Guitar Slides & Quarter flats & sharps

2006-05-22 Thread Kamal

1- Is there a notation for guitar slides (dashes connecting notes) in
lilypond?
2- Is there a notation for quarter sharps (sharps with one vertical line) &
quarter flats (slashed flats)?




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Re: /parenthesize in drummode?

2006-05-22 Thread bernie arai

On 5/19/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:


  \context DrumVoice  = "1"
  \with { \consists "Parenthesis_engraver" }
  { s1 *2 }



this syntax at least doesn't generate any errors from lilypond, but
still doesn't result in a pdf with any parenthesized notes for me.
the output looks totally fine except that the "/parenthesize"-ed notes
are normal notes.  what else could i be missing?


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Re: (Win XP/ LP 2.8.3-1) double-click on .ly breaks paths?

2006-05-22 Thread Han-Wen Nienhuys

A. Deubelbeiss schreef:



Below is the log from a failed run with LILYPOND_VERBOSE=1.


This is interesting. A lot of messages don't actually make it to the 
logfile. Darn.


--

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 -- Code for Music Notation
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Re: /parenthesize in drummode?

2006-05-22 Thread Han-Wen Nienhuys

bernie arai schreef:

On 5/19/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:


  \context DrumVoice  = "1"
  \with { \consists "Parenthesis_engraver" }
  { s1 *2 }



this syntax at least doesn't generate any errors from lilypond, but
still doesn't result in a pdf with any parenthesized notes for me.
the output looks totally fine except that the "/parenthesize"-ed notes
are normal notes.  what else could i be missing?



you have to use

  < \parenthesize NOTE >4

even for single notes.

Graham, something for the docs?

--

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 -- Code for Music Notation
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../buildscripts/pfx2ttf.fontforge: line 5 (lilypond-2.8.3)

2006-05-22 Thread linux23dragon
Hello

I'm not yet sure if this is a lilypond-2.8.3, or a system dependency issue.  I 
just keep on getting the same build error, even after applying the 
txt0Au64mQ5b.txt "diff" by Karl Hammar.

Here is the following packages I have installed  (Sorry about this long list).

Perl-5.8.8
bison-2.1
flex-2.5.31
gcc-3.4.6 
guile-1.6.7
Python-2.4.3
make-3.80
teTex-3.0 (with tetex-texmf-3.0, tetex-texmfsrc-3.0, tetex-cm-super)
gd-2.0.33
gettext-0.14.5
t1lib-5.1.10
t1utils-1.32
texinfo-4.8
fontforge-20060507
fontconfig-2.3.2
freetype-2.1.10
Pango-1.12.2
mftrace-1.2.4
potrace-1.7
espgs-8.15.2
espgs-8.15.2 (shared gs lib)
Ed-0.2
Xorg-7.0 (with all fonts)




I've tried to compile lilypond-2.8.3 and got this following error:

-// Start of error log //

\
 > out/feta-braces-g.otf-table
cat out/feta-braces-h.lisp \
 \
 > out/feta-braces-h.otf-table
cat out/feta-braces-i.lisp \
 \
 > out/feta-braces-i.otf-table
/usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge 
/opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm 
./out/ 
&&   /usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge 
/opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm 
./out/ 
&&   /usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge 
/opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm 
./out/ 
&&   /usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge 
/opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm 
./out/ 
&&  true
Copyright (c) 2000-2006 by George Williams.
 Executable based on sources from 21:47 7-May-2006-ML.
Glyph 390 is called ".notdef", a singularly inept choice of name (only glyph 0
 may be called .notdef)
FontForge will rename it.
MergeKern: Failed to find kern info in file
Called from...
 ../buildscripts/pfx2ttf.fontforge: line 5
make[1]: *** [out/CenturySchL-Ital.otf] Error 1
make[1]: Leaving directory `/home/david/lilypond-2.8.3/mf'
make: *** [all] Error 2
[EMAIL PROTECTED]:~/lilypond-2.8.3$

--// End of error log //


Please help :(

Regards
Dave


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Re: MIDI2ly problem

2006-05-22 Thread Karl Hammar
> Karl Hammar wrote:
> 
> >[EMAIL PROTECTED]:
> >  
> >
> >>
> >>yes, but why on earth are people still using lilypond 2.6.x ?
> >>
> >>
> >>
> >For me: simply because 2.9.3 generated postscript files does not work
> >with my printer (Minolta/Qms PagePro 9100).
> >  
> >
> Why not print the PDF file instead?

I don't see any reason for using or learning a new file format, since I 
have experience with and tools to work with postscript.
Also, I have printed pdf formely, and they did not come out the way I 
wanted. So for me, pdf is less control.

> Also, I hope you know that version 2.9 is a development
> version, so for any serious typesetting I recommend the
> stable version 2.8.x.

If the question is 2.8 vs. 2.6 it's simply so that I get 2.6 with a 
simple apt-get install. Also, since I guess I am seeing the same
problem with otf fonts as John Hawkinson
(http://lists.gnu.org/archive/html/lilypond-devel/2006-04/msg00315.html)
I didn't test 2.8.

>/Mats

/Karl




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Re: Guitar Chords

2006-05-22 Thread Colin Wilding

I see you didn't get a reply to this, Nick.  Are you still having problems?

There is a related discussion in the thread 'Beginners first attempt' (sadly
lacking an apostrophe) here:
http://www.nabble.com/Beginners+first+attempt-t1575027.html#a4354656

If you haven't worked anything out then pick up this thread again.

Colin


Nick-60 wrote:
> 
> I am trying to put some of my favorite songs on the guitar into
> lilypond. I noticed that the \chordmode creates 3 note (Piano ?) chords.
> Is there a way to force it to do 6 note chords by default?
> 
> Is anyone out there using this for guitar (pop) music. I would like to
> hear how detailed you have gotten with it and what challenges that the
> software presented.
> 
> Currently I am trying to enter a C#m chord 446654. And having a bit of a
> challege. Any suggestions
> 
> Nick
> 
> 
> ___
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Re: Guitar Chords

2006-05-22 Thread Colin Wilding


Silly me, I have just realised that you started both threads!
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Re: convert-ly detailed steps for use by a non programmer.

2006-05-22 Thread Stephen

From: "Mats Bengtsson" <[EMAIL PROTECTED]>
Sent: Saturday, May 20, 2006 4:08 PM


First of all, download and install the latest stable version (2.8.3-1), 
where

convert-ly seems to work without having to install extra programs.

Then, to update a file:
1. Start a command prompt (Start menu -> Programs -> Accessories -> 
Command Prompt)

2. Change working directory to the folder where you have your .ly file.
 For example, if you have it stored in a folder Lily in My Documents, run 
the

 command:
 cd "My Documents\Lily"
 (notice that you can save typing, using the tab key. Type in
 cd My
 and press the Tab key, then add
 \L
 and press Tab again.)
3. Run the command itself. For example, if your file is called myfile.ly, 
run

 convert-ly -e myfile.ly


Another helpful hint is that convert-ly takes wild cards. If you want to 
convert all the lilypond files in a directory at once, you can type:


convert-ly -e *.ly

Stephen

 This will update the syntax of the file. A copy of the original will be 
saved

 with the name myfile.ly~

  /Mats

alanvw wrote:


Hi all,
Would someone kindly give detailed directions on how to use the 
"convert-ly"program for non programmers.(or an example)

OS - Win.XP Home
\version "2.8.0"
Kind Regards,
Alan Albury-Ward

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An IRC Channel on Freenode

2006-05-22 Thread Simon Plante

Hi

For those who want to chat with other Lilypond users, either for help,
or for general chatting, you can go on

channel:  #lilypond
server:  irc.freenode.net
port:  6667

using your IRC client (Xchat, mIRC (please use Free Software ;-),
Gaim, and the others). I'll try to add a Java applet in the following
weeks.

Probably that you'll see that there's not a lot of people there.
That's why I post that message here. Spread the word!

(If I see that the channel is going good, I'll start to distribute some Ops.)



Simon Plante
aKa Simonpca


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Problem setting ottavation text

2006-05-22 Thread Peter Clarke
Greetings all,
I would like to change the ottavation text (on the octave 
up/down bracket) from the rather verbose default "8va 
bassa" to just "8".  The manual says I can do this with
\set Staff.ottavation = #"8"
but this gives me the following error when parsing:

/usr/share/lilypond/2.8.0/scm/lily-library.scm:99:5: In 
procedure < in expression (ly:book-process book paper ...):
/usr/share/lilypond/2.8.0/scm/lily-library.scm:99:5: Wrong 
type argument in position 1: ()

Any hints?

Peter C


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Re: Problem setting ottavation text

2006-05-22 Thread Thies Albrecht

Hi Peter!

Peter Clarke schrieb:

Greetings all,
I would like to change the ottavation text (on the octave 
up/down bracket) from the rather verbose default "8va 
bassa" to just "8".  The manual says I can do this with

\set Staff.ottavation = #"8"
but this gives me the following error when parsing:

Did you turn ottavation on before setting the text?
see 
http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Ottava-brackets.html#index-ottava-939


For me, when I don't turn it on before, I get the error message you posted.

Kind regards
Thies Albrecht



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Re: ../buildscripts/pfx2ttf.fontforge: line 5 (lilypond-2.8.3)

2006-05-22 Thread Mats Bengtsson

I solved the problem by explicitly pointing to the version
of the Century Schoolbook font in the Ghostscript
directory:

./configure --with-ncsb-dir=/usr/share/fonts/type1/gsfonts/

  /Mats

linux23dragon wrote:


Hello

I'm not yet sure if this is a lilypond-2.8.3, or a system dependency issue.  I 
just keep on getting the same build error, even after applying the 
txt0Au64mQ5b.txt "diff" by Karl Hammar.


Here is the following packages I have installed  (Sorry about this long list).

Perl-5.8.8
bison-2.1
flex-2.5.31
gcc-3.4.6 
guile-1.6.7

Python-2.4.3
make-3.80
teTex-3.0 (with tetex-texmf-3.0, tetex-texmfsrc-3.0, tetex-cm-super)
gd-2.0.33
gettext-0.14.5
t1lib-5.1.10
t1utils-1.32
texinfo-4.8
fontforge-20060507
fontconfig-2.3.2
freetype-2.1.10
Pango-1.12.2
mftrace-1.2.4
potrace-1.7
espgs-8.15.2
espgs-8.15.2 (shared gs lib)
Ed-0.2
Xorg-7.0 (with all fonts)




I've tried to compile lilypond-2.8.3 and got this following error:

-// Start of error log //

\
> out/feta-braces-g.otf-table
cat out/feta-braces-h.lisp \
\
> out/feta-braces-h.otf-table
cat out/feta-braces-i.lisp \
\
> out/feta-braces-i.otf-table
/usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge /opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm ./out/ 
&&   /usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge /opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm ./out/ 
&&   /usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge /opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm ./out/ 
&&   /usr/bin/fontforge 
-script ../buildscripts/pfx2ttf.fontforge /opt/X11R7/lib/X11/fonts/TTF/luxisb.ttf /opt/X11R7/lib/X11/fonts/TTF/luxisb.afm ./out/ 
&&  true

Copyright (c) 2000-2006 by George Williams.
Executable based on sources from 21:47 7-May-2006-ML.
Glyph 390 is called ".notdef", a singularly inept choice of name (only glyph 0
may be called .notdef)
FontForge will rename it.
MergeKern: Failed to find kern info in file
Called from...
../buildscripts/pfx2ttf.fontforge: line 5
make[1]: *** [out/CenturySchL-Ital.otf] Error 1
make[1]: Leaving directory `/home/david/lilypond-2.8.3/mf'
make: *** [all] Error 2
[EMAIL PROTECTED]:~/lilypond-2.8.3$

--// End of error log //


Please help :(

Regards
Dave


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   Fax:   (+46) 8 790 7260
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Re: /parenthesize in drummode?

2006-05-22 Thread bernie arai

On 5/22/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:


you have to use

   < \parenthesize NOTE >4

even for single notes.

Graham, something for the docs?



beautiful, thanks so much for clarifying things.

i'll be happy to write a little addition to the documentation about
this (drummode and "ghost notes") and send it to
lilypond-devel@gnu.org soon, today or tomorrow.  would it fit as an
addendum to 7.4.3 in the manual?

i'd love to see the Parenthesis_engraver added as a defalt plugin for
drummode in the first place, since ghost notes are a common (at least
to me) occurence in drum music (especially drum set).

bernie


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Re: Guitar Slides & Quarter flats & sharps

2006-05-22 Thread Mats Bengtsson

Kamal wrote:


1- Is there a notation for guitar slides (dashes connecting notes) in
lilypond?
 


Look for "Glissando" in the manual. To get a dashed line, use
\override Glissando #'dash-fraction = #0.2
c2\glissando c,


2- Is there a notation for quarter sharps (sharps with one vertical line) &
quarter flats (slashed flats)?
 



Did you search for "Quarter tones" in the index of the manual?

  /Mats


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Formatting Stanza Numbers

2006-05-22 Thread zrlaszlo

Hi,
I would like to ask all of you, if there is a possibility to format Stanza
Numbers using \markup commands (e. g. entering special characters, altering
font-name, font-size, etc.), and altering their position relative to the
lyrics (X or Y). If yes, which is the way to do it?
Please, help!
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Re: Formatting Stanza Numbers

2006-05-22 Thread Mats Bengtsson

In addition to what I just said, you can of course modify the
font of the stanza number, by setting properties on the
StanzaNumber layout object, for example
\override StanzaNumber #'font-shape = #'italic
Similarly, you can set the extra-offset property to move
it around relative to the lyrics.

  /Mats

Mats Bengtsson wrote:


According to the documentation,
http://lilypond.org/doc/v2.8/Documentation/user/lilypond-internals/Stanza_005fnumber_005fengraver.html#Stanza_005fnumber_005fengraver 


you can specify a markup as the argument. However,
when I look at the implementation, it seems that it's
only possible to specify a string.
So, we have a bug, either in the implementation or in the
documentation. Of course, the best thing would be to
fix the implementation so that you can specify a markup.

Note also that there's an additional complication, namely
that you have to do some tricks to avoid the "syntax error"
which you get for example with:
\new Lyrics \lyricsto mymelody {\set stanza = \markup{ \italic "2."} 
... }

One solution is to do
\new Lyrics \with {\set stanza = \markup{ \italic "2."} }
 \lyricsto mymelody { ... }

Still, as I already said, the markup will be ignored for the
moment.

  /Mats

zrlaszlo wrote:


Hi,
I would like to ask all of you, if there is a possibility to format 
Stanza
Numbers using \markup commands (e. g. entering special characters, 
altering

font-name, font-size, etc.), and altering their position relative to the
lyrics (X or Y). If yes, which is the way to do it?
Please, help!
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SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
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Re: Formatting Stanza Numbers

2006-05-22 Thread Mats Bengtsson

According to the documentation,
http://lilypond.org/doc/v2.8/Documentation/user/lilypond-internals/Stanza_005fnumber_005fengraver.html#Stanza_005fnumber_005fengraver
you can specify a markup as the argument. However,
when I look at the implementation, it seems that it's
only possible to specify a string.
So, we have a bug, either in the implementation or in the
documentation. Of course, the best thing would be to
fix the implementation so that you can specify a markup.

Note also that there's an additional complication, namely
that you have to do some tricks to avoid the "syntax error"
which you get for example with:
\new Lyrics \lyricsto mymelody {\set stanza = \markup{ \italic "2."} ... }
One solution is to do
\new Lyrics \with {\set stanza = \markup{ \italic "2."} }
 \lyricsto mymelody { ... }

Still, as I already said, the markup will be ignored for the
moment.

  /Mats

zrlaszlo wrote:


Hi,
I would like to ask all of you, if there is a possibility to format Stanza
Numbers using \markup commands (e. g. entering special characters, altering
font-name, font-size, etc.), and altering their position relative to the
lyrics (X or Y). If yes, which is the way to do it?
Please, help!
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Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
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Re: set Hairpin length as percentage of "normal"?

2006-05-22 Thread Colin Wilding


Kieren Richard MacMillan wrote:
> 
> Given the new code required for that, are there any new ways to get  
> Hairpins to stop before the next note (even if it's not right after a  
> barline) or have (e.g.) a whole note with a half-note-duration  
> Hairpin (e.g., covering beats 1 and 2, or even 3 and 4)?
> 
> 

When I want a hairpin to end short I put in something invisible to attach
the end to.  For example, if instead of 
  a4\> b\!

you put

  a4*1/2\> s8\! b

then the hairpin will end half-way to between the two notes.

Colin

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Re: avoid-slur for ties

2006-05-22 Thread Roland Goretzki
Hello list, hello Mats,

Thanks for Your answer, but for me it is not exhaustive enough:

> Isn't it that if you specify the avoid-slur property of the Tie
> object, then slurs will avoid ties (not that ties will avoid scripts
> as you seem to think)?

Maybe I'm understanding it not quite correctly (my English isn't very
good, so it's almost hard work for me to understand the documentation,
and sometimes (after reading for inspiration) I've success with try and
error).

In the case of avoid-slur I got the hint for this user-setable property
from a lilypond warning:

  avoid-slur.ly:7:4: warning: Ignoring grob for slur. avoid-slur not set?
e4
  -^ ( f g f->)[5]

The simple code was:

  \relative c' {
e4-^( f g f->)
  }

So I read the documentation and was able to set some avoidings
concerning fingerings and staccato and so on.

For example, if I want slurs avoiding scripts, the following DOES WORK:

  \override Script #'avoid-slur = #'inside
  e4-^( f g f->)

so that the Script is inside the slur and not vice versa.


I only was irritated because of the following two reasons:

  1. Why do I get the warning from above for marcato, but not for
 accent?

  2. This way I couldn't see the difference between #'outside and
 #'around ...

> Note that the avoid-slur property is set on a number of different
> objects by default, including Fingering, Accidental, DynamicText, Tie
> and several others.

I've regarded this, but in practice I got what I wanted to get, but for
slurs only and not for ties.

Now, concidering that I don't understand it the right way, could You or
someone else please explain with other words than those from the
documentation, how (and in which cases) to use the #'avoid-slur?


But the problem with ties remains:

  > > \relative c' {
  > >   r2
  > >   \override Script #'avoid-slur = #'inside
  > >   e-> ~ e->
  > >   \override Script #'avoid-slur = #'outside
  > >   e-> ~ e->
  > >   \override Script #'avoid-slur = #'around
  > >   e-> ~ e->
  > > }
  > >
  > >All results in the same, not very fine output.

I don't know, if You've had a look at this example, but the output is
really not good!
How is it possible to improve it generally and not by setting
extra-offset or padding in each case?

Thanks and Best Regards   Roland


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Re: Feature request - jazz / bigband notation and caesurae

2006-05-22 Thread Anthony W. Youngman
In message <[EMAIL PROTECTED]>, Paul Scott 
<[EMAIL PROTECTED]> writes

Anthony W. Youngman wrote:
In message <[EMAIL PROTECTED]>, Paul Scott 
<[EMAIL PROTECTED]> writes
4) not sure what it's called, but it looks like a right 
parenthesis hanging from the note head, usually seen for trombones 
and trumpets, and again is a form of gliss.


I think this is called a "fall." Price: 65 EUR; I will need some 
scans to be sure that we're talking about the same thing, though.

I could contribute a small amount (20 EUR) for these.


That leaves 45 EUR - £30. I think I can stump that up ...
Are you saying you are only interested in the fall (plus the caesura) 
since the glisses can be done with invisible notes?


I'm not sure they can ... see my other post


Paul


Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld : (c) Terry Pratchett 1999


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Re: Feature request - jazz / bigband notation and caesurae

2006-05-22 Thread Anthony W. Youngman
In message <[EMAIL PROTECTED]>, Han-Wen Nienhuys 
<[EMAIL PROTECTED]> writes

[EMAIL PROTECTED] schreef:

Seeing as I've made enough of a fuss about other things ...
 I've seen somebody else ask about modern "tram-line" caesurae, and I 
want things like a free-format gliss ...
 What sort of price am I looking at to sponsor these - I guess it's 
just a new character in a font?

 Basically the four things I can think of at the moment are
 1) tram-line caesurae


Basically, the straight version of the tram-line we have now?  I can 
add those for free with any of the following features.


Yes please. Seeing as this is a modern caesura, I would suggest you 
alter the definition of the gregorian caesura to override the modern, 
and make the modern available by default. That way, it won't break any 
existing scores, but will give new scores the modern version by default.



2/3) straight-line and zigzag glisses WITHOUT a terminating note


You could make a gliss to a transparent note.

But  I can also add it as feature. Price: 130 EUR.

Ummm. Thinking about it, I'm not sure... I looked up hidden notes in the 
manual, and I'm not still not sure how to do it. Hidden notes have a 
duration, and what happens if I'm in 2/4 and want to gliss down a 
minim...


Bear in mind also, it's jazz, and I'm a trombonist. What if I want to 
gliss *slowly* UP TO a minim? That's going to be a nightmare notation!!! 
I need my minim right-justified in the "note space" and the gliss 
occupies the minim-width.


You had a problem with terminating one-note crescendi etc. I thought you 
had zero-length notes and then I tried it - it doesn't work :-) Can I 
suggest you fix both that problem and mine by making 0 a valid note 
length that also suppresses the note from printing. Then I can gliss 
from/to a zero length note, and your cresc/descresc can terminate on a 
zero note :-)


Plus I need to be able to flag a note as right-justified so I can gliss 
to it :-)


4) not sure what it's called, but it looks like a right parenthesis 
hanging from the note head, usually seen for trombones and trumpets, 
and again is a form of gliss.


I think this is called a "fall." Price: 65 EUR; I will need some scans 
to be sure that we're talking about the same thing, though.


I've found some printed and hand-written examples. I'll scan them as 
soon as I can, but expect a few days delay...


Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld : (c) Terry Pratchett 1999


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Re: Feature request - jazz / bigband notation and caesurae

2006-05-22 Thread Paul Scott

Anthony W. Youngman wrote:
In message <[EMAIL PROTECTED]>, Paul Scott 
<[EMAIL PROTECTED]> writes


That leaves 45 EUR - £30. I think I can stump that up ...
Are you saying you are only interested in the fall (plus the caesura) 
since the glisses can be done with invisible notes?


I'm not sure they can ... see my other post
Ok.  (I had to look up 'minim' since we don't use those words much on 
this side of the pond. :) )


I just asked since Han-Wen mentioned 130 EUR for that feature which 
leaves a larger balance.


Paul




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Re: Feature request - jazz / bigband notation and caesurae

2006-05-22 Thread Paul Scott

Anthony W. Youngman wrote:
In message <[EMAIL PROTECTED]>, Han-Wen Nienhuys 
<[EMAIL PROTECTED]> writes

[EMAIL PROTECTED] schreef:

Seeing as I've made enough of a fuss about other things ...
 I've seen somebody else ask about modern "tram-line" caesurae, and 
I want things like a free-format gliss ...
 What sort of price am I looking at to sponsor these - I guess it's 
just a new character in a font?

 Basically the four things I can think of at the moment are
 1) tram-line caesurae


Basically, the straight version of the tram-line we have now?  I can 
add those for free with any of the following features.


Yes please. Seeing as this is a modern caesura, I would suggest you 
alter the definition of the gregorian caesura to override the modern, 
and make the modern available by default. That way, it won't break any 
existing scores, but will give new scores the modern version by default.



2/3) straight-line and zigzag glisses WITHOUT a terminating note


You could make a gliss to a transparent note.

But  I can also add it as feature. Price: 130 EUR.

Ummm. Thinking about it, I'm not sure... I looked up hidden notes in 
the manual, and I'm not still not sure how to do it. Hidden notes have 
a duration, and what happens if I'm in 2/4 and want to gliss down a 
minim...


Bear in mind also, it's jazz, and I'm a trombonist. What if I want to 
gliss *slowly* UP TO a minim? That's going to be a nightmare 
notation!!! I need my minim right-justified in the "note space" and 
the gliss occupies the minim-width.


You had a problem with terminating one-note crescendi etc. I thought 
you had zero-length notes and then I tried it - it doesn't work :-) 
Can I suggest you fix both that problem and mine by making 0 a valid 
note length that also suppresses the note from printing. Then I can 
gliss from/to a zero length note, and your cresc/descresc can 
terminate on a zero note :-)


Plus I need to be able to flag a note as right-justified so I can 
gliss to it :-)
At this point I agree that I don't know how to do it either.  So now we 
need more money to get these features.  Any more people willing to 
contribute?


Paul



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Even and odd page-margins

2006-05-22 Thread Gianluca D.
Hi everybody!
I'd like to ask if anyone knows a way to set different margins for odd and 
even pages with Lilypond. I've tried to find some information from the manual 
of boh 2.8 and 2.9 version, but I couldn't find anything.
I wouldn't like to use lilypond-book to achieve my goal, because I think it 
would be a waste of resources to use two different programs to obtain a 
simple thing like this.
I'd be also interested in sponsoring this feature, eventually.

Another feature I'd like to see in lilypond is a set of properties for the 
first page of a score, or the page with title- something like 
"first-page-between-system-space" or "first-page-top-margin"; actually, the 
first page usually needs specific tuning, which are often not suitable for 
the rest of the score- so I've thought it would be pretty nice to have 
specific settings for the "title-page". I would be interested in sponsoring 
this feature too.

Best wishes,

Gianluca D'Orazio


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Re: /parenthesize in drummode?

2006-05-22 Thread Graham Percival


On 22-May-06, at 11:52 AM, bernie arai wrote:


On 5/22/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:


you have to use

   < \parenthesize NOTE >4

even for single notes.


i'll be happy to write a little addition to the documentation about
this (drummode and "ghost notes") and send it to
lilypond-devel@gnu.org soon, today or tomorrow.  would it fit as an
addendum to 7.4.3 in the manual?


Great!  I'll add a brief note to 8.5.8 Parentheses  about this as well.

Cheers,
- Graham



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German Text Characters

2006-05-22 Thread Michael Phillips
How can I get umlaut a, e and o (and double-s) into the German text of a Bach 
cantata? I believe there is a way by using \markup and \char #n, but haven't 
discoved how. It didn't work when I tried it using the Manual.




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