Re: Rhythmic slashes
Rick Hansen (aka RickH) wrote:
Rick Hansen (aka RickH) wrote:
How can I get 4 slashes in a measure (in 4/4 time)? The following is the
closest I've come but only gives me 3 slashes. (In pop music this is a
common notation method when you just want the player to comp the changes
in time.) The example below will run as is:
(snip)
Here is a solution, just change the notehead! (thanks to Brett who sent me
the idea)
\paper {
ragged-right = ##t
}
\new Staff \relative c' {
\bar "|:"
\override NoteHead #'style = #'slash
b'4 b b b
|
b4 b b b
\revert NoteHead #'style
\bar ":|"
}
I've used that a number of times. Unfortunately it's a mess when you
need to transpose the part!
Paul Scott
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Re: OS X version 10.2.8
On 7 Nov 2006, at 23:28, Claus Rogge wrote: The Mac that runs 10.4 works perfectly. Don´t seem to remember that I had to install some Python ... but that may be due to age, maybe I did install something. Under 10.4, UNIX components have been improved significantly, and Python is included. Hans Aberg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Rhythmic slashes
I've never tried it, but could you use a drum voice to avoid
transposition problems?
Trevor
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:lilypond-user-bounces+t.daniels=treda.co.u
> [EMAIL PROTECTED] Behalf Of
> Paul Scott
> Sent: 08 November 2006 08:08
> To: Rick Hansen (aka RickH)
> Cc: lilypond-user@gnu.org
> Subject: Re: Rhythmic slashes
>
>
> Rick Hansen (aka RickH) wrote:
> >
> > Rick Hansen (aka RickH) wrote:
> >
> >> How can I get 4 slashes in a measure (in 4/4
> time)? The following is the
> >> closest I've come but only gives me 3 slashes.
> (In pop music this is a
> >> common notation method when you just want the
> player to comp the changes
> >> in time.) The example below will run as is:
> >>
> (snip)
>
> >
> >
> > Here is a solution, just change the notehead!
> (thanks to Brett who sent me
> > the idea)
> >
> > \paper {
> > ragged-right = ##t
> > }
> >
> > \new Staff \relative c' {
> >
> > \bar "|:"
> > \override NoteHead #'style = #'slash
> > b'4 b b b
> > |
> > b4 b b b
> > \revert NoteHead #'style
> > \bar ":|"
> >
> > }
> >
> I've used that a number of times. Unfortunately
> it's a mess when you
> need to transpose the part!
>
> Paul Scott
>
>
>
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>
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Re: Rhythmic slashes
Trevor Daniels wrote:
I've never tried it, but could you use a drum voice to avoid
transposition problems?
I hope someone answers that. It's been a while and several versions
since I've done that. A solution really needs to exist possibly as a
variation of \repeat.
Paul
Here is a solution, just change the notehead!
(thanks to Brett who sent me
the idea)
\paper {
ragged-right = ##t
}
\new Staff \relative c' {
\bar "|:"
\override NoteHead #'style = #'slash
b'4 b b b
|
b4 b b b
\revert NoteHead #'style
\bar ":|"
}
I've used that a number of times. Unfortunately
it's a mess when you
need to transpose the part!
Paul Scott
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RE: Rhythmic slashes
Trevor Daniels wrote:
>
>
> I've never tried it, but could you use a drum voice to avoid
> transposition problems?
>
>
In my case I cant just change to a drum voice because these measures are in
the midst of a voice that does play standard notation for most of the piece,
but in places I just have him comping the changes. I never thought of
transpose, that would misplace the slashes. Is there any wrapper that can
flag a range of notes to not participate in parent transposition?
For example:
\dontTranspose { b b b b }
Such a command would open up the free use of all kinds of rhythmic notehead
possibilities for comping or slapping the guitar top, etc. that
non-percussion instruments per-se can utilize in their voices.
This slash notation is very commonly used, and I think there should be at
least a small example in the manual on how to do it properly. (In my
original example I still have to hide the stems, but they could be handy if
you want to show a specific rhythm)
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Re: OS X version 10.2.8
Hans Aberg <[EMAIL PROTECTED]> wrote: > Under 10.4, UNIX components have been improved significantly, and > Python is included. OK, so that´s the reason. I didn´t know. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Identifiers
How do you attach a duration (or other notation) to an identifier?
Example:
I have:
8 16[ ]
I want to use "" as an identifier so I tried the following but
it didn't work:
var = { < a c e> }
\score {
{ \var \var16[ \var16] }
}
I am using lilypond 2.8.6
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Re: Rhythmic slashes
Paul Scott escreveu:
Rick Hansen (aka RickH) wrote:
Rick Hansen (aka RickH) wrote:
How can I get 4 slashes in a measure (in 4/4 time)? The following is
the
closest I've come but only gives me 3 slashes. (In pop music this is a
common notation method when you just want the player to comp the changes
in time.) The example below will run as is:
(snip)
Here is a solution, just change the notehead! (thanks to Brett who
sent me
the idea)
\paper {
ragged-right = ##t
}
\new Staff \relative c' {
\bar "|:"
\override NoteHead #'style = #'slash
b'4 b b b
|
b4 b b b
\revert NoteHead #'style
\bar ":|"
}
I've used that a number of times. Unfortunately it's a mess when you
need to transpose the part!
\override staff-position for the note head ; that will solv (part of)
the problem.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
LilyPond Software Design
-- Code for Music Notation
http://www.lilypond-design.com
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How to add a smart alignment to my lyrics?
Hello users! I want to follow this style of aligning lyrics to the notes whenever a lyric syllable starts a new verse: \once \override LyricText #'self-alignment-X = #-1 \once \override LyricText #'X-offset = #-1 However I wonder if, by using Scheme, one could apply this setting *whenever* a new system is created, so that every first lyric syllable can be left aligned in the beginning of a system -- a style used by some song publishers. Well, I don't know Scheme and won't be able to study much maybe until next year. So, if someone feels challenged to do this and share the code, I'd be much beholden to him. Regards, Eduardo Vieira ___ Com o Click21 você tem sempre vantagens! Além do email com 1 Gb, Acelerador, Blog, Flog, Games e atendimento 24 horas, voce também pode falar minutos DDD com a promoção Click 21 Minutos. Quanto mais você navega mais fala DDD. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Identifiers
Kamal-4 wrote:
>
> How do you attach a duration (or other notation) to an identifier?
>
> Example:
> I have:
> 8 16[ ]
>
> I want to use " " as an identifier so I tried the following but
> it didn't work:
>
> var = { < a c e> }
>
> \score {
> { \var \var16[ \var16] }
> }
>
> I am using lilypond 2.8.6
>
>
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>
I have needed this capability for my chord library, so I will be interested
in an answer as well.
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Re: Identifiers
Kamal wrote: How do you attach a duration (or other notation) to an identifier? You can't attach durations to identifiers. You need to write a music function to do this; see "interfaces for programmers" in the 2.9 manual. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Changing fonts in titles.
It is possible to change the fonts of the title? I have a very nice collection of pfb fonts in my ghost script fonts, that I wan to use. Please if is possible send me an example. I'm running lilypond 2.9.29 in a windows xp -- Atentamente; César Penagos Tel:Of:(502)2253-7181, 2253-3826 Home:(502)2474-4972, 2473-2510 [EMAIL PROTECTED] [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Rhythmic slashes
Han-Wen Nienhuys wrote:
Paul Scott escreveu:
Rick Hansen (aka RickH) wrote:
(snip)
Here is a solution, just change the notehead! (thanks to Brett who
sent me
the idea)
\paper {
ragged-right = ##t
}
\new Staff \relative c' {
\bar "|:"
\override NoteHead #'style = #'slash
b'4 b b b
|
b4 b b b
\revert NoteHead #'style
\bar ":|"
}
I've used that a number of times. Unfortunately it's a mess when you
need to transpose the part!
\override staff-position for the note head ; that will solv (part of)
the problem.
What if you had a rest that looked like a slash? No transposition
issues, then. No input to MIDI if you have a midi block in your .ly
file, for that matter. Given the slash is already part of the Feta font,
I assume it should be possible - I'm just not sure how to do it! Can
someone explain how to do this, or why it's not possible?
Brett
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