Linux jEdit error list
Hello list,
hello Bert,
I now found out that in some occasions error list does work:
removing/adding a "{" and saving shows the expected result:
...14:Block is not closed
clicking there jumps to line 14, o.k.!
Now I remove the "\" before my midi-block and run the console:
console shows:
/home/thomas/lilypond-files/Gitarre/Unterricht/morenita.ly:66:4:
Fehler: syntax error, unexpected STRING, expecting HEADER or MIDI or
PAPER or '}':
mid
i {\tempo 4 = 126}
But I get no reaction in "error list".
The same happens for barchecks:
console:
/home/thomas/lilypond-files/Gitarre/Unterricht/morenita.ly:61:25:
Warnung: Taktüberprüfung gescheitert bei: `1/16':
c4 bes8 a g a bes c c16
|
No reaction in "error list".
Thank for your help.
Thomas
for Bert: Where should I send my "activity.log"? The message to
[EMAIL PROTECTED] bounces because it exceeds the 64k limit.
P.S.: I just tested under cygwin:
Now I get the "error list" reaction after running liypond from
console:
Barcheck:
morenita.ly:61:barcheck failed at: 1/16:
or missing "\":
morenita.ly:66:syntax error, unexpected STRING, expecting HEADER or
MIDI or PAPER or '}': morenita.ly:73:syntax error, unexpected '}':
Thanks again,
Thomas
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Linux jEdit error list
Hello list,
hello Bert,
I now found out that in some occasions error list does work:
removing/adding a "{" and saving shows the expected result:
...14:Block is not closed
clicking there jumps to line 14, o.k.!
Now I remove the "\" before my midi-block and run the console:
console shows:
/home/thomas/lilypond-files/Gitarre/Unterricht/morenita.ly:66:4:
Fehler: syntax error, unexpected STRING, expecting HEADER or MIDI or
PAPER or '}':
mid
i {\tempo 4 = 126}
But I get no reaction in "error list".
The same happens for barchecks:
console:
/home/thomas/lilypond-files/Gitarre/Unterricht/morenita.ly:61:25:
Warnung: Taktüberprüfung gescheitert bei: `1/16':
c4 bes8 a g a bes c c16
|
No reaction in "error list".
Thank for your help.
Thomas
for Bert: Where should I send my "activity.log"? The message to
[EMAIL PROTECTED] bounces because it exceeds the 64k limit.
P.S.: I just tested under cygwin:
Now I get the "error list" reaction after running liypond from
console:
Barcheck:
morenita.ly:61:barcheck failed at: 1/16:
or missing "\":
morenita.ly:66:syntax error, unexpected STRING, expecting HEADER or
MIDI or PAPER or '}': morenita.ly:73:syntax error, unexpected '}':
Thanks again,
Thomas
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Re: Linux jEdit error list
Thanks, the problem is that lilytool is looking for the string "error" and "warning " after the line and column number to find the errors and warnings. However, you're running lily in German, so lilytool should watch for Fehler and Warnung. I've make a quick patch for this and uploaded the new version (0.2-1) to the project page (http://www.sf.net/projects/lily4jedit) I hope it works now. You can also use the support request, bug and other trackers on our project page. You can upload files there as well. Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Phrasing slur over polyphonic melodies
Hi !
I've a little problem I can't figure out, and I hope someone here knows
the answer !
Imagine somthing like this (where numbers represent notes):
<< {1 2 3} \\
{4 5 6} >>
(Here we have a bar break)
<< {7 8 9} \\
{a b c} >>
Now I want a phrasing slur between notes 1 and 9 , when I try, lilypond
throws me warning because it can't find beginning of slur and end of
slur, so I suppose this is illegal !
How is it possible to achieve that result ?
Thanks !
Raphael
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Re: Phrasing slur over polyphonic melodies
Why don't you simply put the two bars in the same line, like:
<< {1( 2 3 | 7 8 9)} \\ {4 5 6 | a b c} >>
- Sami
Raphael Slinckx wrote:
Hi !
I've a little problem I can't figure out, and I hope someone here knows
the answer !
Imagine somthing like this (where numbers represent notes):
<< {1 2 3} \\
{4 5 6} >>
(Here we have a bar break)
<< {7 8 9} \\
{a b c} >>
Now I want a phrasing slur between notes 1 and 9 , when I try, lilypond
throws me warning because it can't find beginning of slur and end of
slur, so I suppose this is illegal !
How is it possible to achieve that result ?
Thanks !
Raphael
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Re: Phrasing slur over polyphonic melodies
Or perhaps naming Voices explicitily can do the trick.
\context Voice = vocA {
c d e f g << \context Voice = vocA { 1( 2 3 } \\ { 4 5 6 } >>
e f g a << \context Voice = vocA { 7 8 9) } \\ { a b c } >>
}
Why don't you simply put the two bars in the same line, like:
<< {1( 2 3 | 7 8 9)} \\ {4 5 6 | a b c} >>
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Re: Phrasing slur over polyphonic melodies
Ah ! I didn't know it was possible !
Thank you very much, it worked indeed !
Raf
Bertalan Fodor wrote:
Or perhaps naming Voices explicitily can do the trick.
\context Voice = vocA {
c d e f g << \context Voice = vocA { 1( 2 3 } \\ { 4 5 6 } >>
e f g a << \context Voice = vocA { 7 8 9) } \\ { a b c } >>
}
Why don't you simply put the two bars in the same line, like:
<< {1( 2 3 | 7 8 9)} \\ {4 5 6 | a b c} >>
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Re: Fingering
On Wednesday 14 July 2004 01:29 am, Sami Huhtala wrote: > Much simpler solution when the need to force a number above/below the > staff is only temporary: > >c^3 forces the fingering-number above the note >c-3 finds the 'most natural' place for the number > (always[?] above the staff - collisions very likely when > setting polyphonic music!) >c_3 forces the fingering-number below the note > > So basically placing a fingering-number uses the same placing policy > as the articulation marks. The most simple notation (c-3) should be > ok when settin one-voice music, but in keyboard music particularly, > when the fingering number often show on wich hand to play the note, > it is important to have the other options too. > > When fingering polyphonic music following methods are working when > forcing stacked fingering-numbers Not everyone agrees that stacking fingering is ok. The old usage is to have the finger indication closest to its note, and many would prefer to follow that convention. Besides, it consumes less vertical space on the page to do it the old way. daveA -- Paying more at the gas pump? Bush's Oil Sheikh Buddies, who support Al Qaeda, Palestinian terrorists, & hate-U.S. school systems everywhere, need more of your money now to arm and pay Iraqis to kill Americans. D. Raleigh Arnold dra@ (http://www.) openguitar.com [EMAIL PROTECTED] ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Handling of Ties in chords individually?
Hi at all.
I'm still using lilypond 2.2.0, and I wonder, wether it is possible to
determine at tied chords explicitely, which direction every tie shall
have.
To demonstrate that this is necessary, here a little piece of code:
\include "deutsch.ly"
\score {
\context Staff \notes\relative c'' {
\key c \major
g4 g' cis, b g' g, g'
~
g' cis, b g1
}
}
The second tie (from bottom to top) between 'b' and 'b' would look much
better, if its direction would be down. The other ties should behold
their directions.
With \tieDown, \tieUp or \tieBoth I can't get a good result.
Any ideas?
Or perhaps a solution to this is planned for a later lilypond version?
Thanks and Best Regards Roland
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nested repeats
Hello, I'm new to the list. I really like Lilypond. Beautiful printouts but I'm finding using it a big learning curve. I have a question about syntax of repeats which go like this 1. 2.- 5. 6. music notes to first ending :| this ending played *3 :| and this is the final ending I've read throught the documentation but I don't see anythng like this described. Shelagh ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
