Re: Neither Accidental nor AccidentalPlacement
Thank you! It worked very well. The previous tips too. Result is Chop-28-2 now safely submitted to Mutopiaproject! On Thu, 11 Nov 2004 10:32:17 +0100 Mats wrote: > > The reason that it doesn't work is that the AccidentalPlacement > object is created by the Accidental_engraver which lives in the > Staff context, not in the Voice context. To make a long story > short, you should do > \override Staff.AccidentalPlacement #'right-padding = #'2.0 > to move the accidental. > > /Mats -- dax2-tele2adsl:dk -- http://d-axel.dk/ Donald Axel ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: search of archives doesn't work
I've noticed the same problem every now and then for a long time, mostly it works again if you try some minutes later. /Mats Chip wrote: FYI, I have been looking for info in the archives but the search function is not working. -- Chip ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: what grob name to use?
Popular question today, see the thread on "markup padding" when they turn up in the archive or in your mail reader. To find out yourself, I'm afraid you have to know LilyPond well enough to realize that c^"Some text" and c^\markup{ \italic "Some text" } is handled by the same object. Once you know that, you can look in the manual section on text scripts and find a link at the bottom of the page to the program reference for the relevant object. Also, you can find a list of all available objects at lilypond.org -> Documentation for 1.*.* -> Program Reference -> Backend -> All layout objects. /Mats Chip wrote: I would like to use one of the grobs from the feta font, and use extra-offset to move it. I cannot find the proper name to refer to it. Below is just one variation that I have tried \once \override Staff.Markup #'extra-offset = #'(-3 . -3) b8^\markup { \musicglyph #"flags-u3" } r b a b a since the search function is not working on the archives, I have to ask something that has probably been covered plenty of times, I apologize for that. I searched through the manual, regression tests, and tips-n-tricks, but cannot find a list of grob names and what they apply to. My intention is to use the flags-u3 as a symbol for a 'fall' articulation. So I need to move it over to the right of the note head, and even with the note head. (I know the parameters in the above example are not correct, I'll play with those a bit to get it moved to the correct location.) Regards, chip ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: convert-ly
Graham Percival wrote: On 8-Nov-04, at 8:34 AM, Aaron wrote: I have been wrestling with convert-ly and it seems to have beaten me. convert-ly -e foo.ly This example of using convert-ly should be the main example shown at several places in the manual and the more or less obscure examples that are shown today should be hidden very well if we keep them at all. /Mats If that doesn't change the file, then your file is up to date. If it produces a blank foo.ly.NEW file, then the file is up to date. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Windows install
The command prompt is the command prompt for the Cygwin system which is like a mini-LINUX operating system running under Windows. LilyPond is just one of all the available programs in your Cygwin installation. However, if you read the instructions at http://lilypond.org/web/download/windows.html you will learn that you don't need the command window to run LilyPond, just double click on the input file. I hope you have realized that LilyPond is a program that works very differently than most other programs you have experienced in Windows. For example, it's one of these programs where you cannot expect to do anything useful at all without reading the full tutorial. /Mats collin mckenzie wrote: Hi, I'm having trouble getting the software to run I get what looks like a command promp, and I get some crazy instructions, could you please help me make sense of this? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add a closing brace?
I don't know any simple way to get that. Maybe some of the hackers can come up with a trick. /Mats Arjan Bos wrote: I'm writing some vocal music. I have three staves without connecting bars. I'd like to have a Start Brace, no connecting bars and an End Brace. The Start Brace and the disconnected bars are in the documentation. I do have them in a StaffGroup and I remove the "Span_bar_engraver". How do I add an end-brace? I presume I'm not the only one who'd want this, but I didn't find it in the archives. TIA, Arjan --- Look, that's why there's rules, understand? So that you think before you break 'em. -- (Terry Pratchett, Thief of Time) ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Error message lilypond 2.4.2 on cygwin
Hi all, I have just installed lilypond 2.4.2 from Bertalan Fodor. Everything seems to work, but I get this error message: -- Error invoking `latex \\nonstopmode \\input test24.tex > /dev/null 2>&1 '. Return value 256 -- Thank you, Thomas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin
Please rerun (from the cygwin command line) with the flag lilypond --verbose myfile.ly which should give more information on what actually fails. /Mats Thomas Scharkowski wrote: Hi all, I have just installed lilypond 2.4.2 from Bertalan Fodor. Everything seems to work, but I get this error message: -- Error invoking `latex \\nonstopmode \\input test24.tex > /dev/null 2>&1 '. Return value 256 -- Thank you, Thomas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin
And please send the log file latex created: it will contain the error message. Bert Mats Bengtsson wrote: Please rerun (from the cygwin command line) with the flag lilypond --verbose myfile.ly which should give more information on what actually fails. /Mats Thomas Scharkowski wrote: Hi all, I have just installed lilypond 2.4.2 from Bertalan Fodor. Everything seems to work, but I get this error message: -- Error invoking `latex \\nonstopmode \\input test24.tex > /dev/null 2>&1 '. Return value 256 -- Thank you, Thomas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin - Logfile
> lilypond --verbose /cygdrive/f/lilypond/gitarre/Carulli/test24.ly GNU LilyPond 2.4.2 LILYPOND_DATADIR="/usr/share/lilypond" LOCAL_LILYPOND_DATADIR="/usr/share/lilypond/2.4.2" LOCALEDIR="/usr/share/locale" LILYPONDPREFIX="" [/usr/share/lilypond/2.4.2/scm/lily- library.scm][/usr/share/lilypond/2.4.2/scm/define-music- types.scm][/usr/share/lilypond/2.4.2/scm/output- lib.scm][/usr/share/lilypond/2.4.2/scm/c++.scm][/usr/share/lilypond/2. 4.2/scm/chord-ignatzek-names.scm][/usr/share/lilypond/2.4.2/scm/chord- entry.scm][/usr/share/lilypond/2.4.2/scm/chord-generic- names.scm][/usr/share/lilypond/2.4.2/scm/stencil.scm][/usr/share/lilyp ond/2.4.2/scm/new-markup.scm][/usr/share/lilypond/2.4.2/scm/bass- figure.scm][/usr/share/lilypond/2.4.2/scm/music- functions.scm][/usr/share/lilypond/2.4.2/scm/part- combiner.scm][/usr/share/lilypond/2.4.2/scm/define-music- properties.scm][/usr/share/lilypond/2.4.2/scm/auto- beam.scm][/usr/share/lilypond/2.4.2/scm/chord- name.scm][/usr/share/lilypond/2.4.2/scm/ly-from- scheme.scm][/usr/share/lilypond/2.4.2/scm/define-context- properties.scm][/usr/share/lilypond/2.4.2/scm/translation- functions.scm][/usr/share/lilypond/2.4.2/scm/script.scm][/usr/share/li lypond/2.4.2/scm/midi.scm][/usr/share/lilypond/2.4.2/scm/beam.scm][/uP rocessing `/cygdrive/f/lilypond/gitarre/Carulli/test24.ly' Parsing... [/usr/share/lilypond/2.4.2/ly/init.ly[/usr/share/lilypond/2.4.2/ly/dec larations-init.ly[/usr/share/lilypond/2.4.2/ly/music-functions- init.ly][/usr/share/lilypond/2.4.2/ly/nederlands.ly][/usr/share/lilypo nd/2.4.2/ly/drumpitch-init.ly][/usr/share/lilypond/2.4.2/ly/chord- modifiers-init.ly][/usr/share/lilypond/2.4.2/ly/script- init.ly][/usr/share/lilypond/2.4.2/ly/scale-definitions- init.ly][/usr/share/lilypond/2.4.2/ly/grace- init.ly][/usr/share/lilypond/2.4.2/ly/midi- init.ly[/usr/share/lilypond/2.4.2/ly/performer- init.ly]][/usr/share/lilypond/2.4.2/ly/paper- defaults.ly][/usr/share/lilypond/2.4.2/ly/engraver- init.ly][/usr/share/lilypond/2.4.2/ly/dynamic-scripts- init.ly][/usr/share/lilypond/2.4.2/ly/spanners- init.ly][/usr/share/lilypond/2.4.2/ly/property- init.ly]][/cygdrive/f/lilypond/gitarre/Carulli/test24.ly]Interpreting music... elapsed time: 0.05 seconds MIDI output to `test24.midi'... Track... [0] Interpreting music... [/usr/share/lilypond/2.4.2/fonts/afm/feta20.afm][/usr/share/lilypond/2 .4.2/fonts/tfm/feta20.tfm[/usr/share/lilypond/2.4.2/ps/feta20.enc]][8] [16][24][25]elapsed time: 0.48 seconds Element count 780 (spanners 28) Preprocessing graphical objects... Grob count 1292[/usr/share/lilypond/2.4.2/fonts/afm/feta11.afm][/usr/share/lilypo nd/2.4.2/fonts/tfm/feta11.tfm][/usr/share/lilypond/2.4.2/fonts/afm/par mesan11.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan11.tfm[/usr/s hare/lilypond/2.4.2/ps/parmesan20.enc]][/usr/share/lilypond/2.4.2/font s/afm/feta13.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta13.tfm][/usr /share/lilypond/2.4.2/fonts/afm/parmesan13.afm][/usr/share/lilypond/2. 4.2/fonts/tfm/parmesan13.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta 14.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta14.tfm][/usr/share/lil ypond/2.4.2/fonts/afm/parmesan14.afm][/usr/share/lilypond/2.4.2/fonts/ tfm/parmesan14.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta16.afm][/u sr/share/lilypond/2.4.2/fonts/tfm/feta16.tfm][/usr/share/lilypond/2.4. 2/fonts/afm/parmesan16.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmes an16.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta18.afm][/usr/share/l ilypond/2.4.2/fonts/tfm/feta18.tfm][/usr/share/lilypond/2.4.2/fonts/af m/parmesan18.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan18.tfm][ /usr/share/lilypond/2.4.2/fonts/afm/parmesan20.afm][/usr/share/lilypon d/2.4.2/fonts/tfm/parmesan20.tfm][/usr/share/lilypond/2.4.2/fonts/afm/ feta23.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta23.tfm][/usr/share /lilypond/2.4.2/fonts/afm/parmesan23.afm][/usr/share/lilypond/2.4.2/fo nts/tfm/parmesan23.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta26.afm ][/usr/share/lilypond/2.4.2/fonts/tfm/feta26.tfm][/usr/share/lilypond/ 2.4.2/fonts/afm/parmesan26.afm][/usr/share/lilypond/2.4.2/fonts/tfm/pa rmesan26.tfm] Calculating line breaks... Global shortest duration is 1/8 [/usr/share/lilypond/2.4.2/fonts/afm/feta- nummer4.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta- nummer4.tfm[/usr/share/lilypond/2.4.2/ps/feta- nummer10.enc]][/usr/share/lilypond/2.4.2/fonts/afm/feta- nummer6.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta- nummer6.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta- nummer8.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta- nummer8.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta- nummer10.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta- nummer10.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta- nummer12.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta- nummer12.tfm][/usr/share/lilypond/2.4.2/tex/latin1.enc][/usr/share/tex mf/fonts/tfm/public/ec-fonts- mftraced/ecbx6.tfm[/usr/share/texmf/dvips/base/tex256.enc]][/usr/share /texmf/fonts/tfm/public/ec-fonts- mftraced/ecbx8.tfm][
Re: lines/graphic notation?
Back to this (now that I have a little time to work on it): Mats Bengtsson wrote: You don't need that much competence in postscript. Look at the following example: a-\markup { \postscript #"0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke" } ... If you want to do it in a lyrics line, I think it's possible to specify a syllable like "\\embeddedps{0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke}" It may be that I'm not noticing something important; but for starters, I'm (still) using 2.2.6, if that matters: \version "2.2.6" \header { title = "wiggle" } \score { \notes { \time 6/4 ges1.-\markup { \postscript #"0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke" } } \paper { raggedright = ##t } } ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin - Logfile
Somehow it tries to use ecrm1000 from jknappen's ec fonts package instead of ec-fonts-mftraced... It tries to use it at me also, but I have it. I really don't know why it tries to use it... Perhaps the others know... Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lines/graphic notation?
It seems that the \postscript markup command wasn't introduced in LilyPond 2.2.x, so you have to do ges1.-"\\embeddedps{0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke}" instead. /Mats D Josiah Boothby wrote: Back to this (now that I have a little time to work on it): Mats Bengtsson wrote: You don't need that much competence in postscript. Look at the following example: a-\markup { \postscript #"0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke" } ... If you want to do it in a lyrics line, I think it's possible to specify a syllable like "\\embeddedps{0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke}" It may be that I'm not noticing something important; but for starters, I'm (still) using 2.2.6, if that matters: \version "2.2.6" \header { title = "wiggle" } \score { \notes { \time 6/4 ges1.-\markup { \postscript #"0.1 setlinewidth 2 7 moveto 5 1 rlineto stroke" } } \paper { raggedright = ##t } } ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin - Logfile
In version 2.4.x, the jknappen fonts shouldn't be used at all. Are you sure that you didn't try some old input file that explicitly set font-name to ecrm1000? /Mats Bertalan Fodor wrote: Somehow it tries to use ecrm1000 from jknappen's ec fonts package instead of ec-fonts-mftraced... It tries to use it at me also, but I have it. I really don't know why it tries to use it... Perhaps the others know... Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin - Logfile
No, \header { title = "something" } \score { c} ... (/usr/share/texmf/tex/latex/base/inputenc.sty kpathsea: Running mktextfm ecrm1000 (/usr/share/texmf/tex/latex/base/latin1.def)) No file proba.aux. /usr/share/texmf/web2c/mktexnam: Could not map source abbreviation for ecrm1000. /usr/share/texmf/web2c/mktexnam: Need to update ? mktextfm: Running mf-nowin -progname=mf \mode:=ljfour; mag:=1; nonstopmode; input ecrm1000 This is METAFONT, Version 2.7182 (Web2C 7.4.5) kpathsea: Running mktexmf ecrm1000 ! I can't find file `ecrm1000'. <*> ...ljfour; mag:=1; nonstopmode; input ecrm1000 Please type another input file name ! Emergency stop. <*> ...ljfour; mag:=1; nonstopmode; input ecrm1000 Transcript written on mfput.log. mktextfm: `mf-nowin -progname=mf \mode:=ljfour; mag:=1; nonstopmode; input ecrm1000' failed. kpathsea: Appending font creation commands to missfont.log. ... In version 2.4.x, the jknappen fonts shouldn't be used at all. Are you sure that you didn't try some old input file that explicitly set font-name to ecrm1000? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error message lilypond 2.4.2 on cygwin - Logfile
It's caused by setting the fontencoding to T1. The default font in the T1 encoding maps to ecrm that maps to ecrm1000. Perhaps TeX always create the default font? I don't know where this latter mapping set. Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Meta-topic: Spam filtering and bounced messages
I am repeatedly getting requests from the lilypond-user mailing list to re-enable my subscription because messages sent to me by the list system keep bouncing. After consulting with my own mail administrator about the problem, it appears the messages being bounced are all spam that was sent to the list, probably from non-subscribers. It is important to me that spam messages *continue* to be bounced by my mail server, because I have a bad enough time coping with all the spam that *does* get through. But I do not want my subscription jeopardized by this. Are there any options left for me, short of sucking it up and leaving the list? --Larry ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
tie on first and second! alternative?
I want to obtain a tie that joins the last chord before first alternative with identical chord in first and second alternative. < a b c>~ \alternative { {} { < a b c> } } This above command produces only a tie between the chord before first alternative and the chord in first alternative. How can I obtain the tie between the chord and second alternative ? Albert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
> "Jan" == Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes: >> The workaround is to change the "< a' c >" that comes in the lilypond >> output to read "<< a' c >>". Jan> I guessed that much, but wanted to test it before making changes. Jan> It's a simple patch, see below, but I haven't been able to test it. Sorry I only got around to testing this now -- as I said, I don't use chords very often. You missed a place. ch = '' if str[:1] ==']': str = str[1:] - ch = '>>' + ch = '>>' end = 0 -- Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ ) (617) 661-8097 fax: (501) 641-5011 233 Broadway, Cambridge, MA 02139 ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tie on first and second! alternative?
Search the mailing lists for: tie alternative ending /Mats Albert Einstein wrote: I want to obtain a tie that joins the last chord before first alternative with identical chord in first and second alternative. < a b c>~ \alternative { {} { < a b c> } } This above command produces only a tie between the chord before first alternative and the chord in first alternative. How can I obtain the tie between the chord and second alternative ? Albert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
[no subject]
Some addresses were rejected by the MDA fetchmail forwards to. Reporting-MTA: dns; localhost Final-Recipient: rfc822; [EMAIL PROTECTED] Last-Attempt-Date: Fri, 12 Nov 2004 21:21:45 +0530 (IST) Action: failed Status: 3.0.0 Diagnostic-Code: [EMAIL PROTECTED]: 550 <[EMAIL PROTECTED]>... User unknown Delivered-To: alumnux-alumnux:[EMAIL PROTECTED] X-Envelope-To: [EMAIL PROTECTED] Received: (qmail 26586 invoked from network); 12 Nov 2004 14:32:25 - Received: from ppp124-190.pppcal.vsnl.net.in (HELO alumnux.com) (203.197.124.190) by sowilu.pair.com with SMTP; 12 Nov 2004 14:32:25 - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Mail Delivery (failure [EMAIL PROTECTED]) Date: Fri, 12 Nov 2004 20:02:09 +0530 MIME-Version: 1.0 Content-Type: multipart/related; type="multipart/alternative"; boundary="=_NextPart_000_001B_01C0CA80.6B015D10" X-Priority: 3 X-MSMail-Priority: Normal X-Spam-Filtered: 0631cd96faabc64bd1deb3fa09f65716 X-Spam-Status: No, hits=1.8 required=4.0 tests=MISSING_MIMEOLE,MIME_MISSING_BOUNDARY,BAYES_00,HTML_MESSAGE,NO_REAL_NAME,PRIORITY_NO_NAME,MIME_SUSPECT_NAME,HTML_RELAYING_FRAME X-Spam-Flag: NO X-Spam-Level: * ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
polish letters in tagline, title, composer of header
How can I put polish letters in tagline of header: \header { title = "afd" composer = "afd" tagline = "asf" } If I must attach babel package give me an example, OK? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Creating hymns
I tried replacing the long sequence of "\skip 1" lines with both: \skip 1*4 And \skip 1*24 1*4 to skip 4 bars, and 1*24 because I've got 24 \skip lines. I don't understand the results. Both 1*4 and 1*24 ended up with the lyric (2. The) printed under the 4th note (note, not bar) in the piece. The existing \skip 1 lines put that lyric under the first note of bar 5, which is what I want. I've updated to version 2.4.2 under cygwin (Thanks to Bertalan Fodor). - James -Original Message- From: Mats Bengtsson [mailto:[EMAIL PROTECTED] Sent: Thursday, November 11, 2004 12:52 AM To: James Moore Cc: 'Jefferson dos Santos Felix'; [EMAIL PROTECTED] Subject: Re: Creating hymns You can use \skip 1*30 to skip 30 bars. Regarding the rests, the intention is that you should be able to use the \partcombine feature. There was a recent discussion on using \partcombine for choir scores on the mailing list. I remember that there were some bugs, but don't know if they were solved before the release of version 2.4. /Mats #(set-default-paper-size "letter") \layout { linewidth = 550\pt } \version "2.4.2" \header { title = "Go, Tell It!" tagline = "OK Chorale / Version 1.7" } sopWords = \lyricmode { | Go __ tell it! | Shout it from - the moun- tain- top Go tell - it eve- ry- where that - | Jes- us Christ - is born \set stanza = "1. " While | shep- herds kept their watching on | si- lent flocks by night Be- | hold thru- out the hea- vens there shone a ho- ly light % 10 | ho- ly light Go __ tell it tell it on the moun- tain tell it! tell it on the moun- tain o- ver the hills the hills and ev- ry where - Go __ tell it! Tell it on the moun- tain Je- sus Christ is born The Go tell - it ev- ry- where that Je- sus Christ is born. That Je- sus Christ - is born } altoWords = \lyricmode { \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \set stanza = "(2. " The) shep- herds feared and trembled while lo a- bove the earth Rang out the an- gels chor- us that hailed the ho- ly birth ho- ly birth } %Go - - tell it tell it on the moun- tain tell it! tell it on the moun- tain % o- ver the hills the hills and ev- ry where - % Go - - tell it! Tell it on the moun- tain Je- sus Christ is born The % Go tell - it ev- ry- where that Je- sus Christ is born. That Je- sus Christ - is born % } tenorWords = \lyricmode { \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 Go tell it tell it on the moun- tain tell it! tell it on the moun- tain o- ver the hills - ev- er- y where oh Go tell it! Tell it on the moun- tain that Je- sus Christ is born Go tell - it ev- ry- where that Je- sus Christ is born. That Je- sus Christ __ is born } bassWords = \tenorWords sopMusic = \relative c' { \repeat volta 2 { \time 4/4 \once \override TextScript #'extra-offset = #'(-4.5 . 2) s1*0^"slow gospel" \key c \major e4~ \melisma e16-> f g8 \melismaEnd g16 g8. s4 % Shout it from the mountaintop a16 a~ a a~ a b c c~ c c~ c c~ c4 % Go tell it everywhere s8 c16 c~ c d e e~ e d~ d d s8 c16 d %J C is born | << e8 c >> << e16 c >> << e16~ c~ >> << e16 c >> << d b >> c c~ c4 \once \override TextScript #'extra-offset = #'(2 . 0) s4^"last X to coda" } % While shep kept watch s2 s4 s8 c,16( d) \repeat volta 2 { e( f) g8 g g16( a) g8 \melisma e \melismaEnd s8 c8 % On silent flocks d8 d c d16( c) e4 s8 c16( d) e16( g) c8 b b16( a) g8 e s8 c' % shone a holy d d c a g4( a4) \time 2/4 g8 a b16( a g8) \time 4/4 % 11 | g4( \melisma g16) a bes8 \melismaEnd a16 a s8 a16 a a a | e8 g c16 c s8 e16 e d c a8 c | s4 b16 b( b) b c8 s16 a16 << a8 c >> <<
Re: Creating hymns
Mats, Thanks for you answers. By the way, I already solve this problem, using another command, \lyrics (non-documented in 2.4, I think), instead \lyricmode. About separated stems between the parts, I hope that's better to keep it joined on choir musics, because the most hymn scores I know keep the same stems to same note duration, and separated stems on notes with different duration, something seems to \partcombine, but keeping both stems on unisonos. It's common on hymn books, college songs, choral songs, and others sacramental books. But that's ok, I already commented it in others opportunities on bug-lilypond list discussion, about the \partcombine rules, without success... Thanks, jEfF On Fri, 12 Nov 2004 11:20:35 +0100, Mats Bengtsson <[EMAIL PROTECTED]> wrote: > First of all, as long as you have lyrics below the music it should > follow, there is no need to use the trick in the SATB example which > first declares the context and uses it first later. > > Also, as long as you typeset the lyrics to follow the upper voice in > the score (as in your example), you can use the \addlyrics shortcut > described in the manual. > > In your example, you can simply insert the lyrics between the staves > in the .ly file: > \score > { >\context ChoirStaff ><< > \new Staff { << {\global \soprano} \\ \alto >> } > \addlyrics {\set stanza = "1. " Je -- sus, keep ... } > \addlyrics {\set stanza = "2. " Near the cross, ... } > ... > \new Staff { << \clef bass {\global \tenor} \\ \bass >> } > >> > } > > Note that I have changed some other things here as well, to get > separate stem directions for the different parts, for example. > > A solution slightly closer to your original attempt is > > \score > { >\context ChoirStaff ><< > \context Voice = SA { << \stemUp \global \soprano \alto >> } > \lyricsto "SA" > << > \new Lyrics \lyricmode > {\set stanza = "1. " Je -- sus, keep ...} > \new Lyrics \lyricmode > {\set stanza = "2. " Near the cross, ... } > ... >>> >\context Voice = TB { << \clef bass \stemDown \global \tenor > \bass >> } > >> > } > > > If you don't specify a new Lyrics context for each stanza, LilyPond > thinks that they should all be typeset on the same line which causes > the "Junking event" messages. > > > > /Mats > > Jefferson dos Santos Felix wrote: > > I tryed to solve this problem using << >> after \lyricsto, but occours > > the warning: Junking event, and the final score show only the last > > stanza. > > > > > > > > On Thu, 11 Nov 2004 16:39:51 -0200, Jefferson dos Santos Felix > > <[EMAIL PROTECTED]> wrote: > > > >>Finally, I can put the lyrics between the staffs, following this > >>example > >>(http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Vocal-ensembles.html#Vocal-ensembles) > >>but I can't use multiple stanzas... What's the error? Only 1 stanza is > >>shown. > >> > >>I'm sorry, Mats, but I can't understand how \lyricmode works... > >> > >>\version "2.4.0" > >> > >>global = > >>{ > >>\key f \major > >>\time 6/4 > >>} > >> > >>soprano = \relative c'' > >>{ > >>%% SOPRANO NOTES %% > >>a2 bes4 a2 g4 f2 d4 d2. c2 f4 f2 a4 a2. g \break > >>} > >> > >>alto = \relative c' > >>{ > >>%% ALTO NOTES %% > >>f2 f4 f2 e4 d2 <<{s4 s2.}\\{d4 d2.}>> a2 c4 c2 f4 f2. e > >>} > >> > >>tenor = \relative c' > >>{ > >>%% TENOR NOTES %% > >>c2 d4 c2 bes4 a2 bes4 bes2. a2 a4 a2 c4 c2. c > >>} > >> > >>bass = \relative c > >>{ > >>%% BASS NOTES %% > >>f2 f4 f2 c4 d2 bes4 bes2. f'2 f4 f2 f4 c2. c > >>} > >> > >>\score > >>{ > >><< > >>\context ChoirStaff > >><< > >>\context Voice = SA { << \stemUp \global \soprano > >> \alto >> } > >>\context Lyrics = sopranoLyrics { s1 } > >>\context Voice = TB { << \clef bass \stemDown > >> \global \tenor \bass >> } > >>>> > >>\lyricsto "SA" \context Lyrics = sopranoLyrics > >>{ > >>\lyricmode > >>{ > >>\set stanza = "1. " > >>Je -- sus, keep me near the cross, > >>There a pre -- cious fon -- tain > >>Free to all, a heal -- ing stream > >>Flows from Cal -- vary's moun -- tain. > >>} > >>\lyricmode > >>{ > >> > >> > >>\set stanza = "2. " > >>Near the cross, a trem -- bling soul, > >>Love and mer -- cy found me; > >>There the bright and morn -- ing star > >>Sheds
Align composer name tag
I try to put the composer's year of birth and death below his name, right-aligned, but I can't do it. See the attempt below: \version "2.4.1" \header { title = "A Title Song" composer = \markup \column <{"Composer Name"} {\right-align "(1900-1950)"}> poet = "J.S.F." } \score {c'} Is anything wrong? Thaks, -- jEfF_[Feliks] ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add a closing brace?
The only place I need it is at the end, to make very clear that the piece has ended. But an occasional spanned bar would be welcome too. On 12 nov 2004, at 10:43, Mats Bengtsson wrote: I don't know any simple way to get that. Maybe some of the hackers can come up with a trick. /Mats Arjan Bos wrote: I'm writing some vocal music. I have three staves without connecting bars. I'd like to have a Start Brace, no connecting bars and an End Brace. The Start Brace and the disconnected bars are in the documentation. I do have them in a StaffGroup and I remove the "Span_bar_engraver". How do I add an end-brace? I presume I'm not the only one who'd want this, but I didn't find it in the archives. TIA, Arjan --- Look, that's why there's rules, understand? So that you think before you break 'em. -- (Terry Pratchett, Thief of Time) ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = --- The Kappamaki, a whaling research ship, was currently researching the question: How many whales can you catch in one week? -- (Terry Pratchett & Neil Gaiman, Good Omens) ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
property problem and repeats
I tried to lilypond code from http://lists.gnu.org/archive/html/lilypond-user/2002-11/msg00150.html but I obtain error message. What it must be set instead of \property command? % First possibility: \score{\notes\relative c'{ \bar "|:" c d e f | g g g2 % Initialize first ending \property Score.repeatCommands = #'((volta "1.")) f4 g e2 | d1 % End the first ending, start the second ending. \property Score.repeatCommands = #'((volta #f) end-repeat (volta "2.")) f4 e f2 | g1 \bar "||" % End the second ending, start the "Fine" ending. \property Score.VoltaBracket \override #'font-style = #'large \property Score.repeatCommands = #'((volta #f) end-repeat (volta "Fine")) f4 e d2 | c1 \bar "|." % End the "Fine" ending. \property Score.repeatCommands = #'((volta #f)) a'4 g a b | c b a g | f e d2 | c1_#'(lines "D.C." "al Fine") \bar "||" } } % Second possibility: \score{\notes\relative c'{ \bar "|:" c4 d e f | g g g2 % Initialize first ending \property Score.repeatCommands = #'((volta "1.")) f4 g e2 | d1 % End the first ending, start the "Fine" ending. \property Score.VoltaBracket \override #'font-style = #'large \property Score.repeatCommands = #'((volta #f) end-repeat (volta "Fine")) f4 e d2 | c1 \bar "|." % End the "Fine" ending. \property Score.repeatCommands = #'((volta #f)) f4 e f2 | g1 | a4 g a b | c b a g | f e d2 | c1_#'(lines "D.C." "al Fine") \bar "||" } } Albert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
instead property write ! set
___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
set instead property still doesn't work
I can't compile: \score{\notes\relative c'{ \bar "|:" c d e f | g g g2 % Initialize first ending \set Score.repeatCommands = #'((volta "1.")) f4 g e2 | d1 % End the first ending, start the second ending. \set Score.repeatCommands = #'((volta #f) end-repeat (volta "2.")) f4 e f2 | g1 \bar "||" % End the second ending, start the "Fine" ending. \set Score.VoltaBracket \override #'font-style = #'large \set Score.repeatCommands = #'((volta #f) end-repeat (volta "Fine")) f4 e d2 | c1 \bar "|." % End the "Fine" ending. \set Score.repeatCommands = #'((volta #f)) a'4 g a b | c b a g | f e d2 | c1_#'(lines "D.C." "al Fine") \bar "||" } } ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ties to nothing
Thanks all, but I can't get it to work. I'm doing \begin[20pt]{lilypond} \score { \notes { \time 4/4 \property Staff.TimeSignature \set #'style = #'() \clef bass \stemUp b1:32~b4^"L.V." r4 r2 b1:32~b4~<< \hideNotes b4 \unHideNotes r4 >> r2 \bar "|." } } \end{lilypond} which is exactly what I want, except that the note between \hideNotes and \unHideNotes is not hidden! I'm using 2.0.3 is that feature not available in my version? Any ideas? thanks, Tim. On Sunday 31 Oct 2004 07:56, Erik Sandberg wrote: > Citerar Roland Goretzki <[EMAIL PROTECTED]>: > > Hello list, hello Tim, > > > > You wrote: > > > In percussion music, it is normal to have a tie to nothing after a > > > cymbal note, to indicate that the cymbal should be left to ring. > > > > > > Can anyone help me achieve this effect in lilypond 2.0.3 (lilypond book > > > if > > > > > > that makes any difference)? > > > > I'm not quite sure, if my solution is what You want, but perhaps try to > > connect the tie with an unvisible note and use polyphony: > > > > \stemUp > > << { \tieDown b1:32~b4~ \hideNotes b4 } \\ > > { \unHideNotes s1 s4 > > \once\override Rest #'extra-offset = #'(0 . 4) > > r4 } > > > > >> r2 \bar "|." > > I believe the following also will do the trick, and is closer to what you > want: > > b1:32~b4 r4 r2 b1:32~b4~<<\hideNotes b4 \unHideNotes \new Voice r4>> > r2 > > (it might be that the \new Voice isn't necessary; I don't have lily here to > test) > > This should make the hidden b4 belong to the same voice as the preceding > note, and the r4 will belong to an arbitrary new voice. This is in general > a bit better; using << \\ >> instead of just << >> will create new voices > implicitly, which you might not want in more complicated cases. > > Erik > > > ___ > lilypond-user mailing list > [EMAIL PROTECTED] > http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: property problem and repeats
On 12-Nov-04, at 1:22 PM, Albert Einstein wrote: I tried to lilypond code from http://lists.gnu.org/archive/html/lilypond-user/2002-11/msg00150.html Update that score with convert-ly. My guess is that the example worked in something like LilyPond 1.6.0; modify the file accordingly and run convert-ly on it. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
property - version for this command
In which version was used command \property? I want to apply convert-ly to files with this command. Albert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Cygwin packages
Hi, Can Cygwin packages be installed by hand? If so, how? Aligorith _ Check out news, entertainment and more @ http://xtra.co.nz/broadband ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user