Re: NoteEdit and LilyPond-2.x (ver 2)
On Tue, 6 Jan 2004, [ISO-8859-15] José Luis Cruz wrote: > I reccomend you take a look at the tutorial avaliable at: > I tried it but to tell the truth: I'm despaired: I tried to convert the LilyPond 1.x definition for flat symbol in texts: #(define flat '((raise . 0.2) (font-relative-size . -1) (music (named "accidentals--1" into LilyPond-2.x The following 3 versions are all wrong: #define ( flat ( \musicglyph #"accidentals-1" ) ) flat = \musicglyph #"accidentals-1" flat = ( \musicglyph #"accidentals-1" ) Is it really so complicated ? And how to use the "font-relative-size" and "raise" key words in LilyPond 2 ? -- J.Anders, Chemnitz, GERMANY ([EMAIL PROTECTED]) ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NoteEdit and LilyPond-2.x (ver 2)
HI, Just a small question why is scheme stuff used for making accidentals? I thought that a note c would become cis for a sharp and ces for a flat or a double sharp cisis etc. Aaron Joerg Anders wrote: On Tue, 6 Jan 2004, [ISO-8859-15] José Luis Cruz wrote: I reccomend you take a look at the tutorial avaliable at: I tried it but to tell the truth: I'm despaired: I tried to convert the LilyPond 1.x definition for flat symbol in texts: #(define flat '((raise . 0.2) (font-relative-size . -1) (music (named "accidentals--1" into LilyPond-2.x The following 3 versions are all wrong: #define ( flat ( \musicglyph #"accidentals-1" ) ) flat = \musicglyph #"accidentals-1" flat = ( \musicglyph #"accidentals-1" ) Is it really so complicated ? And how to use the "font-relative-size" and "raise" key words in LilyPond 2 ? ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NoteEdit and LilyPond-2.x (ver 2)
On Mon, 12 Jan 2004, Aaron wrote: > Just a small question why is scheme stuff used for making accidentals? > I thought that a note c would become cis for a sharp and ces for a flat > or a double sharp cisis etc. I want to make chord annotations C#7 Ok, I know there is a LilyPond inherent chord system. Unfortunately, for some reason, I can't use it. I'll set the chord names as orinary uptext. -- J.Anders, Chemnitz, GERMANY ([EMAIL PROTECTED]) ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NoteEdit and LilyPond-2.x (ver 2)
On Monday 12 January 2004 10.13, Joerg Anders wrote:
> On Tue, 6 Jan 2004, [ISO-8859-15] José Luis Cruz wrote:
> > I reccomend you take a look at the tutorial avaliable at:
>
> I tried it but to tell the truth: I'm despaired:
>
> I tried to convert the LilyPond 1.x definition for flat
> symbol in texts:
The way text markup is handled has changed drastically, too. See
http://lilypond.org/doc/v2.1/Documentation/user/out-www/lilypond/
Text-markup.html
What you want is probably
flat = \markup { \raise #0.2 \smaller \musicglyph #"accidentals--2" }
Erik
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Re: More lyrics-related questions
No, not at the moment. Of course, you could add spaces at the end
of a syllable to fool LilyPond into thinking it's longer:
\lyrics { a "long " word } or \lyrics{ a long_ word }
Send it as a feature request to bug-lilypond if you think it's
an important feature to add to the program.
/Mats
Carl Youngblood wrote:
In the piece I'm working on there are some eighth notes that have lyrics
underneath them. For notes that have longer words under them, more
space is created to accommodate the longer word. This makes the
distance between the notes uneven and doesn't look as good, in my
opinion. Is there a way to make it so that if one word widens the note
distance, all the notes in the same beam are widened to even out the
note spacing?
Thanks,
Carl Youngblood
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Stave continues forever...
As has already been answered, you can insert a \break to force a line break. Note, however, that LilyPond will only consider breaking lines where you have a bar line. So, if you are typesetting a cadenza or something else without regular bar lines, you may have to insert a blank bar line where you want the break: \bar "" /Mats Alberto Manuel Brandão Simões wrote: Hi I am missing something it should be someway to say lilypond I want it to break staves when they are too full...? or at least force them. Thanks in advance Alb ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NoteEdit and LilyPond-2.x (ver 2)
On Mon, 12 Jan 2004, Erik Sandberg wrote:
>
> What you want is probably
> flat = \markup { \raise #0.2 \smaller \musicglyph #"accidentals--2" }
>
Thank you!
Last question: What happend with the wavy lines:
g \spanrequest \start "text" g \spanrequest \stop "text"
in LilyPond-1.x ?
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Re: NoteEdit and LilyPond-2.x (ver 2)
On Monday 12 January 2004 12.42, Joerg Anders wrote:
> On Mon, 12 Jan 2004, Erik Sandberg wrote:
> > What you want is probably
> > flat = \markup { \raise #0.2 \smaller \musicglyph #"accidentals--2" }
>
> Thank you!
>
> Last question: What happend with the wavy lines:
>
> g \spanrequest \start "text" g \spanrequest \stop "text"
>
> in LilyPond-1.x ?
I took your code, added \score {\notes{ }} around it, and ran "convert-ly -f
1.6" on it :). Here's the result, which works:
\score {
\notes {
g #(ly:export (make-span-event 'TextSpanEvent START)) g #(ly:export
(make-span-event 'TextSpanEvent STOP))
}
However, this is probably not the way you're supposed to do, I would guess
that the following is what you really want to look at:
http://lilypond.org/doc/v2.1/Documentation/user/out-www/lilypond/
Text-spanners.html#Text%20spanners
Erik
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Re: Printing onto A3
Hi, To answer my own question and for the benefit of others: I found an interesting idea on somebody's website: http://gem.win.co.nz/mb/misc/shellcmds.txt along with some other interesting PS type jobs. At the bottom, there is mention of some tools from the psutils package, namely psbook and psnup. I will look into this, when I get chance. I quote: === Generate postscript file in signature (2x A5 pages to A4): cat _a.ps |psbook |psnup -pa4 -s1 -2 >pa.ps Print odd pages: psselect -o pa.ps >pa_o.ps Print even pages: psselect -e pa.ps >pa_e.ps Print A5 booklet on A4 duplex on HP5Si: cat book.ps |psbook |psnup -pa4 -s1 -2 |\ lpr -Plp2o -J 'PageSize:A4 Duplex:DuplexTumble' Print A4 booklet on A3 duplex on HP5Si: cat book.ps |psbook |psnup -pa3 -s1 -2 |\ lpr -Plp2o -J 'PageSize:A3 Duplex:DuplexTumble' === Cheers, Ralph - Tribal Data Solutions has moved, please visit our website for more details http://www.tribaldata.co.uk. This e-mail and any attachments are confidential and are sent on the basis of our copyright, e-mail and security policy which can be inspected by visiting http://www.tribaldata.co.uk/policies.asp. If you are not the intended recipient, please notify the sender and delete this message. Thank you. --- ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NIRM, in the heart!'
Our US Licensed Doctors will Prescribes Your Medication For Free Medications Shipped Overnight To Your Do. show Me more booty cartel quest camelback coma butterball amnesia asplenium armillaria grieve michelson buzzword contraceptive earring upswing curvilinear sweaty inelastic doppler fabian yank nominate surprise danbury strap prorogue cochineal flaunt homogeneity buttock thrift condensate curse anastasia tommie minor bondholder sceptic apron cornish adaptation onomatopoeia dry guilty tate diehard bible loathe chipmunk periphrastic lingo chopin armadillo betelgeuse yarrow accessible druid cz concerto stomach mcgrath morel earn dilogarithm chancellor gouda daybed tenderfoot bridgework dwelt incommunicable saunders medico pitchstone condemn algenib solid silverman taffeta edwardine dignitary mike ambassador bibliography memorabilia mrs reman ektachrome hausdorff allentown trihedral lull courtier klaxon dalton slogan hallelujah croak sanctity shrew ponderous gel henpeck celebrate supernatant agrarian inveterate snapback afloat cigar cataclysmic housefly dodo schizoid aware stumble couldn't dewdrop scylla o'sullivan angelina dross evoke hayfield minesweeper hodgkin balcony camelot super anthropomorphic automaton sheriff ignoramus trastevere saponify fiche cursive relieve difficult fantasy horsehair jockstrap lily foley hydrogen teflon artie o'leary tale usurpation perception veil mete basswood compile citron goldberg grade depend advantage orgy piccadilly resign warn dual mushroom squirm ascension agent flinty bony resent polonium egg dispelling endemic huntley lim gannet hollingsworth anisotropic eastwood disdain referee coddington morocco bluet bake cultural tripoli certitude timepiece comprehensive gladiator cairo lend waldo salle bogey brilliant aspheric navy lipton prague cadmium chopin epistle clown apologetic abandon investor alcestis occur petri egotist tattler agee fiberglas incaution norwalk sweden raisin sincere unwieldy antisemitic bullseye cotty coequal somerville vandenberg mustang pretend colloq peacemake apollo sweetish it spiderwort reprieve tend cheer fiesta naples chipmunk amber dreary redound cowhide about dopant playroom buyer ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NoteEdit and LilyPond-2.x (ver 2)
On Mon, 12 Jan 2004, Erik Sandberg wrote:
>
> I took your code, added \score {\notes{ }} around it, and ran "convert-ly -f
> 1.6" on it :). Here's the result, which works:
>
> \score {
> \notes {
> g #(ly:export (make-span-event 'TextSpanEvent START)) g #(ly:export
> (make-span-event 'TextSpanEvent STOP))
> }
>
Thank you again.
Unfortunately, it does not create a wavy line. But I'll leave all untouched.
If somebody has any suggestions let me know.
noteedit-2.4.0 is (seems to be) LilyPond -2.x compatible
Other new features:
- Spanish GUI translation (thanks to Daniel Tonda Castillo)
- a terrible slur bug which prohibited even restorage of some
*.not files is (hopefully) fixed
- improvements in MusicXML import (Thanks to Leon Vinken)
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SUSE 9, Lilypond 1.8.1
Howdy, I've recently upgraded to SUSE 9 which came with Lilypond 1.8.1. Problem is, it won't run. I get the following error message when I type 'lilypond' GNU LilyPond 1.8.1ERROR: In procedure primitive-load-path: ERROR: Unable to find file "lily.scm" in load path Can someone tell me where to locate lily.scm or how I can specify my 'primitive-load-path' to make Lilypond work? Thanks, Suzanne __ New! Unlimited Netscape Internet Service. Only $9.95 a month -- Sign up today at http://isp.netscape.com/register Act now to get a personalized email address! Netscape. Just the Net You Need. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: NoteEdit and LilyPond-2.x (ver 2)
Joerg Anders writes:
> Unfortunately, it does not create a wavy line. But I'll leave all untouched.
> If somebody has any suggestions let me know.
This seems to have dropped from the documentation when 'type was
renamed to 'style.
Try:
\relative c' { c1
\property Voice.TextSpanner \set #'style = #'trill
c2\startTextSpan b c\stopTextSpan a
}
Btw, if you need it for trills, see the trill.ly entry at:
http://lilypond.org/doc/v2.1/input/test/out-www/collated-files.html
Greetings,
Jan.
--
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http://www.xs4all.nl/~jantien | http://www.lilypond.org
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Re: SUSE 9, Lilypond 1.8.1
Suzanne E. Blatt writes: > Howdy, > > I've recently upgraded to SUSE 9 which came with Lilypond 1.8.1. > Problem is, it won't run. I get the following error message when I > type 'lilypond' Did you see this thread? http://mail.gnu.org/archive/html/bug-lilypond/2004-01/msg00025.html -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: jazz articulations - fall
Hi,
I tried this, and they look cool.
In addition to what Rune wrote:
sright = {
\once \property Voice.scriptHorizontal = ##t
\once \property Voice.TextScript \override #'direction = #right
>>\once \property Voice.TextScript \override #'padding = #0.5
}
...I found that changing the padding to 0.5 gets the fall closer to the
note and looks cooler.
Added line might not be quite right although I tried it at home, but I'm
at work and haven't gat facilities to try it and make sure.
Echoing what chip says, it would be kinda cool to have it implemented
internally. Perhaps I'll have a look at it
Regards,
Ralph
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If you are not the intended recipient, please notify the sender and delete this
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Re: Dynamics
If you want the dynamics centered between the two staves,
go to www.lilypond.org, click on Documentation, then on
Templates and look at the template called piano-dynamics.ly.
/Mats
Alberto Manuel Brandao Simoes wrote:
Hmms.. hello all :)
Answering also Nick, I am using lilypond 2.01 in slackware.
I'm sending in attach an example of how am I using dynamics. Meanwhile,
I'll try to read a little more the lilypond documentation.
BTW, if you know how to put the file I'm sending correct for 4 hands
piano, I will appreciate ;)
Best regards,
Alb
On Sat, 2004-01-10 at 19:13, Ruud van Silfhout wrote:
Hi Alb,
if you add \dynamicUp or \dynamicDown to your score you can force the dynaics
to be shown above or below a staff. to revert to the original mode, whre
lilypond is free to choose, you can use \dynamicBoth. See online manual
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Dynamics.html#Dynamics
Bye,
Ruud
-- Oorspronkelijk bericht --
Subject: Dynamics
From: Alberto Manuel Brandao Simoes <[EMAIL PROTECTED]>
To: lilypond <[EMAIL PROTECTED]>
Date: Sat, 10 Jan 2004 16:19:29 +
Reply-To: [EMAIL PROTECTED]
Dear lilypond users,
I'm writing piano musics, and putting dynamics together with the up
staff. While it appears almost in the right place, it is not placed in
the middle of the two staves (as we are used). Where am I failing?
Thanks
Alb
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\header {
title = "28 melodische Übungsstücke - 2."
composer = "Anton Diabelli"
opus = "Op 149"
mutopiatitle = "28 melodische Übungsstücke"
mutopiacomposer = "Anton Diabelli"
mutopiaopus = "Opus 149-2"
mutopiainstrument = "Piano, Piano"
source = "If I could know..."
style = "Classical"
copyright = "MutopiaBSD"
maintainer = "Alberto Simões"
maintainerEmail = "[EMAIL PROTECTED]"
maintainerWeb = "http://alfarrabio.di.uminho.pt/~albie";
lastupdated = "2004/Jan/09"
}
primoUp = \notes {
\time 4/4
\clef treble
\relative c''' {
#(set-octavation 1)
\repeat volta 2 {
e2-3\p( d-2) c-1\<( d4 e\!)
f2-4\p( e4 c) e2-3( d)
e-3\<( f4 g\!)g2-5\>( d-2\!)
c-1\<( d4 e\!)e2-3\f( d)
}
\repeat volta 2 {
f-4\f( e4\p f)d2-2( e4 f)
g2-5\f( f4\p g) e2-3( f4 g)
f2-4( e4 d) e2-3( d4 c)
d-2\f( g-5 e-3 c-1) d1
e2-3\p( d) c-1\<( d4 e\!)
f2-4\p( e4 c) e2-3( d)
e-3\<( f4 g\!)g2-5\>( f4-4 d-2\!)
c2-1\p( e4-3 d) c1
}
\bar "|."
}
}
primoDown = \notes {
\time 4/4
\clef treble
\relative c'' {
\repeat volta 2 {
e2-3( d-4) c-5( d4 e)
f2-2( e4 c) e2-3( d)
e-3( f4 g)g2-1( d-4)
c-5( d4 e)e2-3( d)
}
\repeat volta 2 {
f-2( e4 f)d2-4( e4 f)
g2-1( f4 g) e2-3( f4 g)
f2-2( e4 d) e2-3( d4 c)
d-4( g-1 e-3 c-5) d1-4
e2-3( d) c-5( d4 e)
f2-2( e4 c) e2-3( d)
e-3( f4 g)g2-1( f4-2 d-4)
c2-5( e4-3 d) c1
}
\bar "|."
}
}
secondoUp = \notes {
\time 4/4
\clef bass
\relative c' {
\repeat volta 2 {
g'4\p( g, g' g,)
g'\<( g, b-2 c\!)
d-4\p( g, c-3 g)
c-4( g b-3 g)
c-4\<( g-1) g-.-2 g-.-1\!
b-3\<( g b g\!)
c-4\<( g b c\!)
c-3\f( g b-2 g)
}
\repeat volta 2 {
d'-4\f( g,\p c d)
b-3( g c-3 d)
e-5\f( g,\p d' e)
c-3( g d-4 e)
d-4( g c-4 b)
c-4( g-1 f-3 e-2)
g-1\f( d'-5 c-4 g-1)
b1-2
\clef treble
g'4\p( g, g' g,)
g'\<( g,) \!
\p g, g
\clef bass
c-4( g b-3 g)
c-4\<( g b-3 bes-2\!)
a-1\>( cis-2 d-3 f\!)
e-4\p( g, g)
}
\alternative{
{ 1 }
{ 1 }
}
\bar "|."
}
}
secondoDown = \notes {
\time 4/4
\clef bass
\relative c, {
\property Voice.fingeringOrientations = #'(down)
\repeat volta 2 {
c2-4( f-1
e-2 d4 c)
b2( c4-4 e-2
g1)
c,2-5( d4 e f1-2)
e2-1( d4-2 c-3 g2 g')
}
\repeat volta 2 {
g,( g')
g,( g')
g,( g')
g,( g')
1
1
2( 4)
2(
4 )
2( 4 e-3 g1-1)
c,-2( )
2
}
\alternative {
{ 4( g'-2 e-1 c-2) }
{ 1 }
}
\bar "|."
}
}
\score{
% \context PianoStaff \notes <<
% \context Staff = up << \primoUp >>
% \context Staff = down << \primoDown >>
% >>
\context PianoStaff \notes<<
\context Staff = up << \secondoUp >>
\context Staff = down << \secondoDown >>
>>
\paper {}
\header { piece = "Andante cantabile" }
}
__
Re: Emacs mode
> Linux, slackware. Then you should probably file a bug report with the slackware package maintainer. > On Sat, Jan 10, 2004 at 09:26:07AM +0100, Jan Nieuwenhuizen wrote: > | Alberto Simoes writes: > | > | > I've read it somewhere, but I can't find it... is there an emacs mode > | > for mudela, right? And, where can I find it? > | > | What operating system, what distribution? > | > | Jan. > | > | -- > | Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter > | http://www.xs4all.nl/~jantien | http://www.lilypond.org > | > > -- > Departamento de Informatica - Universidade do Minho > > "The C Programming Language -- A language which combines the > flexibility of assembly language with the power of assembly language." > > > ___ > Lilypond-user mailing list > [EMAIL PROTECTED] > http://mail.gnu.org/mailman/listinfo/lilypond-user > > -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Lyrics too far from notes
The property setting means that the lyrics is typeset within a rectangle that extends at least 3 units down (that's that -3) and 3 units up elative to the baseline of the lyrics. This rectangle is then put next to the rectangle where the stave is typeset (see Documentation -> Program reference ->Translation -> Contexts -> Staff for information on the smallest size of that rectangle). So, if you want the lyrics closer to the staves, you can decrease the verticalExtent in the both the Staff context and the LyricsVoice context (note that your setting actually increases the spacing compared to the default). /Mats Carl Youngblood wrote: I have some little sections of lyrics that I want to display above and below the normal SATB staves just for occasional parts that split. Right now they are showing up way too far away from the notes. Could someone please explain how to fix this? I would like to be able to tweak each piece of lyrics on an individual basis if possible. I've tried the suggested minimumVerticalExtent = #'(-3 . 3) but this doesn't make much of a difference and I can't figure out how to make it more drastic. What do the -3 and 3 mean? Thanks, Carl ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
SUSE 9, Lilypond 1.8.1
[EMAIL PROTECTED] writes: > > Howdy, > > I've recently upgraded to SUSE 9 which came with Lilypond 1.8.1. > Problem is, it won't run. I get the following error message when I > type 'lilypond' In that case, you should report a bug with SuSE, who seem to have made an error in packaging Lilypond. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
melisma problem
lilypond v2.1.6 4/4 time, end of piece: note1( note1 note8) r r4 r2 R1 \bar "|." lyric: word--. The last syllable of a hyphenated word begins on the first whole note. I have a similar situation earlier, except that the notes are two whole notes tied together. The following works for the earlier occurrence: word1.__ _.2 and provides a melisma which extends nearly to the end of the measure, followed by a space and finally, a period. I have tried the same arrangement with the problem segment, i.e., word1.__ _.2 \skip1 \skip1 and have tried other variations of similar timing. The output is a melisma which ends at approximately the first beat of the second whole note, followed by a large blank space and a period approximately centered in the measure. Suggestions would be much appreciated. Stan ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Forced # of measures per system?
How do you force lilypond to use a certain number of measures per system? Thanks, Carl Youngblood smime.p7s Description: S/MIME cryptographic signature ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Full size clef
The predefined \endincipit macro seems to work in 2.0, see
http://lilypond.org/doc/v2.0/input/test/out-www/collated-files.html#incipit.ly
For the record, the macro definition (found in ly//property-init.ly) is
% End the incipit and print a ``normal line start''.
endincipit = \notes \context Staff {
\partial 16 s16 % Hack to handle e.g. \bar ".|" \endincipit
\once \property Staff.Clef \set #'full-size-change = ##t
\once \property Staff.Clef \set #'non-default = ##t
\bar ""
}
If you still have problems, please send an example to the list.
/Mats
Laura Conrad wrote:
"Laura" == Laura Conrad <[EMAIL PROTECTED]> writes:
"Han-Wen" == Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
Han-Wen> \property Staff.Clef \set #'full-size-change = ##t
Han-Wen> should also work in 1.8
Laura> It does work in 1.8. I'm trying to upgrade it to 2.0.
Or to put the question another way, how, in 2.0, does one tell Lily to
make a second clef be full-sized, and not smaller than the first
clef? I need this for anything that's going to indicate the original
clef in an incipit.
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Debian (Sid) packages for Lilypond 2.1.8
Hi all, Debian Sid packages (binary and sources) of Lilypond 2.1.8 are available from my website: http://www.pedrokroeger.net/lilypond/ They're also apt-gettable adding the following line to sources.list: deb http://www.pedrokroeger.net/lilypond/ ./ deb-src http://www.pedrokroeger.net/lilypond/ ./ And running the commands: apt-get update apt-get install lilypond (or apt-get install lilypond=2.1.8-1 in some cases) Check the readme file for some random tips: http://www.pedrokroeger.net/lilypond/readme.txt Cheers, Pedro ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Dynamics
On Mon, 2004-01-12 at 16:35, Mats Bengtsson wrote:
> If you want the dynamics centered between the two staves,
> go to www.lilypond.org, click on Documentation, then on
> Templates and look at the template called piano-dynamics.ly.
>
> /Mats
Nice! It works! Thanks.
Now my problem is more a question of style than really a problem... is
it not possible to include almost that code on a separate file? (and,
shouldn't that file be included in lilypond distro?).
Just by 5 euro cents ;)
Alb
>
> Alberto Manuel Brandao Simoes wrote:
> > Hmms.. hello all :)
> >
> > Answering also Nick, I am using lilypond 2.01 in slackware.
> > I'm sending in attach an example of how am I using dynamics. Meanwhile,
> > I'll try to read a little more the lilypond documentation.
> >
> > BTW, if you know how to put the file I'm sending correct for 4 hands
> > piano, I will appreciate ;)
> >
> > Best regards,
> > Alb
> >
> > On Sat, 2004-01-10 at 19:13, Ruud van Silfhout wrote:
> >
> >>Hi Alb,
> >>
> >>if you add \dynamicUp or \dynamicDown to your score you can force the dynaics
> >>to be shown above or below a staff. to revert to the original mode, whre
> >>lilypond is free to choose, you can use \dynamicBoth. See online manual
> >>http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Dynamics.html#Dynamics
> >>
> >>
> >>Bye,
> >>Ruud
> >>
> >>
> >>>-- Oorspronkelijk bericht --
> >>>Subject: Dynamics
> >>>From: Alberto Manuel Brandao Simoes <[EMAIL PROTECTED]>
> >>>To: lilypond <[EMAIL PROTECTED]>
> >>>Date: Sat, 10 Jan 2004 16:19:29 +
> >>>Reply-To: [EMAIL PROTECTED]
> >>>
> >>>
> >>>Dear lilypond users,
> >>
> >>I'm writing piano musics, and putting dynamics together with the up
> >>staff. While it appears almost in the right place, it is not placed in
> >>the middle of the two staves (as we are used). Where am I failing?
> >>
> >>Thanks
> >>Alb
> >>
> >>
> >>
> >>
> >>___
> >>Lilypond-user mailing list
> >>[EMAIL PROTECTED]
> >>http://mail.gnu.org/mailman/listinfo/lilypond-user
> >>
> >>
> >>
> >>
> >>
> >>
> >>\header {
> >>title = "28 melodische Übungsstücke - 2."
> >>composer = "Anton Diabelli"
> >>opus = "Op 149"
> >>
> >>mutopiatitle = "28 melodische Übungsstücke"
> >>mutopiacomposer = "Anton Diabelli"
> >>mutopiaopus = "Opus 149-2"
> >>mutopiainstrument = "Piano, Piano"
> >>source = "If I could know..."
> >>style = "Classical"
> >>copyright = "MutopiaBSD"
> >>maintainer = "Alberto Simões"
> >>maintainerEmail = "[EMAIL PROTECTED]"
> >>maintainerWeb = "http://alfarrabio.di.uminho.pt/~albie";
> >>lastupdated = "2004/Jan/09"
> >>}
> >>
> >>primoUp = \notes {
> >>\time 4/4
> >>\clef treble
> >>\relative c''' {
> >>#(set-octavation 1)
> >>\repeat volta 2 {
> >>e2-3\p( d-2) c-1\<( d4 e\!)
> >>f2-4\p( e4 c) e2-3( d)
> >>e-3\<( f4 g\!)g2-5\>( d-2\!)
> >>c-1\<( d4 e\!)e2-3\f( d)
> >>}
> >>\repeat volta 2 {
> >>f-4\f( e4\p f)d2-2( e4 f)
> >>g2-5\f( f4\p g) e2-3( f4 g)
> >>f2-4( e4 d) e2-3( d4 c)
> >>d-2\f( g-5 e-3 c-1) d1
> >>
> >>e2-3\p( d) c-1\<( d4 e\!)
> >>f2-4\p( e4 c) e2-3( d)
> >>e-3\<( f4 g\!)g2-5\>( f4-4 d-2\!)
> >>c2-1\p( e4-3 d) c1
> >>}
> >>\bar "|."
> >>}
> >>}
> >>
> >>primoDown = \notes {
> >>\time 4/4
> >>\clef treble
> >>\relative c'' {
> >>\repeat volta 2 {
> >>e2-3( d-4) c-5( d4 e)
> >>f2-2( e4 c) e2-3( d)
> >>e-3( f4 g)g2-1( d-4)
> >>c-5( d4 e)e2-3( d)
> >>}
> >>\repeat volta 2 {
> >>f-2( e4 f)d2-4( e4 f)
> >>g2-1( f4 g) e2-3( f4 g)
> >>f2-2( e4 d) e2-3( d4 c)
> >>d-4( g-1 e-3 c-5) d1-4
> >>
> >>e2-3( d) c-5( d4 e)
> >>f2-2( e4 c) e2-3( d)
> >>e-3( f4 g)g2-1( f4-2 d-4)
> >>c2-5( e4-3 d) c1
> >>}
> >>\bar "|."
> >>}
> >>}
> >>
> >>secondoUp = \notes {
> >>\time 4/4
> >>\clef bass
> >>\relative c' {
> >>\repeat volta 2 {
> >>g'4\p( g, g' g,)
> >>g'\<( g, b-2 c\!)
> >>d-4\p( g, c-3 g)
> >>c-4( g b-3 g)
> >>c-4\<( g-1) g-.-2 g-.-1\!
> >>b-3\<( g b g\!)
> >>c-4\<( g b c\!)
> >>c-3\f( g b-2 g)
> >>}
> >>\repeat volta 2 {
> >>d'-4\f( g,\p c d)
> >>b-3( g c-3 d)
> >>e-5\f( g,\p d' e)
> >>c-3( g d-4 e)
> >>d-4( g c-4 b)
> >>c-4( g-1 f-3 e-2)
> >>g-1\f( d'-5 c-4 g-1)
> >>b1-2
> >>\clef treble
> >>g'4\p( g, g' g,)
> >>g'\<( g,) \!
> >>\p g, g
> >>\clef bass
> >>c-4( g b-3 g)
> >>c-4\<( g b-3 bes-2\!)
> >>a-1\>( cis-2 d-3 f\!)
> >>
The name of the instrument is... primo :)
Hi again.
I'm typesetting four hands music and it is common to have before the
piano stave the string 'Primo' and 'Secondo'
I've tried:
\score{
\context PianoStaff <<
\property Staff.instrument = "Primo "
\context Staff = up\primoUp
\context Dynamics = dynamics \primoDynamics
\context Staff = down \primoDown
>>
..
and some other combinations but I can't put it OK. Ideas?
Thanks
Alberto
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Re: Forced # of measures per system?
On Monday 12 January 2004 22.44, Carl Youngblood wrote:
> Thanks for the help. The only problem I have now is that this causes an
> empty staff to show up for the \repeat section. How do I get rid of
> this and still retain the number of measures per system that I want?
>
Put it into an existing staff. If you have a staff, say
\context Staff {...music...}
then change this to:
\context Staff <<
\repeat \unfold 7 {\repeat \unfold 3 {s1 \noBreak } s1 \break }
{...music...}
>>
Erik
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Re: SATB 2-staff template and request for suggestions
Nick Busigin <[EMAIL PROTECTED]> writes: > Question: Will the examples in the Wicki eventually end up on the >official "Tips & Tricks" page? Yes, if somebody submits an appropriate patch to the maintainers. The Wiki should be a temporary discussion and information gathering place. Add all sorts of tiny comments, and if something sensible emerges, I will create patches to move information into the offical documentation. Feri. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Forced # of measures per system?
Hello, Carl:
How do you force lilypond to use a certain number of measures per
system?
Basically, you "superimpose" the break rules on the existing music,
using \simultaneous, the short-hand << >>, or some other method --
here's one example from the online docs:
For linebreaks at regular intervals use \break separated by skips and
repeated with \repeat:
<< \repeat unfold 7 { s1 * 4 \break }
the real music
>>
See
for more details.
Hope this helps!
Kieren.
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hairpins to end-of-measure
[ Mac OS X 10.2.8; Lilypond 2.0.1 ] Hello, all -- I'm trying to engrave hairpins which end at the end of a measure (i.e., rather than the downbeat of the following measure), and was wondering two things: 1. Is there a shorter way of getting the hairpins to extend to the very end of the measure than to use a bunch of \skip durations? 2. If not, does the addition of all those \skip durations affect the spacing of the measure at all? (From an informal visual survey, I would say no, but I'd like confirmation/proof.) Thanks! Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Debian (Sid) packages for Lilypond 2.1.8
* Paul Scott ([EMAIL PROTECTED]) wrote: > I certainly appreciate your effort here but your packages always break > my emacs setup and Ferenc's always work correctly. This is what emacs says: > > > cd /home/paul/music/pima/ > lilypond /home/paul/music/pima/dy1r1.ly > lilypond (GNU LilyPond) 2.1.8 > lilypond: error: `/usr/bin/lilypond-bin --version ' failed (132) > > 2Dvi exited abnormally with code 1 at Mon Jan 12 15:31:15 > I'm sorry to hear that. > Maybe you could compare notes with Ferenc and figure this out. I'd be happy to. AFAIK, the only difference between the 2 versions (besides the fact that one was compiled in the stable debian while the other in unstable) is package dependencies. An user had some problems with python, for instance. AFAICR, you're running a "mixed" debian right? Maybe some package can/has to be updated. To be truly honest, I haven't updated the packages dependencies requirements. I'm going to do it ASAP, maybe that will help. Could you run lilypond with -v from the shell (and not from emacs) and send the output? Pedro ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
RE: The name of the instrument is... primo :)
Now I've tried. Thanks, it worked.
On Mon, 2004-01-12 at 22:29, Bertalan Fodor wrote:
> Did you try to use "\property PianoStaff.instrument"?
>
> > \score{
> > \context PianoStaff <<
> > \property Staff.instrument = "Primo "
> > \context Staff = up\primoUp
> > \context Dynamics = dynamics \primoDynamics
> > \context Staff = down \primoDown
> > >>
> > ..
>
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Re: SATB 2-staff template and request for suggestions
[EMAIL PROTECTED] writes: > Nick Busigin <[EMAIL PROTECTED]> writes: > > > Question: Will the examples in the Wicki eventually end up on the > >official "Tips & Tricks" page? > > Yes, if somebody submits an appropriate patch to the > maintainers. The Wiki should be a temporary discussion > and information gathering place. Add all sorts of tiny > comments, and if something sensible emerges, I will create > patches to move information into the offical documentation. For the tips & tricks, it is best if the each example is stripped to its bare essentials, and only demonstrates one and only one tip or trick. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: SATB 2-staff template and request for suggestions
> Nick Busigin <[EMAIL PROTECTED]> writes: > > > Question: Will the examples in the Wicki eventually end up on the > >official "Tips & Tricks" page? > On Mon, 12 Jan 2004, Ferenc Wagner wrote: > Yes, if somebody submits an appropriate patch to the > maintainers. The Wiki should be a temporary discussion > and information gathering place. Add all sorts of tiny > comments, and if something sensible emerges, I will create > patches to move information into the offical documentation. > > Feri. Thanks Feri. I'm new to Wiki style collaboration. Yesterday I spent a little time looking around the Wiki you set up and the documentation on how it works and how it is intended to be used. It looks like it has good potential for expanding on the existing doc's in a way that complements them. I also noticed that the lily doc' pages all have links to the Wiki. That was fast! As I find things that are unclear (at least to me) I'll contribute some examples to the Wiki as I figure things out. Thanks for setting it up and thanks to Han-Wen for getting the links to the Wiki up so fast. Nick ==--- www.SongBirdofSwing.com ---== Nick Busigin [EMAIL PROTECTED] Visit Our Indie Jazz CD Construction Project! ==--- www.SongBirdofSwing.com ---== ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Debian (Sid) packages for Lilypond 2.1.8
Pedro Kroger wrote: Hi all, Debian Sid packages (binary and sources) of Lilypond 2.1.8 are available from my website: Hi Pedro. I certainly appreciate your effort here but your packages always break my emacs setup and Ferenc's always work correctly. This is what emacs says: cd /home/paul/music/pima/ lilypond /home/paul/music/pima/dy1r1.ly lilypond (GNU LilyPond) 2.1.8 lilypond: error: `/usr/bin/lilypond-bin --version ' failed (132) 2Dvi exited abnormally with code 1 at Mon Jan 12 15:31:15 Maybe you could compare notes with Ferenc and figure this out. Thanks, Paul Scott ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Forced # of measures per system?
Thanks for the help. The only problem I have now is that this causes an
empty staff to show up for the \repeat section. How do I get rid of
this and still retain the number of measures per system that I want?
Thanks,
Carl
On Jan 12, 2004, at 2:14 PM, Erik Sandberg wrote:
On Monday 12 January 2004 17.22, Carl Youngblood wrote:
How do you force lilypond to use a certain number of measures per
system?
Thanks,
Carl Youngblood
See
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/
Line-breaking.html#Line%20breaking
More correct would however be:
\repeat \unfold 7 {\repeat \unfold 3 {s1 \noBreak } s1 \break }
Erik
smime.p7s
Description: S/MIME cryptographic signature
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Re: SATB 2-staff template and request for suggestions
[EMAIL PROTECTED] writes: > > Thanks for setting it up and thanks to Han-Wen for getting the links to > the Wiki up so fast. (Now let's hope that the wiki doesn't go down every weekend, like this weekend) -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
publishing the lilypond essay
Greetings. I am a big fan of GNU Lilypond, as well as a fellow hacker, so I wanted to write in with some kudos for a job very well done. Recently, I've been looking into publishing some sheet music books, and plan to use Lilypond for the engraving. I had two questions (and here's hoping this is the right address to send to). First, I was wondering if you have a version of your online essay http://lilypond.org/web/about/automated-engraving/ that you'd like published. I'd like to give credit to the Lilypond team, and also explain to our readers why the engraving is of such high quality. My first thought was to reproduce your essay (verbatim or condensed) in each edition. What do you think? Do you have a PDF version of it already? Second, I work on this project with several people who have a very keen eye for typesetting and musical notation (alas, I am not one myself). I was curious if this is the right place to send in errors or suggested corrections that they catch in the output of Lilypond. I'm fluent in C++ and python, so with some orientation I may be able to help contribute fixes. Is there someone in particular I should talk to about this? I'd hate to be submitting things that are either not actual bugs or redundant known issues. Thanks, Eric ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Octavation line
Hi again. I am using the octavation line (I hope this is the correct way to write it) and it works. The only problem is that it is a little glues to slurs and numbers. Is there any type of control of the distance between that line and the stave? Thanks for the help. Alberto ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
example files (was "Re: SATB 2-staff template and request for suggestions")
Hey, y'all... Han-Wen Nienhuys wrote: For the tips & tricks, it is best if the each example is stripped to its bare essentials, and only demonstrates one and only one tip or trick. I would agree with this *to a point*. However, for my own learning curve -- especially when I'm a newbie in some field -- I find it useful to see "real-world" examples, which almost by definition will include tens (if not hundreds) of tips/tricks/techniques working together towards a well-defined, "useful" goal. Being shown how a bolt fits into a nut is one thing; seeing fourteen bolt-and-nut combos combined with three pieces of dovetail-joined wood and a leather strap to make a portable bookcase can often be more instructive to many people. Unfortunately, these "intermediate examples" are much more difficult to develop properly than simple "one-trick ponies" -- I know, having been involved in training and materials development for many years -- but that fact should not deter us from doing our best. Hopefully, we (the Lilypond community) can work together to make sure as many different "instructive" examples as possible **of differing complexities** are available, so that the greatest number of learners can take the fullest advantage of Lilypond in the shortest period of time. Onward and upward! Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Debian (Sid) packages for Lilypond 2.1.8
Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
I certainly appreciate your effort here but your packages always break
my emacs setup and Ferenc's always work correctly. This is what emacs says:
cd /home/paul/music/pima/
lilypond /home/paul/music/pima/dy1r1.ly
lilypond (GNU LilyPond) 2.1.8
lilypond: error: `/usr/bin/lilypond-bin --version ' failed (132)
2Dvi exited abnormally with code 1 at Mon Jan 12 15:31:15
I'm sorry to hear that.
Maybe you could compare notes with Ferenc and figure this out.
I'd be happy to. AFAIK, the only difference between the 2 versions
(besides the fact that one was compiled in the stable debian while the
other in unstable) is package dependencies. An user had some problems
with python, for instance. AFAICR, you're running a "mixed" debian
right? Maybe some package can/has to be updated.
My system is now strictly unstable.
I was wrong. This is not an emacs problem.
[EMAIL PROTECTED]:~/music/pima$ lilypond -V dy1r1.ly
lilypond (GNU LilyPond) 2.1.8
Opening pipe `/usr/bin/lilypond-bin --version 'lilypond: error:
`/usr/bin/lilypond-bin --version ' failed (0)
Traceback (most recent call last):
File "/usr/bin/lilypond", line 792, in ?
ly.lilypond_version_check (lilypond_binary, '2.1.8')
File "/usr/share/lilypond/2.1.8/python/lilylib.py", line 216, in
lilypond_version_check
v = lilypond_version (binary)
File "/usr/share/lilypond/2.1.8/python/lilylib.py", line 203, in
lilypond_version
p = read_pipe ('%s --version ' % binary)
File "/usr/share/lilypond/2.1.8/python/lilylib.py", line 276, in read_pipe
exit (status)
File "/usr/share/lilypond/2.1.8/python/lilylib.py", line 130, in exit
raise _ ('Exiting (%d)...') % i
Exiting (4)...
To be truly honest, I haven't updated the packages dependencies
requirements. I'm going to do it ASAP, maybe that will help.
Thanks. Lets see what happens.
Could you run lilypond with -v from the shell (and not from emacs) and
send the output?
That is answered above.
Thanks,
Paul
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RE: The name of the instrument is... primo :)
Did you try to use "\property PianoStaff.instrument"?
> \score{
> \context PianoStaff <<
> \property Staff.instrument = "Primo "
> \context Staff = up\primoUp
> \context Dynamics = dynamics \primoDynamics
> \context Staff = down \primoDown
> >>
> ..
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