Re: Full-sized clefs for clef changes?
I hope you looked in the program reference to the Clef object, you will only get a list of the properties that are set by default. To get a full list of all available properties, you also have to follow the links to the different interfaces. In the list for the clef-interface, you will find a property called full-size-change. The order of clefs, bar lines, time signatures and so on is determined by the BreakAlignment object. In the Regression Test for version 2.2.x, you can find an example called ambitus.ly that shows how to change the default order. Unfortunately, this example has been removed in the documentation for version 2.4. /Mats Benjamin Esham wrote: I'm engraving a simple piece-- it's a demonstration of middle C with various clefs, and it looks like this: \clef treblec'1 \clef alto c' \clef tenor c' \clef bass c' After each whole note, there is a small clef, a bar line, and then the next note. Is there a way to a) make the clef full-sized, and b) put the clef after the bar line? (I looked at the Clef entry in the manual and in the developer docs but I didn't find anything.) Thanks! -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Creating hymns
You can use \skip 1*30 to skip 30 bars. Regarding the rests, the
intention is that you should be able to use the \partcombine
feature. There was a recent discussion on using \partcombine for
choir scores on the mailing list. I remember that there were some
bugs, but don't know if they were solved before the release of
version 2.4.
/Mats
James Moore wrote:
Here's what I've got for one of our choir songs. I'm no Lilypond expert,
but it's got multiple lyrics between the treble and bass clefs, adjusted
spacing (at least that's what I think the minimumVerticalExtent bit does).
Don't know what a "centered refrain" is - I'm pretty new to choir music.
Some things here are clearly bad style (the multiple \skip lines can't be
the right way to do this, but it works).
From what I gather on this list, the way I'm combining rests is in fact the
way to get a single rest on a line (instead of two rests, one for each
voice). I'd love to hear that I'm wrong on this.
- James
#(set-default-paper-size "letter")
\paper {
linewidth = 550\pt
}
\version "2.2.5"
\header {
title = "Go, Tell It!"
tagline = "OK Chorale / Version 1.7"
}
sopWords = \lyrics {
| Go __ tell it!
| Shout it from - the moun- tain- top
Go tell - it eve- ry- where that -
| Jes- us Christ - is born
\set stanza = "1. "
While
| shep- herds kept their watching on
| si- lent flocks by night Be-
| hold thru- out the hea- vens there shone a ho- ly light
% 10
| ho- ly light
Go __ tell it tell it on the moun- tain tell it! tell it on the moun-
tain
o- ver the hills the hills and ev- ry where -
Go __ tell it! Tell it on the moun- tain Je- sus Christ is born The
Go tell - it ev- ry- where that Je- sus Christ is born. That Je- sus
Christ - is born
}
altoWords = \lyrics {
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\set stanza = "(2. "
The) shep- herds feared and trembled while lo a- bove the earth
Rang out the an- gels chor- us that hailed the ho- ly birth
ho- ly birth
}
%Go - - tell it tell it on the moun-
tain tell it! tell it on the moun- tain
% o- ver the hills the hills and ev- ry
where -
% Go - - tell it! Tell it on the moun-
tain Je- sus Christ is born The
% Go tell - it ev- ry- where that Je-
sus Christ is born. That Je- sus Christ - is born
% }
tenorWords = \lyrics {
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
\skip 1
Go tell it tell it on the moun- tain tell it! tell it on the moun- tain
o- ver the hills - ev- er- y where oh
Go tell it! Tell it on the moun- tain that Je- sus Christ is born
Go tell - it ev- ry- where that Je- sus Christ is born. That Je- sus
Christ __ is born
}
bassWords = \tenorWords
sopMusic = \notes \relative c' {
\repeat volta 2 {
\time 4/4
\once \override TextScript #'extra-offset = #'(-4.5 . 2)
s1*0^"slow gospel"
\key c \major
e4~ \melisma e16-> f g8 \melismaEnd g16 g8. s4
% Shout it from the mountaintop
a16 a~ a a~ a b c c~ c c~ c c~ c4
% Go tell it everywhere
s8 c16 c~ c d e e~ e d~ d d s8 c16 d
%J C is born
| << e8 c >> << e16 c >> << e16~ c~ >> << e16 c >> << d b >> c c~ c4
\once \override TextScript #'extra-offset = #'(2 . 0)
s4^"last X to coda"
}
% While shep kept watch
s2 s4 s8 c,16( d)
\repeat volta 2 {
e( f) g8 g g16( a) g8 \melisma e \melismaEnd s8 c8
% On silent flocks
d8 d c d16( c) e4 s8 c16( d)
e16( g) c8 b b16( a) g8 e s8 c'
% shone a holy
d d c a g4( a4)
\time 2/4
g8 a b16( a g8)
\time 4/4
% 11
| g4( \melisma g16) a bes8 \melismaEnd a16 a s8 a16 a a a
| e8 g c16 c s8 e16 e d c a8 c
| s4 b16 b( b) b c8 s16 a16 << a8 c >> << d b >>
% everywhere
| << e8 c8 >> << d16( a16 >> << c) g >> << d'
Re: Creating hymns
I recommend to start from the example template from the manual:
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Vocal-ensembles.html#Vocal-ensembles
/Mats
Jefferson dos Santos Felix wrote:
I don't like the hymn.ly template, and I have tryed to create a real
hymn score on lilypond 2.4, but I have some difficulties:
- How can I put the lyrics between the Treble and Bass clef?
- How can I adjust the spacement between stanzas?
- What's the best way to put a centered Refrain?
- Why lilypond doesn't put the lyrics corretly, when I use <<{...}\\{...}>> ?
- If it's possible (or more easy), where I get this explanations on manual?
Below, an hymn example (Near the Cross) where occours this problems:
%BEGIN
\version "2.4.1"
global = {
\key f \major
\time 6/4
\set Staff.autoBeaming = ##f
\set Staff.printPartCombineTexts = ##f
\set Staff.minimumVerticalExtent = #'(-3 . 3)
}
\paper
{
#(set-paper-size "a4")
topmargin = 0.5\cm
bottommargin = 1.0\cm
leftmargin = 1.5\cm
linewidth = 18.0\cm
headsep = 0.01\cm
footsep = 0.01\cm
betweensystemspace = 0.01\cm
betweensystempadding = 0.01\cm
aftertitlespace = 0.01\mm
beforetitlespace = 0.01\mm
}
\header
{
title = "Near the Cross"
poet = "Frances Jane (Fanny) Crosby, 1869"
composer = "William Howard Doane"
meter = \markup {" " \note #"2." #+0.9 "=62" }
}
Refrain = \markup { \bold \italic { "" \raise #1.2 "Refrain" } }
soprano = \relative c''
{
%%% SOPRANO %%%
a2 bes4 a2 g4 f2 <> <> c2 f4 f2 a4 a2. g \break
a2 bes4 a2 g4 f2 <> d2. c2 f4 f2 e4 g2. <> \bar "||" \break
a2^\Refrain c4 c2. bes2 d4 d2. c2 d4 c2 a4 a2. g \break
a2 bes4 a2 g4 f2 <> d2. c2 f4 f2 e4 g2. <> \bar "|."
}
alto = \relative c'
{
%%% ALTO %%%
f2 f4 f2 e4 d2 s4 s2. a2 c4 c2 f4 f2. e
f2 f4 f2 e4 d2 s4 bes2. a2 c4 c2 c4 e2. s
f2 f4 f2. f2 f4 f2. f2 f4 f2 f4 f2. e
c2 d4 c2 cis4 d2 s4 bes2. a2 c4 c2 c4 e2. s
}
tenor = \relative c'
{
%%% TENOR %%%
}
bass = \relative c
{
%%% BASS %%%
}
sopWords =
{
}
\score
{
<<
\new Staff
{
\override Score.BarNumber #'break-visibility = #all-invisible
\global
\stemUp
<< \soprano \alto >>
\addlyrics
{
\set stanza = "1. "
Je -- sus, keep me near the cross,
There a pre -- cious fon -- tain
Free to all, a heal -- ing stream
Flows from Cal -- vary's moun -- tain.
}
\addlyrics
{
\set stanza = "2. "
Near the cross, a trem -- bling soul,
Love and mer -- cy found me;
There the bright and morn -- ing star
Sheds its beams a -- round me.
%% Refrain
In the cross, in the cross,
Be my glory ever;
Till my rap -- tured soul shall find
rest be -- yond the ri -- ver.
}
\addlyrics
{
\set stanza = "3. "
Near the cross! O Lamb of God,
Bring its scenes be --fore me;
Help me walk from day to day,
With its sha -- dows o'er me.
}
\addlyrics
{
\set stanza = "4. "
Near the cross I'll watch and wait
Hop -- ing, trus -- ting e -- ver,
Till I reach the gold -- en strand,
Just be -- yond the ri -- ver.
}
}
\new Staff
{
\clef bass
\global
\stemDown
<< \tenor \bass >>
}
>>
\layout
{
indent = 0.0\cm
%\context { \Score \override SpacingSpanner
#'shortest-duration-space = #5.5 }
%\context { \Score \override SpacingSpanner #'spacing-increment
= #0.8 }
}
\midi {\tempo 4=93}
}
%END
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
___
Re: Neither Accidental nor AccidentalPlacement
The reason that it doesn't work is that the AccidentalPlacement
object is created by the Accidental_engraver which lives in the
Staff context, not in the Voice context. To make a long story
short, you should do
\override Staff.AccidentalPlacement #'right-padding = #'2.0
to move the accidental.
/Mats
dax2 wrote:
Unfortunately the AccidentalPlacement object does not get my
a-sharp here out in the clear. There is no effect of my settings,
see below. First I tried Accidental #'right-padding and all the
other vars, but no result.
Can somebody help? It need not be a solution
based on moving accidentals, maybe more space
in general would be a good idea.
The weird layout of the voices is of course
a very musically interesting idea otherwise I would
not struggle to be able to LilyPond-typeset it.
Thanks to Roland and Mats.
Donald
==
BASSMIDDLE = \new Voice {
\override Stem #'beamed-lengths = #'(5.0 5.0 5.0) %tweak
%% \override Stem #'length = #20.0 %tweak
%% what is wrong with stemUp? Doesnot materialize.
\stemUp
\override Voice.Stem #'beamed-extreme-minimum-free-lengths = #'(1.5 1.5
1.5)
\override AccidentalPlacement #'padding = #'2.0
\override AccidentalPlacement #'right-padding = #'2.0
\override AccidentalPlacement #'extra-offset = #'(2.0 . 2.0)
\override AccidentalPlacement #'left-padding = #'2.0
b,8 ais, b, g,
b,8 ais, b, g,
}
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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wide empty measure
I'd like to make two empty measures next to one another, one (the left measure) wider than the other. Is there a way to do this? Josiah ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: wide empty measure
If you search through the different interfaces of the MultiMeasureRest
object at
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond-internals/MultiMeasureRest.html
you will find the solution:
\version "2.4"
\layout{raggedright = ##t}
{ R1 \once \override MultiMeasureRest #'minimum-length = #30 R1 R1 }
/Mats
D Josiah Boothby wrote:
I'd like to make two empty measures next to one another, one (the left
measure) wider than the other. Is there a way to do this?
Josiah
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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2.4.2 for cygwin (unofficial)
Hello, unofficial cygwin packages of lilypond-2.4.2 are available at my web page: http://www.inf.bme.hu/~berti/lilypond (use it as a mirror in cygwin setup). The doc is not available, so don't look for it :-) Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
extra space at a line end before a new staff
Hi,
How can I get rid off the extra space following the last bar of the
first system, in the following example:
\version "2.5.0"
\layout { raggedright = ##t }
\new StaffGroup <<
\new Staff { g'1 g' g' g' }
\new Staff {
c'1 c'
<<
{ \break e'1 e' }
\new Staff {
\override Staff.TimeSignature #'transparent = ##t
c'1 c'
}
>>
}
>>
<>
I tried to put staff-bar at the end of break-align-orders
(end-of-line), but with no success.
nicolas
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Re: extra space at a line end before a new staff
Nicolas Sceaux <[EMAIL PROTECTED]> writes: > Hi, > > How can I get rid off the extra space following the last bar of the > first system, in the following example: > > I tried to put staff-bar at the end of break-align-orders > (end-of-line), but with no success. uh, I thought I tried that, but actually no, and it fixes my problem. sorry for the noise. nicolas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: extra space at a line end before a new staff
I was just about to propose \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible as a replacement for your setting of transparent, which also gets rid of the extra space. /Mats Nicolas Sceaux wrote: Nicolas Sceaux <[EMAIL PROTECTED]> writes: Hi, How can I get rid off the extra space following the last bar of the first system, in the following example: I tried to put staff-bar at the end of break-align-orders (end-of-line), but with no success. uh, I thought I tried that, but actually no, and it fixes my problem. sorry for the noise. nicolas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: extra space at a line end before a new staff
Mats Bengtsson <[EMAIL PROTECTED]> writes: > I was just about to propose > \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible > as a replacement for your setting of transparent, which also gets rid of > the extra space. > That's cleaner, thanks. Actually, \override Staff.TimeSignature #'break-visibility = #all-invisible is what I want. nicolas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: multiple stanzas with \lyricmode
If you use the latest stable version 2.4.x, I recommend to first read http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Setting-simple-songs.html#Setting-simple-songs before you go on with the next sections. The \lyricmode command itself simply tells LilyPond that the parser should expect the syntax used in lyrics in contrast to the syntax used for notes. /Mats Jefferson dos Santos Felix wrote: How can I create multiple stanzas eith \lyricmode ? -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: wide empty measure
Thank you, but there's one more thing... I want the rest
invisible/transparent. Would that involve something similar to the
following?
\override NoteHead #'transparent = ##t
josiah
Mats Bengtsson wrote:
If you search through the different interfaces of the MultiMeasureRest
object at
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond-internals/MultiMeasureRest.html
you will find the solution:
\version "2.4"
\layout{raggedright = ##t}
{ R1 \once \override MultiMeasureRest #'minimum-length = #30 R1 R1 }
/Mats
D Josiah Boothby wrote:
I'd like to make two empty measures next to one another, one (the
left measure) wider than the other. Is there a way to do this?
Josiah
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\addlyrics always adds to first staff
When using \addlyrics more than once, it sets the second lyrics to the
first staff. Is this a design decision?
When I have two Staffs and I like both of them to have lyrics I thought
I'd simply do:
\score {
\StaffGroup {
<<
\new Staff { \sopranoMusic }
\addlyrics { \sopranoLyrics }
\new Staff { \altMusic }
\addlyrics { \altLyrics }
>>
}
}
But then the \altLyrics just follow the soprano music, instead of the
alt music, as I would have expected. It doesn't matter if the
\addlyrics{} is inside or outside the \new Staff{} braces.
Should I report this as a bug?
Kind regards,
Arjan Bos
---
It was funny how people were people everywhere you went, even if the
people concerned weren't the people the people who made up the phrase
"people are people everywhere" had traditionally thought of as people.
And even if you weren't virtuous, as you had been brought up to
understand the term, you did like to see virtue in other people,
provided it didn't cost you anything.
-- (Terry Pratchett, The Fifth Elephant)
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Re: wide empty measure
D Josiah Boothby wrote:
Thank you, but there's one more thing... I want the rest
invisible/transparent. Would that involve something similar to the
following?
\override NoteHead #'transparent = ##t
Exactly! I think you can even guess what object should be made transparent
instead of NoteHead, if you look at my previous answer.
Of course, it would be nice to be able to use s1 instead of R1, but then
I don't know how to control the measure width. For the measures with
normal width, there are no problems to just use s1.
/Mats
josiah
Mats Bengtsson wrote:
If you search through the different interfaces of the MultiMeasureRest
object at
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond-internals/MultiMeasureRest.html
you will find the solution:
\version "2.4"
\layout{raggedright = ##t}
{ R1 \once \override MultiMeasureRest #'minimum-length = #30 R1 R1 }
/Mats
D Josiah Boothby wrote:
I'd like to make two empty measures next to one another, one (the
left measure) wider than the other. Is there a way to do this?
Josiah
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How to add a closing brace?
I'm writing some vocal music. I have three staves without connecting bars. I'd like to have a Start Brace, no connecting bars and an End Brace. The Start Brace and the disconnected bars are in the documentation. I do have them in a StaffGroup and I remove the "Span_bar_engraver". How do I add an end-brace? I presume I'm not the only one who'd want this, but I didn't find it in the archives. TIA, Arjan --- Look, that's why there's rules, understand? So that you think before you break 'em. -- (Terry Pratchett, Thief of Time) ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Windows install
Hi, I'm having trouble getting the software to run I get what looks like a command promp, and I get some crazy instructions, could you please help me make sense of this? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \addlyrics always adds to first staff
On Thursday 11 November 2004 21.38, Arjan Bos wrote:
> When using \addlyrics more than once, it sets the second lyrics to the
> first staff. Is this a design decision?
First of all, \addlyrics is only intended to be used for the most simple
cases, you have more control over it with \lyricsto.
Now, I believe what you have found is a bug. Here is a smaller example:
\version "2.4.2"
<< \context Staff {c d e f} \new Staff {c2 d} \addlyrics { hej hopp } >>
Intuitively, the hopp should be below the d2, but it isn't.
This is either a bug in lilypond (lyrics should be aligned to the prev. staff,
not the uppermost), or in documentation (it should be mentioned that the
behaviour might be unintuitive with multiple staves)
Erik
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Re: volta vs. DS al coda
In message <[EMAIL PROTECTED]>, Mats Bengtsson
<[EMAIL PROTECTED]> writes
I've never seen a first ending as long as 15 bars, it's probably
better to make up some D.S notation with the same meaning.
I've certainly seen a piece where a first-time-bar was about 10 bars
long, and the second was only 2.
As for using D.S or D.C, that wouldn't have been appropriate - iirc it
was about the first repeat (of many) in that particular piece.
I agree it's rare, but it happens. If a long volta makes sense, then use
it...
Cheers,
Wol
/Mats
Peter B. Steiger wrote:
Mats, I somehow missed your reply last month to my question about how to
use repeats and endings, but I found it yesterday while searching the
archives for more information on the use of the segno and volta markups.
That was just what I needed, and now I know how to use them.
Now my question is, what is the better method for this music I am
typesetting? The handwritten original looks like this:
one bar of nonrepeated notes and words
|:
13 bars of notes repeated with two stanzas
3 bars of repeated notes using the same words
segno
15 bars of nonrepeated notes and words ("chorus 1")
:|
1 bar of nonrepeated notes and words marked as ending #1
segno
21 bars of nonrepeated notes and words ("chorus 2")
There is no second ending marked, although it obviously starts with
the
second segno. Obviously the original arranger did not understand proper
use of the segno, and my wife tells me that using both segno and voltas
together is redundant.
I tried writing this with just a \volta and two \alternate endings,
but
because chorus 1 is so long the result is a horizontal line across 16
bars that spans multiple pages; likewise chorus 2 ends up showing a
horizontal bar across the staff from the beginning of ending 2 to the
end of the song.
Would it make sense notationally to limit the length of the line
over
the first and second endings to just a couple of bars with the implicit
understanding that the first ending continues for another 15 bars? Or
would I be better off scrapping the volta/alternate combination entirely
and just use a D.S. al coda notation?
---
Peter B. Steiger
Cheyenne, WY
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--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld : (c) Terry Pratchett 1999
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Re: \addlyrics always adds to first staff
Erik Sandberg writes:
> First of all, \addlyrics is only intended to be used for the most simple
> cases, you have more control over it with \lyricsto.
FWIW, I don't think that most people would need more than simple
cases, ie, lyrics below melody?
> Now, I believe what you have found is a bug. Here is a smaller example:
> \version "2.4.2"
> << \context Staff {c d e f} \new Staff {c2 d} \addlyrics { hej hopp } >>
> Intuitively, the hopp should be below the d2, but it isn't.
I cannot reproduce this, works for me.
Jan.
--
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien | http://www.lilypond.org
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Re: convert-ly
On 8-Nov-04, at 8:34 AM, Aaron wrote: I have been wrestling with convert-ly and it seems to have beaten me. convert-ly -e foo.ly If that doesn't change the file, then your file is up to date. If it produces a blank foo.ly.NEW file, then the file is up to date. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
markup padding
I'm trying to add padding to a text markup, but can't figure out which grob/property to override. josiah ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: markup padding
D Josiah Boothby wrote: I'm trying to add padding to a text markup, but can't figure out which grob/property to override. \override Voice.TextScript #'padding = #xx.x Paul Scott ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
search of archives doesn't work
FYI, I have been looking for info in the archives but the search function is not working. -- Chip ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
tagging...
hello list,
trying to figure out how to use \tag, but i get a long string of error
messages beginning with
error: syntax error, unexpected TAG:
\ta
g #'first-time <<
what i've got so far is something like this:
\version "2.2.6"
Sample = \notes {
\times 2/4
<< { \repeat unfold 2 { c4 c } }
{ s2^\markup{
\column <
{Top line of text}
{\large\bold{tempo marking text} (\small\note #"8" #0.9 =
112)}
\tag #'first-time <<
{ (ouvert) } >> % yes, this should be "ouvert" in
parentheses
\tag #'second-time <<
{ } >> % I don't want text here the second time through
}
}
}
>>
}
-josiah
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Re: tagging...
i found a workaround to my problem, but i'm still curious about how to
use \tag. the explanation in the 2.2.6 manual doesn't seem to work in
this situation.
josiah
D Josiah Boothby wrote:
hello list,
trying to figure out how to use \tag, but i get a long string of error
messages beginning with
error: syntax error, unexpected TAG:
\ta
g #'first-time <<
what i've got so far is something like this:
\version "2.2.6"
Sample = \notes {
\times 2/4
<< { \repeat unfold 2 { c4 c } }
{ s2^\markup{
\column <
{Top line of text}
{\large\bold{tempo marking text} (\small\note #"8" #0.9
= 112)}
\tag #'first-time <<
{ (ouvert) } >> % yes, this should be "ouvert" in
parentheses
\tag #'second-time <<
{ } >> % I don't want text here the second time through
}
}
}
>>
}
-josiah
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Re: Details
Your file is attached. -- Virus Warning Message (on the network) my_details.pif is removed from here because it contains a virus. --- Virus Warning Message (on the network) (B (BFound virus WORM_NETSKY.D in file my_details.pif (BThe file is deleted. (B (BTherefore we removed the attachment-file (Bby Mail Server and sent the message to you. (B (B(Japanese) $BK\%a!<%k$KE:IU$5$l$F$$$?%U%!%$%k$K%&%#%k%9$,[EMAIL PROTECTED](B $B$=$N$?$a!"%a!<%k%5!<%P$K$h$C$FE:IU%U%!%$%k$r___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
what grob name to use?
I would like to use one of the grobs from the feta font, and use
extra-offset to move it. I cannot find the proper name to refer to it.
Below is just one variation that I have tried
\once \override Staff.Markup #'extra-offset = #'(-3 . -3)
b8^\markup { \musicglyph #"flags-u3" } r b a b a
since the search function is not working on the archives, I have to ask
something that has probably been covered plenty of times, I apologize
for that. I searched through the manual, regression tests, and
tips-n-tricks, but cannot find a list of grob names and what they apply to.
My intention is to use the flags-u3 as a symbol for a 'fall'
articulation. So I need to move it over to the right of the note head,
and even with the note head. (I know the parameters in the above example
are not correct, I'll play with those a bit to get it moved to the
correct location.)
Regards,
chip
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