Re: T1 encoding

2004-11-16 Thread Mats Bengtsson
For version 2.2.x:
\header{
  fontencoding = "T1"
  ...
}
Unfortunately, it seems that these options were never documented
in the manual.
   /Mats
Albert Einstein wrote:
I put in header field:
inputencoding = "cp1250" and I can't display some characters, because 
Polish needs
T1 encoding.
In Latex this is
\usepackage[T1]{fontenc}
or
\usepackage{t1enc}
How to include this T1enc package ?


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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: GNOME backend

2004-11-16 Thread Pedro Kroger
D Josiah Boothby <[EMAIL PROTECTED]> writes:

> Perhaps I've been missing something, but what *is* this 'gnome
> backend'? Is it something every Lilyponder should know about?

instead of generating a pdf or dvi lily will put the result in a gnome
canvas. the fine point is that this graphical output (unlike the ps or
dvi) is connected with lily's internals, so one can do "point and click",
tweak objects, and so on.

Pedro


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Re: GNOME backend

2004-11-16 Thread Jan Nieuwenhuizen
Pedro Kroger writes:

> instead of generating a pdf or dvi lily will put the result in a gnome
> canvas. the fine point is that this graphical output (unlike the ps or
> dvi) is connected with lily's internals, so one can do "point and click",
> tweak objects, and so on.

it is highly experimental, ie, all developers should know about it, users
will still be a bit unimpressed.

Jan.

-- 
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien   | http://www.lilypond.org


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Question re lilypond

2004-11-16 Thread Gordon Gilbert
Hi, folks!

I've known about lilypond for quite some time, but have only recently
started using it, mostly because I'm *not* a computer geek -- my son is.
But of course getting him to do any coding for his old man -- well, that
never happens.  (Actually, he's a good kid, and has kept my computer
system running well for many years.)

Anyway, I have a question re lilypond coding.  If you like, I will send
you my input files for you to look at, and perhaps suggest code I can use.
Every time I try some of the suggestions from the web-site, they screw up
my piece.  I have two questions:

1.  How can one put tempo markings at the beginning of a piece?  And how
do I do it in the middle, as well.  For example, how would I put
"Moderato" at the top of the piece, "Slower" a bit later, and "A Tempo" a
bit later still?

2.  I've tried all the code on your web-site to put chord symbols above my
staffs.  With no success.  They seem to want to be below the staff but
above the words on a song-sheet.  Or it wants to print a separate staff
with the actual chord triads as well as the chord symbols.  I would just
like the chords above the staff!  How do I do this?

Hope you can help.  What you have works well for me so far, except for the
above.

Blessings,

Rev. Gordon Gilbert

Penetanguishene, Ontario, Canada




+=+
| Angels' Roost Farm  |
|   Rev. Dn. Gordon Gilbert & Susan Gilbert   |
|   705-549-5056  |
|[EMAIL PROTECTED]  |
|[EMAIL PROTECTED] |
+=+


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Re: Question re lilypond

2004-11-16 Thread Mats Bengtsson

Gordon Gilbert wrote:
Hi, folks!
I've known about lilypond for quite some time, but have only recently
started using it, mostly because I'm *not* a computer geek -- my son is.
But of course getting him to do any coding for his old man -- well, that
never happens.  (Actually, he's a good kid, and has kept my computer
system running well for many years.)
Anyway, I have a question re lilypond coding.  If you like, I will send
you my input files for you to look at, and perhaps suggest code I can use.
Every time I try some of the suggestions from the web-site, they screw up
my piece.  I have two questions:
You don't say what version of LilyPond you use. Please always do that
when sending question to the mailing list, otherwise you may get an
answer that's not relevant for your version.
Also, when you read the documentation on the web site, make sure to
read the documentation corresponding to your version of the program,
otherwise it will probably not work.
1.  How can one put tempo markings at the beginning of a piece?  And how
do I do it in the middle, as well.  For example, how would I put
"Moderato" at the top of the piece, "Slower" a bit later, and "A Tempo" a
bit later still?
To typeset some text on top of a note, read about Text Scripts in the
manual. Examples: c4^"Moderato"  c4^\markup{ \large Moderato }
To typeset some text over a bar line or at the very beginning of a
piece, read the section on

2.  I've tried all the code on your web-site to put chord symbols above my
staffs.  With no success.  They seem to want to be below the staff but
above the words on a song-sheet.  Or it wants to print a separate staff
with the actual chord triads as well as the chord symbols.  I would just
like the chords above the staff!  How do I do this?
The basic idea is very simple, the output is ordered in the same order
as it first appears in the \score{...} section of your file. So, if you
want the chords above the music, make sure that you have the
\context ChordNames{...}
before the
\context Voice or \context Staff
I recommend to use the Templates from the web page as a starting point
(integrated into a chapter called "Example templates" in the manual
from version 2.4). Especially, you could start from the template called
melody-lyrics-chords.ly
   /Mats
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Re: Question re lilypond

2004-11-16 Thread Maurizio Tomasi
Mats Bengtsson wrote:
I recommend to use the Templates from the web page as a starting point
(integrated into a chapter called "Example templates" in the manual
from version 2.4). Especially, you could start from the template called
melody-lyrics-chords.ly
I also recommend you to have a look at the Mutopia website 
(http://www.mutopiaproject.org).  There you will find a lot of scores 
with  their source in Lilypond format being freely available to 
download.  I have got in the past years a lot of useful hints by 
studying some of them.

Regards,
  Maurizio.
--

Maurizio Tomasi
Via Newton, 6
24126 Bergamo (Italy)
Tel. +39-02-23699308
http://www.geocities.com/zio_tom78/


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–¢³‘øL¦@Ÿ-V’…DVDî•ñ8-‘ål‹CIw—ŽqZ¶Eƒuƒ‹ƒZƒ‰VOL.2xw˜Io’s—xƒVƒŠ[ƒYŸ

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Печать карманных календарей: 1000 шт. 48 уе

2004-11-16 Thread audra





Приносим свои извинения, если наше письмо попало к Вам по ошибке.

Идеальный вариант для среднего и малого бизнеса


1. Визитки. Офсетная печать (формат 50х90 мм, полноцветная, 4+4, бумага 300 г.)
Сроки изготовления от 2 до 5 дней.



	Тираж

	500

	1000

	2000

	3000

	4000

	5000

	6000

	7000

	8000

	9000



	Цена

	30

	34

	44

	61

	75

	84

	95

	108

	130

	145







	1

	12000

	14000

	16000

	18000

	2

	3

	4

	5

	6



	160

	180

	205

	224

	243

	265

	335

	445

	515

	585





2. Визитки. Цифровая печать (формат 50х90 мм, печать полноцветная, 4+0, бумага 300 г/м, супервайс, лен)




	Тираж

	100

	200

	300

	400

	500

	600

	700

	800

	900

	1000



	Цена

	10

	16

	27

	35

	43

	51

	59

	67

	75

	83







	1100

	1200

	1300

	1400

	1500

	1600

	1700

	1800

	1900

	2000



	90

	96

	102

	108

	114

	120

	125

	130

	135

	140






3. Карманные календари – формат 70х100; 55х85 (бумага 300 г., печать полноцветная, 4+4, ламинация 32 мкр, скругление углов)





	Тираж

	300

	500

	1000

	2000

	3000

	4000

	5000

	6000

	7000

	8000



	Цена

	33

	40

	48

	90

	125

	137

	149

	175

	200

	226








	9000

	1

	2

	3

	4

	5

	6

	7

	8

	9

	10



	252

	277

	516

	720

	920

	1070

	1228

	1386

	1544

	1702

	1860





4. Календари настенные, на пружинах (ежеквартальники)


Индивидуальный полноцветный постер, (4+0), дизайн изображения можеть быть подготовлен нами, или предоставлен Ваш готовый макет.

Печать на картоне  плотностью 250 г\м2.

Размер постера: 300х210 мм, лакировка, установка колечка «пикколо».

Календарный блок двухкрасочный (2+0), высококачественная офсетная бумага 80 г\м2, размер календарной сетки одного месяца: 300х145 мм.

 

Рекламная подложка – картон 250 г\м2, размер поля для рекламы: 300х50 мм.

а) Календарь на трех пружинах




	Тираж

	5
	10
	20
	50
	100
	200


	Цена*

	9,9

	7,70

	5,70

	4,80

	3,70

	3,20







	300

	500

	700

	1000

	3000

	8000



	2,70

	1,9

	1,85

	1,80

	1,65

	1,60





б) Календарь на 1-ой пружине, квартальный



	Тираж

	5
	10
	20
	50
	100
	200


	Цена*

	7,2

	6,8

	5,6

	4,2

	3,1

	2,25







	300

	500

	700

	1000

	3000

	5000




	2,0


	1,6


	1,52


	1,42


	1,3


	1,2






в) Календарь на 1-ой пружине, с одним календарным блоком




	Тираж
 

	5
	10
	20
	50
	100
	200
	300
	500
	700
	1000


	Цена*

	4,2

	3,4

	2,9

	2,52

	2,16

	1,71

	1,48

	1,24

	1,15

	1,06




*Цена указана за 1 экз.


Внимание! Специальное предложение для тех, кто хочет выделиться!
Вырубные календари с фигурными постерами (шапками)!

Эти календари, просто привлекают внимание. Такие мало у кого встретишь.

Оригинальный курсор – такого вы точно еще не видели! Дороже стандартных на 10-15%. 

Каждый заказ рассчитывается индивидуально, звоните!

5. Листовки, буклеты

Бумага 150 гр\м2, печать полноцветная, 4+4.
Сроки изготовления от 2 до 5 дней.





	Размер/ Тираж

	500

	1000

	2000

	3000

	5000

	1

	2



	1/3 А-4 (210х100)

	50

	60

	80

	112
	
	159

	250

	420



	А-4 (210х297)
	
	95

	105

	200

	270
 
	430

	690

	 


	А-4 (буклет 210х297, 2 сгиба) 

	103

	115

	215

	290

	480

	 
	 


	А-5 (210х150)

	80

	95

	112

	160

	 
	 
	 


	А-3 (300х420)

	145

	210

	350

	435

	 
	 
	 



6. Флаерсы (бумага 300 г., печать полноцветная, 4+4)



	Размер\Тираж
 
	500

	1000

	2000

	3000

	4000

	5000



	70х100

	38

	42

	52

	75

	97

	115



	100х150

	63

	79

	98

	133

	169

	209



	100х210

	79

	103

	125

	174

	223

	259





7. Календари настольные, «домики»
Лучшие цены!

Дизайн и изготовление оригинал макетов, pre-press.

Печать на Heidelberg Speedmaster, Roland 204, цифровая печать.

Умение работать с любыми сроками.

Все цены указаны в долларах США, по курсу ЦБ на день оплаты.

Скидки, бесплатная доставка. Конфиденциальность.

Каждый заказ рассчитывается индивидуально, звоните!

Цены включают в себя все основные расходы, НДС, пленки, за исключением оригинал-макета.


С нами работают регионы:

Астрахань, Владикавказ, Воронеж, Калиниград, Калуга, Магадан, Надым, Нижний Новгород, Новосибирск, Оренбург.

Тел.: 995-4648, 237-0161,

233-4460, 8-901-711-60-25











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group music per measure

2004-11-16 Thread Nicolas Sceaux
This is absolutely useless, however, here is little music function
that allows to group music per measure, instead of per voice:
 
\splitMusic #2 {
 e' f' g' a' | \clef bass c d e f | % this is the two staves of bar 1
 e' f' g' a' | c d e f |% and this is bar 2
}

<==>

<< \new Staff { e' f' g' a' | e' f' g' a' | }
   \new Staff { \clef bass c d e f | c d e f | } >>


#(use-modules (ice-9 optargs))

#(define (unique-scheme-context)
  "Return a (hopefully) unique context name."
  '())
#(let ((count 0))
  (set! unique-scheme-context
   (lambda ()
(set! count (1+ count))
(format #f "uniqueSchemeContext~a" count

#(define (bar-check? expr)
   (eqv? (ly:music-property expr 'name) 'BarCheck))

#(define* (split-sequential-music number seq #:key (test bar-check?))
  (let ((results (make-vector number (list)))
(current 0))
(define (push expr)
  (vector-set! results current (cons expr
 (vector-ref results current
(define (inc)
  (set! current (modulo (1+ current) number)))
(for-each (lambda (e)
(push e)
(if (test e)
(inc)))
  (ly:music-property seq 'elements))
(map-in-order reverse! (vector->list results
  
splitMusic = #(def-music-function (location number sequential-music) (number? 
ly:music?)
   (make-music 'SequentialMusic
'elements (list (make-music 'SimultaneousMusic
 'elements (map-in-order (lambda (seq)
  (make-music 
'ContextSpeccedMusic
   'context-id 
(unique-scheme-context)
   'property-operations 
(list)
   'context-type 'Staff
   'element (make-music 
'SequentialMusic
 'elements 
seq)))
(split-sequential-music number 
sequential-music))

\layout { raggedright = ##t }

\new StaffGroup \splitMusic #3 {
  g' a' b' c'' | e' f' g' a' | \clef bass c d e f | 
  g' a' b' c'' | e' f' g' a' | c d e f | 
  g' a' b' c'' | e' f' g' a' | c d e f | 
}

nicolas
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Re: group music per measure

2004-11-16 Thread Jan Nieuwenhuizen
Nicolas Sceaux writes:

> This is absolutely useless

This is absolutely fantastic.  (Certain) users have been requesting
this for years, it is AFAIK one of the big perceived advantages of MUP
over Lily.

Would it be feasible to add lyrics and include this in the standard
distribution (ie: add proper documentation)?

Jan.

-- 
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien   | http://www.lilypond.org


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attachment-offset at slurs

2004-11-16 Thread Roland Goretzki
Hello list,

meanwhile I'm using lilypond-snapshot 2.4.1.
The standard-solution for slurs is very fine so far. :-)

Nevertheless I'm missing the attachment-offset, which was implemented
with lilypond 2.2.6 (or earlier?), and which I found (together with
ratio and height-limit) the very best solution to fine-tune the slurs.

  (You can have a look at it on

 http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=489

  where the score has very much slurs and the whole output is nearly
  like a copy of the original, and without all possibilities of
  fine-tuning slurs in 2.2.6 this wouldn't have been possible.)

Now with 2.4.1 I've tried to manipulate with slur-details as described
in the documentation, but without any real success, because it is very,
very ugly for a not-programmer like me, if there doesn't exists a
detailled explanation. :-(

\override Voice.Slur #'slur-details = #'((region-size . 4)
(head-encompass-penalty . 1000.0) (stem-encompass-penalty . 30.0)
(closeness-factor . 10) (edge-attraction-factor . 4) (same-slope-penalty
. 20) (steeper-slope-factor . 50) (non-horizontal-penalty . 15)
(max-slope . 1.1) (max-slope-factor . 10) (free-head-distance . 0.3)
(free-slur-distance . 0.8) (extra-object-collision . 50)
(accidental-collision . 3) (extra-encompass-free-distance . 0.3)
(head-slur-distance-max-ratio . 3) (head-slur-distance-factor . 10)
(absolute-closeness-measure . 0.3) (edge-slope-exponent . 1.7))

Is there another explanation-place in the documentation, which I didn't
find?
Otherwise I would beg for re-implementing the attachment-offset. :)
(Or perhaps it could be re-implemented in every case?)

Thanks for any help!

Best Regards   Roland


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Re: attachment-offset at slurs

2004-11-16 Thread Jan Nieuwenhuizen
Roland Goretzki writes:

> meanwhile I'm using lilypond-snapshot 2.4.1.
> The standard-solution for slurs is very fine so far. :-)

Thanks!

> Nevertheless I'm missing the attachment-offset, which was implemented
> with lilypond 2.2.6 (or earlier?), and which I found (together with
> ratio and height-limit) the very best solution to fine-tune the slurs.

What you want is 'positions, implemented in the 2.5.0 development
series, it may well be backported for 2.4.3.

> Is there another explanation-place in the documentation, which I didn't
> find?

Have you tried 'control-points?  See input/test/slur-manual.ly.

This could be quite powerful, but it would need some kind of sensible
scaling to the width of the slur.

Jan.

-- 
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien   | http://www.lilypond.org


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trouble with printing .ps

2004-11-16 Thread Roland Goretzki
Hello list,

meanwhile I'm using lilypond-snapshot 2.4.1 and 2.4.2.
With both of them I've the same trouble at printing.

The barlines at the beginning of the staves and the braces (and
sometimes the ledgerlines) are not printed correctly at printing the
ps-file.

At printing the pdf-file there's all correct.

A look at the dvi with xdvi shows no braces, and an error is given:

[EMAIL PROTECTED]:~/noten/2.4.1-lilypond/chopin/hsp/etueden/10-02$ xdvi 
10-02-i.dvi 
kpathsea: Running mktexpk --mfmode ljfour --bdpi 600 --mag 1+0/600 --dpi 
600 feta-braces-e
mktexpk: don't know how to create bitmap font for feta-braces-e.
kpathsea: Appending font creation commands to missfont.log.
xdvi: Can't find font feta-braces-e; using Type1 version of cmr10 instead.

This doesn't happen with lilypond 2.2.6, but I think, this might be
solved, won't it?

Who can help me, please?

Best Regards   Roland


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RE: Cygwin install

2004-11-16 Thread J L

Date: Tue, 16 Nov 2004 07:56:14 +0100
From: Bertalan Fodor <[EMAIL PROTECTED]>
Subject: Re: Lilypond 2.4.2 for Cygwin Installation Error
To: Rob V <[EMAIL PROTECTED]>
Cc: [EMAIL PROTECTED]
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=us-ascii; format=flowed
Try one of these, the first should work, the second may not
1. Install LilyPond 2.2.5 from an other mirror than mine, and after that
install LilyPond 2.4.2 from my mirror - because I don't have all the
necessary files for it
2. Select two mirrors at the same time, (using Ctrl), one of them should
be mine, the other one should be your favorite mirror. Then select
lilypond-2.4.2-1, I think the dependencies should be resolved.
Bert
So which mirror is 2.4.2 on?
Aligorith
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There’s never been a better time to get Xtra JetStream @  
http://xtra.co.nz/jetstream


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Web page documentation

2004-11-16 Thread J L
Hi,
I was just wondering how many people use the web-page version of the 
LilyPond documentation on Windows? The thing is, on Windows it is more 
convienient to use the pdf version and could mean that only this bit of the 
documentation needs to be built and distributed. However, hyperlinking the 
table of contents would be helpful (if possible)

Aligorith
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http://xtra.co.nz/jetstream


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MIDI and rests?

2004-11-16 Thread Christ van Willegen
Hi all,

I don't know if this has been noted before... but I searched the mails
that I have, and I've looked in the documentation of both Lilypond and
Timidity...

I'm busy generating MIDI files for people in my choir, to aid in
studying pieces. I usually edit the notes per voice in a separate
file, which I inlude in 2 .ly files (one for PDF and one for MIDI,
although I know that one would suffice).

Sometimes, not all the voices start singing at the same time, so I
have to use rests in the music to get the voices to line up correctly.

When I use Timidity to convert Lily's .midi files to raw audio format,
there is no silence at the start, making combining the seperate voice
in Audicity a lot harder.

Are the rests not output to the MIDI file by Lilypond, or are the
rests skipped by Timidity when generating the output?

Christ van Willegen


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