repeat throughout measure"
}
}
rptDDDForLyrics = \markup { \raise #0.3 \rptDDD }

mainMusic = \relative c''  {
c4. c c c |
}
mainWords = \lyricmode { Da da da da }
secondaryMusic = \relative c  {
\clef bass
c8 c c
\hideNotes
c_\rptDDDInStaff
c c  c c c  c c c
\unHideNotes
|
}
secondaryWords = \lyricmode  {
doo doo doo \rptDDDForLyrics
}

\score {
\new ChoirStaff <<
\new Staff = staffMain <<
\new Voice = "vMain" {
\voiceTwo
<< \global \mainMusic >>
}
\new Lyrics = "mainLyrics" { s1 }
>>
\new Staff = staffSecondary <<
\new Voice = "vSecondary" {
\voiceOne
<< \global \secondaryMusic >>
}
%s1 is a placeholder, until soloWords is assigned to it
\new Lyrics = "secondaryLyrics" { s1 }
>>
\context Lyrics = mainLyrics \lyricsto vMain \mainWords
\context Lyrics = secondaryLyrics \lyricsto vSecondary 
\secondaryWords
>>
\layout {}
\midi {}
}


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Re: Forcing markup to be IN the staff

2009-03-03 Thread Jonathan Kulp 

You might try the solution I posted in this thread a while back:

http://www.nabble.com/bracketed-silence-td18414197.html

Jon

aliteralmind wrote:

I have repetitive notes:

c8 c c   c c c   c c c   c c c |

This type of repetition is found throughout my piece. I'm trying to hide the
second-through-fourth beats of notes, and have a "..." in its place, IN the
staff. No matter how much I \raise the markup, it never enters the staff.
How can I force this collision?

Here is an image describing what I want and am actually getting (I also
can't quite position the lyrics and "repeat throught" text as tightly as I
want):

http://jeffyepstein.com/tmp/staff_collision_question.gif

And following is the LY code that created the bottom version.

Thank you for helping.


\version "2.12.2"

global = {
\key c \major
\time 12/8
}

rptDDD = \markup { \fontsize #6 "..." }
rptDDDInStaff = \markup {
\column {
\raise #2.5 \rptDDD
\small \italic "Repeat throughout measure"
}
}
rptDDDForLyrics = \markup { \raise #0.3 \rptDDD }

mainMusic = \relative c''  {
c4. c c c |
}
mainWords = \lyricmode { Da da da da }
secondaryMusic = \relative c  {
\clef bass
c8 c c
\hideNotes
c_\rptDDDInStaff
c c  c c c  c c c
\unHideNotes
|
}
secondaryWords = \lyricmode  {
doo doo doo \rptDDDForLyrics
}

\score {
\new ChoirStaff <<
\new Staff = staffMain <<
\new Voice = "vMain" {
\voiceTwo
<< \global \mainMusic >>
}
\new Lyrics = "mainLyrics" { s1 }
>>
\new Staff = staffSecondary <<
\new Voice = "vSecondary" {
\voiceOne
<< \global \secondaryMusic >>
}
%s1 is a placeholder, until soloWords is assigned to it
\new Lyrics = "secondaryLyrics" { s1 }
>>
\context Lyrics = mainLyrics \lyricsto vMain \mainWords
\context Lyrics = secondaryLyrics \lyricsto vSecondary 
\secondaryWords
>>
\layout {}
\midi {}
}





--
Jonathan Kulp
http://www.jonathankulp.com


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Re: Parenthesizing chord names

2009-03-03 Thread jpeters 

This works very well

Kieren MacMillan wrote:
> 
> Hi all,
> 
> This may be the easiest solution?
> 
> \version "2.12.2"
> 
> #(define (left-parenthesis-ignatzek-chord-names in-pitches bass  
> inversion context)
> (markup #:line ("( " (ignatzek-chord-names in-pitches bass inversion  
> context
> 
> #(define (right-parenthesis-ignatzek-chord-names in-pitches bass  
> inversion context)
> (markup #:line ((ignatzek-chord-names in-pitches bass inversion  
> context) " )")))
> 
> LPC = { \set chordNameFunction = #left-parenthesis-ignatzek-chord- 
> names }
> RPC = { \set chordNameFunction = #right-parenthesis-ignatzek-chord- 
> names }
> NPC = { \unset chordNameFunction }
> 
> chordset = \chordmode
> {
>c1:7 g1:7
>\LPC a1:7 \NPC f1:7
>c1:7 \RPC g1:7 \NPC
>c1:7 g1:7
> }
> 
> \score
> {
>\new ChordNames \chordset
> }
> 
> Hope this helps!
> Kieren.
> 
> 
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Re: KDE 4.1.2. > KDE 4.2 Frescobaldi problem

2009-03-03 Thread Thomas Scharkowski 
> t.scharkow...@t-online.de wrote:
> > Hello,
> >
> > I had installed Frescobaldi on my Kubuntu 8.04 KDE 4.1.2 system. Now
> > I have upgraded to 8.10 KDE 4.2 and get the following error:
> >
> > Any hints?
> > Thank you 
> >   
> IFAIK in kde 4.2 you don't need lilypond-kde4. I suggest to remove it
> and reinstall frescobaldi.
> 
> \r
> 
Thank you,

I tried to uninstall lilypond-kde4 via "make uninstall", but I get an 
error (FindKDE4Internal.cmake not found).
What else can I do?

Thomas


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Frescobaldi 0.7.7 released

2009-03-03 Thread Wilbert Berendsen 
[ reusing annouce thread:-) ]

Hi all,

Frescobaldi 0.7.7 has been released.
http://lilykde.googlecode.com/files/frescobaldi-0.7.7.tar.gz

New in this release:

* comprehensive User Guide in help menu and help buttons in most dialogs
* new Czech translation by Pavel Fric (thanks!), Russian and Dutch
  translations updated
* settings: it is now possible to choose which LilyPond version number
  to use by default for new documents: the version of the installed LilyPond,
  the version of the last conversion rule of convert-ly, or a custom version.
* score wizard: if there is more than one part, the parts are assigned to a
  variable instead of being put inside the score section. This makes printing
  separate parts easier.
* bugfixes:
  - apply/paste rhythm: don't lose parts of text and don't hang if no rhythm
  - find translations when installed to non-standard directory
  - avoid double entries in score wizard instrument name language combobox

enjoy!
Wilbert Berendsen

-- 
Frescobaldi, LilyPond editor for KDE: http://www.frescobaldi.org/


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RE: Forcing markup to be IN the staff

2009-03-03 Thread Nick Payne 
Two possibilities:

Change secondaryMusic to be either

secondaryMusic = \relative c  {
\clef bass
c8 c c
\hideNotes
c-\tweak #'extra-offset #'(0 . 2.3)_\rptDDDInStaff
c c  c c c  c c c
\unHideNotes
|
}

Or

secondaryMusic = \relative c  {
\clef bass
c8 c c
\hideNotes
\once \override TextScript #'extra-offset = #'(0 . 2.3)
c_\rptDDDInStaff
c c  c c c  c c c
\unHideNotes
|
}

Nick

> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of aliteralmind
> Sent: Wednesday, 4 March 2009 03:52
> To: lilypond-user@gnu.org
> Subject: Forcing markup to be IN the staff
> 
> 
> I have repetitive notes:
> 
> c8 c c   c c c   c c c   c c c |
> 
> This type of repetition is found throughout my piece. I'm trying to
> hide the
> second-through-fourth beats of notes, and have a "..." in its place, IN
> the
> staff. No matter how much I \raise the markup, it never enters the
> staff.
> How can I force this collision?
> 
> Here is an image describing what I want and am actually getting (I also
> can't quite position the lyrics and "repeat throught" text as tightly
> as I
> want):
> 
> http://jeffyepstein.com/tmp/staff_collision_question.gif
> 
> And following is the LY code that created the bottom version.
> 
> Thank you for helping.
> 
> 
> \version "2.12.2"
> 
> global = {
>   \key c \major
>   \time 12/8
> }
> 
> rptDDD = \markup { \fontsize #6 "..." }
> rptDDDInStaff = \markup {
>   \column {
>   \raise #2.5 \rptDDD
>   \small \italic "Repeat throughout measure"
>   }
> }
> rptDDDForLyrics = \markup { \raise #0.3 \rptDDD }
> 
> mainMusic = \relative c''  {
>   c4. c c c |
> }
> mainWords = \lyricmode { Da da da da }
> secondaryMusic = \relative c  {
>   \clef bass
>   c8 c c
>   \hideNotes
>   c_\rptDDDInStaff
>   c c  c c c  c c c
>   \unHideNotes
>   |
> }
> secondaryWords = \lyricmode  {
>   doo doo doo \rptDDDForLyrics
> }
> 
> \score {
>   \new ChoirStaff <<
>   \new Staff = staffMain <<
>   \new Voice = "vMain" {
>   \voiceTwo
>   << \global \mainMusic >>
>   }
>   \new Lyrics = "mainLyrics" { s1 }
>   >>
>   \new Staff = staffSecondary <<
>   \new Voice = "vSecondary" {
>   \voiceOne
>   << \global \secondaryMusic >>
>   }
>   %s1 is a placeholder, until soloWords is assigned to
> it
>   \new Lyrics = "secondaryLyrics" { s1 }
>   >>
>   \context Lyrics = mainLyrics \lyricsto vMain \mainWords
>   \context Lyrics = secondaryLyrics \lyricsto vSecondary
> \secondaryWords
>   >>
>   \layout {}
>   \midi {}
> }
> 
> 
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> be-IN-the-staff-tp22312800p22312800.html
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Re: Forcing markup to be IN the staff

2009-03-03 Thread James E. Bailey 

You can always use markup to replace the glyph.

El 03.03.2009, a las 17:51, aliteralmind escribió:



I have repetitive notes:

c8 c c   c c c   c c c   c c c |

This type of repetition is found throughout my piece. I'm trying to  
hide the
second-through-fourth beats of notes, and have a "..." in its  
place, IN the
staff. No matter how much I \raise the markup, it never enters the  
staff.

How can I force this collision?

Here is an image describing what I want and am actually getting (I  
also
can't quite position the lyrics and "repeat throught" text as  
tightly as I

want):

http://jeffyepstein.com/tmp/staff_collision_question.gif

And following is the LY code that created the bottom version.

Thank you for helping.


\version "2.12.2"

global = {
\key c \major
\time 12/8
}

rptDDD = \markup { \fontsize #6 "..." }
rptDDDInStaff = \markup {
\column {
\raise #2.5 \rptDDD
\small \italic "Repeat throughout measure"
}
}
rptDDDForLyrics = \markup { \raise #0.3 \rptDDD }

mainMusic = \relative c''  {
c4. c c c |
}
mainWords = \lyricmode { Da da da da }
secondaryMusic = \relative c  {
\clef bass
c8 c c
\hideNotes
c_\rptDDDInStaff
c c  c c c  c c c
\unHideNotes
|
}
secondaryWords = \lyricmode  {
doo doo doo \rptDDDForLyrics
}

\score {
\new ChoirStaff <<
\new Staff = staffMain <<
\new Voice = "vMain" {
\voiceTwo
<< \global \mainMusic >>
}
\new Lyrics = "mainLyrics" { s1 }
>>
\new Staff = staffSecondary <<
\new Voice = "vSecondary" {
\voiceOne
<< \global \secondaryMusic >>
}
%s1 is a placeholder, until soloWords is assigned to it
\new Lyrics = "secondaryLyrics" { s1 }
>>
\context Lyrics = mainLyrics \lyricsto vMain \mainWords
		\context Lyrics = secondaryLyrics \lyricsto vSecondary  
\secondaryWords

>>
\layout {}
\midi {}
}


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Re: Forcing markup to be IN the staff

2009-03-03 Thread Mats Bengtsson 

Why not use an established notation practice, which is supported by LilyPond?
See 
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Short-repeats#Percent-repeats


   /Mats

Quoting aliteralmind :



I have repetitive notes:

c8 c c   c c c   c c c   c c c |

This type of repetition is found throughout my piece. I'm trying to hide the
second-through-fourth beats of notes, and have a "..." in its place, IN the
staff. No matter how much I \raise the markup, it never enters the staff.
How can I force this collision?

Here is an image describing what I want and am actually getting (I also
can't quite position the lyrics and "repeat throught" text as tightly as I
want):

http://jeffyepstein.com/tmp/staff_collision_question.gif

And following is the LY code that created the bottom version.

Thank you for helping.


\version "2.12.2"

global = {
\key c \major
\time 12/8
}

rptDDD = \markup { \fontsize #6 "..." }
rptDDDInStaff = \markup {
\column {
\raise #2.5 \rptDDD
\small \italic "Repeat throughout measure"
}
}
rptDDDForLyrics = \markup { \raise #0.3 \rptDDD }

mainMusic = \relative c''  {
c4. c c c |
}
mainWords = \lyricmode { Da da da da }
secondaryMusic = \relative c  {
\clef bass
c8 c c
\hideNotes
c_\rptDDDInStaff
c c  c c c  c c c
\unHideNotes
|
}
secondaryWords = \lyricmode  {
doo doo doo \rptDDDForLyrics
}

\score {
\new ChoirStaff <<
\new Staff = staffMain <<
\new Voice = "vMain" {
\voiceTwo
<< \global \mainMusic >>
}
\new Lyrics = "mainLyrics" { s1 }
>>
\new Staff = staffSecondary <<
\new Voice = "vSecondary" {
\voiceOne
<< \global \secondaryMusic >>
}
%s1 is a placeholder, until soloWords is assigned to it
\new Lyrics = "secondaryLyrics" { s1 }
>>
\context Lyrics = mainLyrics \lyricsto vMain \mainWords
\context Lyrics = secondaryLyrics \lyricsto vSecondary 
\secondaryWords
>>
\layout {}
\midi {}
}


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Trying to vary white mensural ligatures

2009-03-03 Thread Michael J. O'Donnell 
I am trying to set the hand enscribed Bodleian MS Canon Misc 213
manuscript (don't ask why :-P ).

The notation is pretty much white mensural notation, but there are some
variations that I'm tackling one at a time.

I'm stuck on a form of ligature that uses the descending diagonal neume
to indicate two notes, and has a rising stem on the left.

\[ d\longa c\breve \] % gives the right diagonal neume, but no stem

\[ d1 c1 \]  % gives the stem, but separate
diamond-shaped note heads

I have read the section on white mensural notation, the definitions of
ligature objects, and every mention of ligatures and mensural notation
in the Scheme files. On the possibility that there was an invisible
stem, as the manuals says there is for whole notes, I tried overriding
transparency and color of the Stem object, to no avail.

I'm not sure what note durations are intended in the manuscript, but if
I can get the right look, I'll eventually find an example that clarifies
the meaning of the notation, and I can program the overrides to
associate the right look with the right notations for note durations.

I'll append my whole source file, which has a bunch of other stuff that
I'm experimenting with. I enclosed the part in question between
commented lines of stars.

% *

If you produce output, the two versions of the ligature in question are
shown as the 2d-3d and 4th-5th notes at the end of the first line. (I
think that I shouldn't attach PDF in a mailing list, right?)

In case you're interested, this is Folio 1, containing a setting of "Et
in terra pax hominibus" by Binchois.

Thanks for any hints.

Mike O'Donnell

\version "2.10.33"

% \include "gregorian-init.ly"

#(set-default-paper-size "11x17")
#(set-global-staff-size 35) % unit is pt

% Cclefsign = \markup{ \musicglyph #"clefs.C" }

TenorClef = {

% The shape of the staff sign is good,
% but it needs to be void, instead of filled

  \set Staff.clefGlyph = #"clefs.medicaea.do"
  \set Staff.clefPosition = #2
  \set Staff.middleCPosition = #2
}

% This method of setting the clef with markup appears not to work.
% It seems that the clef sign must be a single glyph.

%{
  \override Clef #'stencil = #ly:text-interface::print
  \override Clef #'text = \Cclefsign
  \set Staff.clefPosition = #2
  \set Staff.middleCPosition = #2
%}

filledBreveNotehead = \markup{

  \combine
\musicglyph #"noteheads.sM1mensural"
\translate #'(0.1 . 0) \musicglyph #"noteheads.smedicaea.punctum"
}

filledLongaNotehead = \markup{

  \combine
\musicglyph #"noteheads.sM2mensural"
\translate #'(0.1 . 0) \musicglyph #"noteheads.smedicaea.punctum"
}

filledMaximaNotehead = \markup{

  \combine
\musicglyph #"noteheads.sM3mensural"
\combine
  \musicglyph #"noteheads.s2la"
  \translate #'(0.7 . 0) \musicglyph #"noteheads.s2la"
}

% At present, I am not using the triangle notehead.

%{
 
opentrianglenotehead = \markup{
  \hcenter-in #0.8 \rotate #90
\combine
   \fontsize #-2 \musicglyph #"noteheads.s0do"
\combine
\translate #'(0.125 . -0.025)
  \fontsize #-3 \musicglyph #"noteheads.s0do"
\translate #'(0.25 . -0.05)
  \fontsize #-4 \musicglyph #"noteheads.s0do"
}

%}

% Switch to filled notation.

 FilledNotes = {

% Use filled diamonds for all notes no longer than whole note

  \override NoteHead #'glyph-name =
#(lambda (grob)
  (cond

 ((<= 0 (ly:grob-property grob 'duration-log))
   "2petrucci")
 
 (#t
   (note-head::calc-glyph-name grob))

  )
)

  \override NoteHead #'stencil =
#(lambda (grob)
  (if (> 0 (ly:grob-property grob 'duration-log))
  (ly:text-interface::print grob)
  (ly:note-head::print grob)
  )
)

  \override NoteHead #'text =
#(lambda (grob)
  (cond
 
((= -1 (ly:grob-property grob 'duration-log))
  filledBreveNotehead)

((= -2 (ly:grob-property grob 'duration-log))
  filledLongaNotehead)

((= -3 (ly:grob-property grob 'duration-log))
  filledMaximaNotehead)

(#t  '())
  )
)

%  \override MensuralLigature #'thickness = 10

}

% Switch to void notation

VoidNotes = {

% Use void diamonds for all notes no longer than whole note

  \override NoteHead #'glyph-name =
#(lambda (grob)
  (if (<= 0 (ly:grob-property grob 'duration-log))

  "0petrucci"
 
  (note-head::calc-glyph-name grob)

  )
)

  \revert NoteHead #'stencil

}

\layout {

%  line-width = #300 % What units?
  indent = #0

  \context {
\Score
\override SpacingSpanner
  #'common-shortest-duration = #(ly:make-moment 8 1)
%\override SpacingSpanner
%  #'spacing-increment = #0 % ??? No effect
%\override SpacingSpanner
%  #'packed-spacing = ##t % ??? No effect
\override TimeSignature
  #'font-size = #-6
  }

  \context {
\Voice
\remove Ligature_brac

Re: Forcing markup to be IN the staff

2009-03-03 Thread madMuze 

>How can I force this collision?

The manual mentions setting outside-staff-priority = ##f to keep slurs from
interfering with your goal (
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Curves#index-slurs
Positioning text markups inside slurs ). I've also found setting X-extent
and Y-extent to (0 . 0) allows the textscript to fly under the collision
avoidance radar. Then you can set X-offset and Y-offset absolutely rather
than using extra-offset to position the text relative to Lily's opinion of
the moment.

Does anyone know a more direct way to take a grob out of the collision
avoidance routine without resorting to the whims of extra-offset?

David

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Re: opening documents

2009-03-03 Thread Valentin Villenave 
2009/3/4  :
> I've read the tutorial...and done what it said.
> when I double click on the icon that looks like a notethe PDF file is
> not created for the parts.
> For some reason it worked only for the score, and then for the subsequent
> MIDI file that popped up ...but I can't get the violin, viola, cello parts
> to do the same thing.

That is because your .ly file is not (yet) meant to generate
individual parts. I don't know what example you've taken, but if you
look at the code, you'll probably see that every part is defined as a
variable:

violinOne = { some notes here }

viola = { some other notes}

Then the variables are gathered in a \score block :

\score {
 <<
  \new Staff \violinOne
  \new Staff \viola
[etc.]
 >>
}

All you have to do is change the score block to remove every part you
do not want:

\score {
  \new Staff \violinOne
}

And then you may add another \score block afterwards, with another part:

\score {
  \new Staff \viola
}

This way every individual part will be printed sequentially. If you
write \book instead of \score, you will obtain the parts in different
PDF files.

Regards,
Valentin


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