problem with polyphony
Dear Lilypond-Users,
when I write something like the below quoted music I get lots of
error warning, but I dont know why. It must have to Do with the
polyphony and the voices, but I don't understand it.
Could You please support me?
Thanks,
Stefan
\version "2.11.34"
artianfang = {s8-. s8-.
s4-.\accent \repeat "unfold" 5 {s4-. } }
rechts = \relative c { \context Voice = "A" << {\clef bass 8 \f\<
\ff\> r \repeat "unfold" 5 { r} }
{ \artianfang } >> {8-. \p r 8-. r | } }
links = \relative c { \context Voice = "A" << {\artianfang } { \clef
bass 8
\repeat "unfold" 6 { 8 r } } >>
\context Voice = "A" { << { \repeat "unfold" 3 { 8 r} 8 8 |
8 r 8 r 16 r32 f, }
{\repeat "unfold" 3 {s4-.} s8-.\f s8-.
s4-. s-. s16.-. s32\ff } >> }
{ cis'8~
\voiceOne
<< {cis4~ cis2.} }
\context Voice ="zwo" {\voiceTwo \repeat "unfold" 3 { 8-. r }
} >>
}
\score
{
<< \new Staff = "rechts" \rechts
\new Staff = "links" \links >>
}
Stefan Thomas
Siebengebirgsallee 9
50939 Köln
Tel.Fax:0049(0)221/412529
mail: [EMAIL PROTECTED]
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Organ pedal marks and substitution
Does anyone have a suggestion as how to show substitution of feet in an organ pedal voice? It could be when shifting from right toe to right heel on the same note, or it could be substituting the left toe with the right toe, still on the same note. Regards Stig Junge ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: svg Inskscape Trouble
Inkscape sometimes opens files disregarding any pageformats or such, presenting things zoomed out to an invisible scale. Try zooming in. > "M" == Mehmet Okonsar <[EMAIL PROTECTED]> writes: M> Hi to all when I do an svg backend the result opens in Inkscape M> but I can't see anything?! The file shows up correctly in M> Konqueror with KSVG Any ideas? M> Lilypond: 2.10.33 Inkscape 0.45 Suse 10.2 -- Esenlikler! Best M> regards! Mehmet Okonsar pianist, composer, conductor M> == www.okonsar.com M> == Bugunku ozdeyisiniz: Your fortune M> for today is: == Do what comes M> naturally now. Seethe and fume and throw a tantrum. M> ___ lilypond-user M> mailing list lilypond-user@gnu.org M> http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: time lapse / will pay ...
(replying to a bug-lilypond digest message into lilypond-user -- the problem
seems to be more appropriate for this list)
> Date: Sun, 23 Dec 2007 18:18:10 -0500
> From: Alexander De Sina <[EMAIL PROTECTED]>
> Subject: time lapse
> To: <[EMAIL PROTECTED]>
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> Can anyone explain why it takes almost a minute for my three month-old,
> windows vista dell running the latest lilypond almost a minute to convert
> files as simple as:
>
> { c d e f g a b c }{ a1 a2 a4 a8 a16 a32 a64 a128 }{ r2 r4 r8 r16 r32 r64
> }{ a2. a4 r8 a8 }
> { \clef treble \time 6/8 c d e f g a b c }
Lilypond can't work while you are working: since input and processing are going
on in separate programs, Lilypond has to do all the processing while you wait
and stare at your desktop background. A system that integrates data entry and
graphical output in the same program can do some of the work "behind the
scenes", while you're still writing the latter parts of the file. But Lilypond
is designed differently, so its score layout machinery isn't even running while
you're working on a file.
For longer files, you can reduce your wait by only processing the part you're
currently working on; see "Skipping corrected music" in the manual (section
10.5 in the manual for version 2.10).
The first file you (successfully) process on any computer will take even longer
because the first time Lilypond runs it prepares the fonts it will use. This
should only happen once; later runs will be faster because they use the cached
font information which was generated that first time.
> Date: Sun, 23 Dec 2007 19:48:27 -0500
> From: Alexander De Sina <[EMAIL PROTECTED]>
> Subject: will pay for lilypond lessons in the New York City area
> To: <[EMAIL PROTECTED]>
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> Dear All,
>
> I am a Schenkerian theorist and wanting to use lilypad for use in
> illustrating graphs. The software is touted as being perfect for
> this function,
I can't really help you with Schenker graphs -- never used one, can't read
them. Note however that Lilypond is NOT good at Schenkerian graphs. In fact,
Lilypond doesn't do Schenker at all. But Lilypond is good at Plain Old
Notation, and P.O.N. can be hammered into Schenker graphs by overriding
Lilypond's ideas about e.g. what noteheads to use, where to put beams, whether
to print stems etc.
This is what Kris Shaffer did and wrote about in that article two years ago. In
his opinion, twisting Lilypond's arm until it produces Schenker is easier (or
at least more straightforward) than trying the same with any graphical music
typesetter which, like Lilypond, is made for Plain Old Notation and doesn't
know about Schenkerian analysis.
In other words, you can't write a Lilypond input file that describes a Schenker
graph and have that processed into a graphical file. You have to write a file
that describes the "ordinary" notation, then add in all the ways in which the
Schenker graph differs from that.
This is why the first replies to your questions about Schenker graphs said
little more than "learn to do ordinary notation first" -- Schenker is not a
function of the software, it's an advanced step you can take once you are at
least slightly familiar with the software.
Hope this clarifies a thing or two. With solstice-related greetings
Xander Deubelbeiss
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Re: textspanner too short
TiagoM wrote:
>
> Hi lilyponders
>
> I'm having some trouble with the textspanner line. In the following
> example:
>
> \version "2.10.33"
> \paper {
> raggedright = ##f
> }
> \score{
>
> \new Staff{
>
> <<{e''8.[ c''16] b'8.[ c''16]
> \once \override TextSpanner #'edge-text = #'("III" . "")
> \once \override TextSpanner #'direction = #1
> \once \override TextSpanner #'style = #'line
> \once \override TextSpanner #'edge-height = #'(0 . 0.5)
> \once \override TextSpanner #'dash-fraction = #'()
> d''8.[\startTextSpan e''16]\stopTextSpan }\\{g2 4 }>>
> s4 s s s s s s s s s s
> }}
>
> the spanner line is not printed, still I think there is some space
> left to print it. It seems to me that the text is printed far to right
> related to the note head it refers.
>
> Is there a way to offset left the text so more space is left; or
> center the text to the notehead; or reduce the gap between the text
> and the line?
>
> Thank you
>
> Tiago
>
>
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>
>
No-one?
{s}'s were inserted for simulating final score purpose.
Tiago
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Question: stemlets, tuplets, and beams
Hi, I'm just learning to use Lilypond (v. 2.10.33), so please forgive me if these are questions with obvious answers - I may have just overlooked things in the documentation: 1) Is there a way to create "stemlets" (i.e. short stems unconnected to noteheads) when beams extend over rests? 2) When creating tuplets, is there a way to specify that brackets always appear, whether or not the beam is complete? 3) How do I specify the subdivision of 16ths (or 32nds or 64ths) beneath a tuplet beam (without breaking things up into separate beats)? Thanks for your help and for the great software! -Casey ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
