slur repeat and alternative
Excuse my poor english (I'm french).
With lilypond 2.0 on Linux RH 7.3 , i can't obtain
what i want with the following :
\score {
\notes {
\time 4/4
\clef bass
\repeat volta2 { c4 d e f( }
\alternative { { d2) d} { f) f,} }
}
\paper { }
}
I get the warning :
/home/jose/lilyfiles/gamme.ly:6:29: AVERTISSEMENT: ne peut repérer le début d'une
liaison:
\alternative { { d2) d} { f
) f,}
What I need is a slur between the f and d2 in the first volta box
(that's OK) and a "slur end on the first f in the second volta box.
Thanks.
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Re: proper placing of chordnames re: alternative ending brackets
It turns out, that another solution to the same problem was already
included in the Tips and Tricks document, see
http://lilypond.org/doc/v2.2/input/test/out-www/collated-files.html#volta-chord-names.ly
/Mats
Mats Bengtsson wrote:
I have added the following example to the Tips and Tricks document
(both for 2.2.x and the development series).
\version "2.2.0"
\header {
texidoc = "@cindex ChordNames repeats
To make the chord names appear below the brackets of the alternative
endings of a repeat, move the Volta_engraver to the Score level.
" }
\score{
<<
\new ChordNames \chords{
\repeat volta 2 {
f1:maj f:7} \alternative{{bes:7}{c:maj}}
}
\new Staff \notes \relative c'{
\repeat volta 2 { c4 d e f g a b c } \alternative{{g2 e }{c1}}
}
>>
\paper {
\context {
\ScoreContext
\consists "Volta_engraver"
\override VoltaBracket #'minimum-space = #0
}
\context {
\StaffContext
\remove "Volta_engraver"
}
}
}
/Mats
Bertalan Fodor wrote:
Hello,
you could use this instead:
...
\context Staff = one \with { \remove Volta_engraver } \melody
...
\paper {
\context {
\ScoreContext \consists "Volta_engraver"
\override VoltaBracket #'minimum-space = #0
}
}
Bert
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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lilypond 2.2.3 on Suse 9.1
Hello list, maybe this is more of a linux question, but I dare to ask. I have to admit that I am new to linux, but I thought: Just try it. So I followed the instructions and compiled lilypond-2.2.3 on SuSe 9.1.. Everything seemed to work correctly, great! Typing "lilypond --ver" gives the expected result. But I get an error message when running lilypond on a *ly file: "lily.scm not in loadpath" So I suppose I missed something important? Any help? Or is it just too hard for a newbie? Thanks Thomas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: slur repeat and alternative
This question has been answered many times on the mailing list
(see the archives).
There is no direct support for this in LilyPond at the moment, so
you have to fake it by drawing the slur in secunda volta from an
invisible note. For example:
\score {
\notes {
\time 4/4
\clef bass
\repeat volta2 { c4 d e f( }
\alternative { { d2) d} { \hideNotes g4( \unHideNotes f2*1/2) f,} }
}
\paper { }
}
/Mats
Jose wrote:
Excuse my poor english (I'm french).
With lilypond 2.0 on Linux RH 7.3 , i can't obtain
what i want with the following :
\score {
\notes {
\time 4/4
\clef bass
\repeat volta2 { c4 d e f( }
\alternative { { d2) d} { f) f,} }
}
\paper { }
}
I get the warning :
/home/jose/lilyfiles/gamme.ly:6:29: AVERTISSEMENT: ne peut repérer le début d'une
liaison:
\alternative { { d2) d} { f
) f,}
What I need is a slur between the f and d2 in the first volta box
(that's OK) and a "slur end on the first f in the second volta box.
Thanks.
___
lilypond-user mailing list
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: lilypond 2.2.3 on Suse 9.1
I guess that you basically did ./configure make make install which means that lily.scm should be installed in /usr/local/share/lilypond/2.2.3/scm/lily.scm Also, the command lilypond-bin --help --verbose should say local_lilypond_datadir: `/usr/local/share/lilypond/2.2.3' If you tried to build it using the RPM preparation tools, I know that there has been some problems in the SuSe RPM, at least in earlier version. /Mats Thomas Scharkowski wrote: Hello list, maybe this is more of a linux question, but I dare to ask. I have to admit that I am new to linux, but I thought: Just try it. So I followed the instructions and compiled lilypond-2.2.3 on SuSe 9.1.. Everything seemed to work correctly, great! Typing "lilypond --ver" gives the expected result. But I get an error message when running lilypond on a *ly file: "lily.scm not in loadpath" So I suppose I missed something important? Any help? Or is it just too hard for a newbie? Thanks Thomas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
External \notes Block Acting Odd
Usually when I work with multiple staves, I keep time sig, key sig, and
tempo changes separate from the music.
I upgraded to 2.2.4, and I started experimenting with the alternative
way of defining instruments.
Old:
\context Staff = "flauti" <<
\set Staff.midiInstrument = #"flute"
\set Staff.instrument = \markup { \center-align <
"Flauto I." > }
\set Staff.instr = \markup { \center-align < "Fl."
> }
\barlines
\theFlutes >>
New:
\new Staff {
\set Staff.instrument = \markup { "Flauti" }
\set Staff.instr = \markup { Fl. }
\set Staff.midiInstrument = #"flute"
\barlines
\new Voice { \Flute }
}
\barlines contains key/time/tempo changes, like this:
barlines = \notes {
\override Score.MetronomeMark #'transparent = ##t
\override Score.TupletBracket #'bracket-visibility = ##f
\override Score.TextScript #'font-magnification = #1.25
\set Score.skipBars = ##t
\time 3/4
\key g \major
s2.*17
\time 6/8
}
Originally, the music and \barlines would tie in perfectly. With the
changes in definition, lilypond now puts \barlines in front in the form
of white space, and then the music follows normally. Any
recommendations as to how to avoid this problem?
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
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