Re: Associating
Webfingers writes: > Associating an text editor for lilypond .ly extention in Windows XP > here's what I did, on windows xp > 4. next type in .LY and click Ok > 8. Now click the Browse button to navigate to the program/editor you > would like to use to open the .ly files it's now associated and can > open and save with the .ly extension Thanks. I think that the next release will do this automatically. So what you're saying is that when this .ly->notepad association is made, it will be easier to save .ly files. Jan. Btw, you address bounces, could you please fix that "Webfingers" -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
accelerando beams
i need to make some "accelerando beams" - you know, the ones in modern notation with two beams starting close together and getting gradually further apart towards the end of the beamed group of notes. afaik, this is not currently supported in lilypond. i'm thinking of making this by having two polyphonic eigth note lines with the note/stem postitions tweaked to be concurrent. then i would make just the notes and stems of one of those lines transparent and adjust the beam angle to be sufficiently different from the other one to produce the desired effect. does this sound workable, or has someone already found a better way? if someone has already done this, i would love to see code! many thanks! -p ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Debian (Woody) packages for Lilypond 1.9.6
Now that I have some more time, let me elaborate a bit... Han-Wen Nienhuys <[EMAIL PROTECTED]> writes: > [EMAIL PROTECTED] writes: > >> Imagemagick is needed. As a build dependency, which is missing. >> autotrace 0.29 is enough. > > 0.30 is necessary for mftrace. 0.29 works but crashes sometimes. I thought the mftrace dependency was artifical, since I never had any problems. Since it is also a Build-dep only, I probably will not compile autotrace. >> texinfo 4.1 is enough. > > 4.1 will fill your HD with 200 copies of music-glossary.info. Wow, that really seems excessive. Never noticed, since they are all different. I already compiled Texinfo, but did not install though. If so, maybe configure should be thought to complain and do not build the docs. Likewise for autotrace. >> g++ 2.95 is enough. > > We had many hard-to-trace coredump problems with this GCC version. Can it be a reason for the multitude of documentation errors? I never experienced core dumps. But did not test the build either... Thanks for the info, I can see better now... Feri. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Newbie question
After a time of practice, I wish now to enter a bigger orchestral piece. I don't no exactly the right following order; firts the parts and after the score? Or otherwise? And what is the best way to make a .ly file so "clean" and precisely possible? I have no see any explanation of this subject on the web. Can somebody help my or give a right direction? Many thanks. Bernard ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Debian (Woody) packages for Lilypond 1.9.6
[EMAIL PROTECTED] writes: > As a build dependency, which is missing. > > >> autotrace 0.29 is enough. > > > > 0.30 is necessary for mftrace. 0.29 works but crashes sometimes. > > I thought the mftrace dependency was artifical, since I > never had any problems. Since it is also a Build-dep only, > I probably will not compile autotrace. you will get clunky PDFs, which is why I think we should make mftrace mandatory. > > We had many hard-to-trace coredump problems with this GCC version. > > Can it be a reason for the multitude of documentation > errors? No. Disregard the documentation "errors". If something is really wrong, it will stop with an error. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
strange thread behaviour in 1.9.8??
in "tips and tricks" : harmonic.ly
if the initial c'4 is removed, then the two notes within the <<>> behave
as polyphony rather than as a chord. this is consistent with the new
polyphony and chord syntax, but why does the initial c'4 force chord
behaviour?
if, after removing the initial c'4, i then place the multi-threaded chord
in a \context Voice {} block, then it DOES behave as a chord again.
perhaps, to have a consistent syntax, multithreaded chords should always
be placed in a Voice context now?
-p
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Stanza numbers and lyric hyphens
Ive found the following code in the mail archives to align stanza numbers, but it
doesnt make sense to me.
\score{
...
\paper{
...
\translator{
\ScoreContext
%%% Choose which one of the following lines you want to uncomment
% StanzaNumber \override #'break-align-symbol = #'Time_signature
StanzaNumber \override #'break-align-symbol = #'begin-of-note
}
}
}
I am using 1.8.1. Both of these options align the stanza numbers to the right. I can
not find the parameter begin-of-note anywhere in the documentation. Any parameter I
type in, other than clef, seems to align the stanza numbers to the right. Also, I can
not find any examples that use break-align-symbol for any symbol.
What Im trying to do is get my stanza numbers closer to the lyrics, but when the
stanza numbers come up against a hyphenated word, its all jammed together. If I
cant move the stanza numbers, could I eliminate the lyric hyphens from the beginning
of the lyric lines? If so, how?
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Re: Newbie question
On Saturday 20 September 2003 08:38 am, Bernard Meylan wrote: > After a time of practice, I wish now to enter a bigger orchestral > piece. I don't no exactly the right following order; firts the parts > and after the score? Or otherwise? And what is the best way to make a > .ly file so "clean" and precisely possible? Sly is for big projects. Make your .ly files and then enter all the notes at once for each section: brass, strings, etc., in a .sly file in this format: part1 | part2 | part3 | etc. part1 | part2 | part3 | etc. part1 | part2 | part3 | etc. part1 | part2 | part3 | etc. part1 | part2 | part3 | etc. part1 | part2 | part3 | etc. part1 | part2 | part3 | etc. $ sly filename brass creates brass-pt1.ly, brass-pt2.ly, etc. from filename.sly Use \include to put them in your scores. It is probably most convenient to put a measure of each part on each line. When done, you might write some or all of the parts into the score with lyinclude so that you have everything in one huge file. I don't know whether there is any advantage to the fact that the parts are already extracted. One of the parts could be a dummy with measure numbers in it. If you don't \include it, lilypond will never see it. daveA -- Why should any country entrust its young people to the leadership of the same geniuses who *invaded the wrong country*? Answer: Money. The U.S. is broke, and stiffed Gulf War "partners". *U.S.* troops and vets *don't* trust Bush. D. Raleigh Arnold dra@ http://www.openguitar.com [EMAIL PROTECTED] ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
lilypond-1.8.2-1
I've made a new version of LilyPond available for download. As a special attraction 1.8.2-1 associates .ly files with an editor. Double clicking a .ly file will generate the PDF and open your favourite PDF viewer. Feel free to share your comments and suggestions on this new feature. Enjoy, Jan. To update your installation, click on the "Install Cygwin now" link on the http://cygwin.com/ web page. This downloads setup.exe to your system. Once you've downloaded setup.exe, run it and select "Publishing" and then click on the appropriate field until the announced version number appears if it is not displayed already. If you have questions or comments, please send them to the Cygwin mailing list at: [EMAIL PROTECTED] . I would appreciate it if you would use this mailing list rather than emailing me directly. This includes ideas and comments about the setup utility or Cygwin in general. If you want to make a point or ask a question, the Cygwin mailing list is the appropriate place. *** CYGWIN-ANNOUNCE UNSUBSCRIBE INFO *** If you want to unsubscribe from the cygwin-announce mailing list, look at the "List-Unsubscribe: " tag in the email header of this message. Send email to the address specified there. It will be in the format: [EMAIL PROTECTED] If you need more information on unsubscribing, start reading here: http://sources.redhat.com/lists.html#unsubscribe-simple Please read *all* of the information on unsubscribing that is available starting at this URL. I implore you to READ this information before sending email about how you "tried everything" to unsubscribe. In 100% of the cases where people were unable to unsubscribe, the problem was that they hadn't actually read and comprehended the unsubscribe instructions. If you need to unsubscribe from cygwin-announce or any other mailing list, reading the instructions at the above URL is guaranteed to provide you with the info that you need. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Fwd: Re: inversions in lilypond 1.8.2
-- Weitergeleitete Nachricht -- Subject: Re: inversions in lilypond 1.8.2 Date: Fri, 19 Sep 2003 10:12:41 +0200 From: Amelie Zapf <[EMAIL PROTECTED]> To: Ray Brohinsky <[EMAIL PROTECTED]> Hi all, as with all discussions about chords, let me throw in my 2¢... Voice leading is NOT an option. Voice leading is a MUST. But with chord name notation, it is usually left up to the player. Only if the lowest voice _in_the_entire_ensemble_, meaning usually the bass player, is to play a specific note is this expressly denoted with a slash: F/A. Voice leading in the middle voices is strictly up to the player. I might caution you against inversion support. Especially when you get to chords with an upper structure beyond the 7th, you cannot speak of "inversion" anymore, there's just "voicings" in which some notes are left out, and the rest is usually spaced at distances between thirds and fifths, with fourths sounding the smoothest. How should these inversions come out on the paper, anyway? Albest, Amy --- ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
about lyrics and extenders
i just cannot get it straight... if i understand correctly when you are writing lyrics, and you want to say that a word should be sung over many notes ( a melisma ), then you write something like notes: n n n n n n n words: w - - - - - - this puts the first - close to the word w, and the rest - left aligned below the respective note. when you use -- insted of - then you get the same result, but the -- are centered between notes. when you use __ after a note, then you get a line between that note and the next. but if you want to extend a word for more than 2 notes, how do you do it? the closest i came was to write something like notes: n n n n n words: w __ _ __ _ __ _ __ _ but this just creates the underlines separated from each other like __ __ __ __ what i want to achieve is something like __ how dow you do that? with regards, ricardo ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
BURSLU EÐÝTÝM OLANAÐI 24
LEFKE AVRUPA ÜNİVERSİTESİ (KIBRIS BİLİM VAKFI) YÖK tarafından tanınan, Avrupa ve Amerika'da geçerli diplomaya en kaliteli ve en uygun harçlarla sahip olma olanağı ... ÖSS Sınavından 185 ve üzeri ham puan almış öğrenciler 4 yıllık lisans programlarına, 160 ve üzeri ham puan alan öğrenciler ise 2 yıllık meslek yüksek okullarına kayıt yapabilirler. LİSANS PROGRAMLARI : İKTİSADİ VE İDARİ BİLİMLER FAKÜLTESİ * İşletme * Ekonomi * Pazarlama * Kamu Yönetimi * Uluslararası İlişkiler * Bankacılık ve Finans * Bilgisayar ve Enformasyon Sistemleri FEN-EDEBİYAT FAKÜLTESİ * İngilizce Öğretmenliği * Türk Dili ve Edebiyatı * Tarih TARIM BİLİMLERİ TEKNOLOJİLERİ FAKÜLTESİ * Bahçe Bitkileri Üretimi ve Pazarlaması * Tarım İşletmeciliği MİMARLIK MÜHENDİSLİK FAKÜLTESİ * Mimarlık * İç Mimarlık * Elektrik ve Elektronik Mühendisliği * İnşaat Mühendisliği * Bilgisayar Mühendisliği İLETİŞİM BİLİMLERİ FAKÜLTESİ * Gazetecilik * Radyo, TV, Sinema * Halkla İlişkiler ve Reklam * Görsel İletişim Tasarımı MESLEK YÜKSEK OKULU: * İşletmecilik * Bilgisayar programcılığı * İnşaat * Halkla ilişkiler ve Tanıtım * Görsel İletişim * TV Yapımı ve Yönetimi YÜKSEK LİSANS: * İşletme (MBA) * Uluslararası İlişkiler (MA) * İngilizce Öğretmenliği (MA) * Mimarlık (MA) * İnşaat Mühendisliği (MSc) * Elektrik ve Elektronik Mühendisliği (MSc) * Bilgisayar Bilimleri (MSc) * Bilgisayar Mühendisliği (MSc) YURT DIŞI ÖZEL EĞİTİM OLANAKLARI : SOAS Üniversitesi, Luton Üniversitesi, Westminister Üniversitesi, Hudersfield Üniversitesi (İngiltere), ESC Rouen Üniversitesi (Fransa). BURS OLANAKLARI : Emniyet mensubu, Türk Silahlı Kuvvetleri mensubu ve öğretmen çocuklarına % 50, ikinci dereceden akrabalarına % 33, kardeşlerden birine % 50 ve ayrıca akademik başarı bursu, sporcu bursu ve destek bursu. İstanbul Kayıt Ofisi : ŞİŞLİ / İSTANBUL. Tel : 0212 219 83 50 (9 Hat) E-Mail : [EMAIL PROTECTED] ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
tremolos shorter than a quarter
is there any plan to support tremolos shorter than a quarter?
i.e. \repeat "tremolo" 2 { c32 e32 }
i've had occasion to need them, but they generate a warning and end up
looking like squished-together quarter tremolos with no beam between the
stems. i'll have to hack a beam somehow for now.
-p
btw - 1.9.8 is excellent. the simplified syntax and new octave
conventions are quite welcome! it took me a while to clean up after
running convert-ly on the large score i'm working on, but it was
definitely worth it. and it's a big relief to be able to split beams
over lines with only one note hanging on either side of the split. YAY!
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